Multi-tasker Remo D'Souza barely has time to stop and enjoy the super-success of Abcd 2. He is already planning his next film in the Abcd franchise. Taking time off for a quick conversation Remo says, "I think Siddharth Roy Kapur (producer, Utv) is planning a party. I am now thinking about the next Abcd film." Remo says, "Yes, we are now planning Abcd 3. All we know at this point of time is that it has to be even bigger, in every sense, than Part 2. When we had decided to do Part 2, we had to make sure it was several times ahead of the first film. One has to keep taking the franchise forward. Or else there is no point in doing sequels." Remo is proud of the fact that he has incepted the revival of the dance genre of filmmaking in Bollywood. "Prior to Abcd, dance films had ceased for a very long time.
- 7/9/2015
- by Subhash K. Jha
- BollywoodHungama
Dennis Bartok
For many years I was the head of film programming for the American Cinematheque in Los Angeles, a non-profit film group that currently runs the Egyptian and Aero Theatres. As part of my job I tried to keep my finger to the pulse of national cinemas from around the globe, both new and old, by combing through festival catalogues, talking to other programmers and watching as many movies as I could get my hands on (much of these in the old VHS days!)
In the 1990s and early 2000s I saw the rediscovery of some amazing bodies of world cinema such as Italian Horror and Giallo Cinema from the 1960s & 1970s by directors like Mario Bava and Dario Argento, and Japanese Outlaw Cinema from the same period by hard-hitting genre filmmakers like Kinji Fukasaku, Seijun Suzuki and Kihachi Okamoto. But one thing I didn’t see, in repertory film calendars,...
For many years I was the head of film programming for the American Cinematheque in Los Angeles, a non-profit film group that currently runs the Egyptian and Aero Theatres. As part of my job I tried to keep my finger to the pulse of national cinemas from around the globe, both new and old, by combing through festival catalogues, talking to other programmers and watching as many movies as I could get my hands on (much of these in the old VHS days!)
In the 1990s and early 2000s I saw the rediscovery of some amazing bodies of world cinema such as Italian Horror and Giallo Cinema from the 1960s & 1970s by directors like Mario Bava and Dario Argento, and Japanese Outlaw Cinema from the same period by hard-hitting genre filmmakers like Kinji Fukasaku, Seijun Suzuki and Kihachi Okamoto. But one thing I didn’t see, in repertory film calendars,...
- 8/18/2014
- by Dennis Bartok
- DearCinema.com
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