(1995 Video)

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8/10
warm and gentle to hot and nasty
baredbone22 September 2007
Jill Kelly This movie shows how sexy two ladies can be. Jill Kelly's strong legs demonstrate one reason she is so popular. I saw her in a movie set in a Nursing school and picked her out from a back view of 30 bent over behinds.--won $20 on that bet.

It's an older movie but still contains a theme but anything Jill does doesn't need anything but a camera, some lights, a place, a partner or two--or three, and Jill's presence to create a profit making erotic film. I have always remember the scene which was part of "Bald and Balled"

If I was Ebert I'd give it "one hard Thumb up". White Wedding is one of many movies with Jill that will remain Erotic Classics. Her films always seem to be of a higher standard of production and I believe it represents the caliber of Jill the actor as well as Jill the professional. Barry A of Oxnard--(hope she gets to see this)
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4/10
Okay...
Sciurus27 January 2000
While Chasey Lain is without question one of the most beautiful women ever to appear in film (adult or otherwise), her beauty can only carry this flick so far. With a plot that jumps around and the truly hideous Wallice as her "husband," you'd better keep your thumb on the fast forward button. Scenes of Chasey in a lovely wedding gown and accompanying lingerie are wonderful, but the rest isn't worth the trouble of bringing it home. Rent the Dinner Party or Chasey Saves the World instead.
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Great filmmaking on a modest scale
lor_7 January 2016
Warning: Spoilers
I just watched Paul Thomas's classic "Artemesia", one of the most ambitious porn films of all time. To bring me back to reality there's another fine film of his "White Wedding" at the opposite end of the spectrum - simple, unpretentious, effortless quality.

The late Richard Roud once referred to Francois Truffaut's ability to make organic movies as part of his natural sense of composition: most of the great New Wave director's work seems alive without much artifice or over-thinking ("Day for Night" is an obvious exception). So to with PT - for all the cleverness of Raven Touchstone's excellent screenplay the movie flows smooth and easy.

Gimmick is that star Chasey Lain has an unhappy marriage, hubby Marc Wallice a musician who cheats on her and nearly flaunts it. Raven and Thomas use a format reminiscent of the great Polish director Krzysztof Kieslowski (who was the greatest filmmaker in the world at the time "Wedding" was shot), by having her life unfold again two more times, marrying different people and seeing how that works out.

It's a wonderful ploy, and her subsequent Mulligans at marriage of course also fail, including a lesbian wedding to guest star Jill Kelly (clad in a tuxedo Jill is the husband of the couple), Chasey always in white. Infidelity is the recurring problem, and of course a major theme in most of Thomas's career.

Along the way her best friend and confidante is Nick East, remarkably appealing in an acting role and a rare good one in a career of gonzo reliability. Ending has the preceding turning out to be a little nightmare and Chasey making a bonfire out of her dress.

Highly entertaining, shot on film, and running a concise 71 minutes!
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