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7/10
An improbable duo
jotix10021 September 2006
Warning: Spoilers
Domenico, a petty criminal in Italy, decides to rob a bank. In order to bring his gun inside, he has a clever prop: a cat's cage, which goes unnoticed, as everyone is more interested in whether the cat is a male or female. Domenico has come to a bank where everyone seems to be doing what they weren't supposed to be doing, but he is handed a lot of money for his effort. As he is going out, Tomasso, a man who is entering, realizes the situation and goes along in being taken hostage by the goofy Domenico. Tomasso knows Domenico is no real bandit, so he puts his own plan into action.

The bank robber wanted to go north to Switzerland, but Tomasso reasons with him that the only way out is to go south, something that changes Domenico's plans completely. As they stop at Tomasso's house to get some clothes, it's clear the hostage has conceived a better plan of action. Domenico decides to follow his newly found friend as they embark in an adventure that will be the beginning of a great friendship.

Director Davide Ferrario, who collaborated also on the screen play with Diego Abatantuono, brings some interesting ideas to this combination of male bonding and road movie that was blessed by the choice of its two stars, Mr. Abatantuono, an excellent actor, and Silvio Orlando, a versatile actor whose work we have admired.

Besides the two principals, Valentina Cervi, Flavio Insinna, Elena Giove and Ugo Conti do some good work under Mr. Ferrario's direction.
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7/10
Promising Beginning, Disappointing 2nd Half
palmiro1 February 2004
This movie had us in stitches for the first half, and I thought, briefly, that it could possibly even aspire to be in the same league as Dino Risi's "Il Sorpasso", the greatest Italian road movie (and much more) of all time. Diego Abatantuono showed many of the qualities of Vittorio Gassman when the latter played the role of "Bruno" in the Risi film, and Silvio Orlando played the Trintignant character to very good effect(allowing for the obvious shifts in social class). But the film sputtered as soon as Valentina Cervi (daughter to Abatantuono's character) was brought back into the story (a forcibly re-introduced pretty face--as if an Italian audience can't make it through a movie without a beautiful female on the screen half of the time--or maybe she was brought back to counterbalance the "gay" theme that had been introduced). Before Cervi's reappearance there had been real magic in the interaction between Abatantuono and Orlando.
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