Appetite (1998) Poster

(1998)

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5/10
interesting, but incomplete
kimmcelderry7 February 2011
I enjoyed watching this movie for the complex, rich characters. The actors all portrayed them wonderfully. There is a multifaceted storyline, each uniquely interesting, but in the end they don't seem to go anywhere. I understand the main point of this film was to show how depraved, miserable, lost, or pitiful the characters were, and it did a great job at that, but what was all the business about the room? This movie would have been fine without the Room 207 part. The description tricks you into thinking this is some kind of thriller or about a haunted room, but it isn't. When the movie ended, I was so disappointed because I had invested a lot of interest into the characters and it all ended abruptly and with no closure. I would like to see these characters play in a better story.
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3/10
Where was the horror? Where was the thrill?
UltimaGabe28 September 2014
Warning: Spoilers
The summary for this movie makes it sound like it's a horror/thriller in the vein of 1408 or The Shining- this movie is supposedly about a haunted room in a hotel where you dream other people's dreams. While yes, this is mentioned in the film, it has virtually no influence on the plot. At all. The movie starts with some hotel guests celebrating a birthday party, and one of them loses the draw and has to spend a night in the room. But what does it do?

Nothing, apparently.

This film isn't about the haunted room, or about anything creepy at all. It's a drama about the various lives of the several hotel guests and staff. Each character has their own mini-story, some of which get resolved, but most of which do not. One of the guests is hunting down the man who sold his son heroin, leading to his eventual overdose- the guest accuses one of the cooks, but is the cook actually the culprit? We don't know. Someone steals the cook's savings, and so a manhunt begins as the guests and staff look for the one who stole it- but who stole it? That is also never explained. Even the aforementioned haunted room, ultimately, has little involvement in the plot- two characters spend the night in the room, but nothing that happens to either character is directly related to it.

The main plot centers around the hotel owner and one of the guests, an ex-porn star who has attempted suicide several times. She never commits suicide in the movie, and the two of them don't actually end up together, so you might be asking, how is that the main plot? Beats me, but that's what it is. Eventually one of the two cooks gets high and leaves, and the other cook goes crazy and kills someone. I wish it were actually as exciting as I made it sound, but it isn't.

This movie kept my interest, but only because I was waiting for the horror part to start. Don't believe the description. This is a drama with little direction where nothing gets resolved.
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4/10
Appetite for Deconstruction
NoDakTatum28 November 2023
Warning: Spoilers
I picked up the video box to this film in the horror section of a video store, and prepared myself for a good old fashioned British hotel haunting that will have me forgetting "The Shining" and promising never to visit England again. I watched the film, and felt like I should have sued the video company for false advertising. Trevor Eve is Jay, a quiet but noble hotel owner. An assortment of weird guests are staying at his out-of-the-way hotel, which is located in the middle of Chinatown. Greta (Ute Lemper) is a former beauty who cannot seem to finish her suicide note so she can kill herself. Arthur (George Harris) is searching for the heroin dealer who made his son overdose. That dealer is the chef Wim (George Lentz), who works with the simple minded Godfrey (Detlef Bothe), who is saving his money in a box in the kitchen vent system. Susie (Yse Tran) is an adopted woman who plans to off herself if her birth mother does not show up by an appointed time. Jonathan (Edward Hardwicke) is a middle aged man obsessed with Susie, and final judgments. Nelson (Christien Anholt) is an angry Navy sailor who stirs up trouble as soon as he is thrown into this den of misfits. Everyone here has a history, and everyone's history is going to culminate in this hotel. A card game's loser, Susie, must spend the night in the haunted room of the hotel, where she has weird dreams that tell us a little bit about her. She survives the stay, more determined in her self-destructive decision. Greta and Jay draw closer, and she leaves him a girlie magazine she was in years before. Someone steals Godfrey's money, and Nelson steals the magazine. What follows are many scenes of accusations, and characters confronting other characters who have no idea what is going on.

I soon realized the horror angle had been a dupe, and I watched as the haunted room took a back seat to the psychological torture these characters are going through. The ending cannot be revealed, but the deaths of many of these troubled people is obvious, with the haunted room playing the smallest of roles. Every character here has a personality quirk, and they have this flaw when they arrive at the hotel. The hotel is not driving people crazy, the people are driving the hotel crazy. The entire haunted room subplot could have been removed and the film would not have been adversely affected. The whole film takes place in the hotel, and the set is very natural looking. Director Milton recalls Kubrick's "The Shining," right down to copying that film's fundamental flaw- characters who go nuts much too quickly. I was also reminded of Alan Parker's gliding shots in "Angel Heart," I would be interested to see Milton tackle straight horror with this kind of panache. Instead, we have a film that cannot decide if it is a character study or a suspenser and it does not work at either level. The cast is excellent across the board. Standouts are Eve as Jay, Lemper, and especially Anholt as Nelson. His part is not villainous so much as he is a first class jerk of the highest caliber, and one of the most unlikable characters in recent memory. The film is light on plot, relying on the characters to keep interest from flagging. Things really do not get going until the bloody finale, and the hopeful coda tacked on to the end feels as forced as it played. I was disappointed with "Appetite." I went into it with the wrong expectations, and by the time I tried to understand what the film makers were trying to do, I found that did not work either. Aside from the acting, lose this "Appetite."
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A good film
Riche-325 August 2001
I am not much of a critic but I can recognize a good movie when I watch it and "Appetite" is just one of those little excellent movies that can't seem to get the attention it deserves. Like "Cube", this a well written & well staged with interesting characters' developments, supported by a fine cast. I recommend "Appetite" to all those who love smart horror films. And if you like "Appetite" you will surely love "Cube", so be sure to check that other film out.
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2/10
OMG!!!
onieros1 April 2001
I can't believe that I actually sat thru this entire film. A friend rented it because the jacket made it sound good. In it's defense, the jacket was correct; there was a supposed haunted room that someone slept in overnight. From the jacket, it sounded like this was on par with Freddy, Jason, or maybe "The Shining." It couldn't be farther from the truth.

If you are a fan of minimalist and/or surrealist films, you may enjoy it. If you're looking for a good fright movie, or a couple of thrills, go rent Jason vs Freddy IV -- you'll have a much better night.
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7/10
It doesn't work as a thriller, but it's a fine drama
rimmering651 March 2006
The cover of the US DVD is a little confusing. It says, "Welcome to Room 207. Rest in Peace", and it looks as if it was a haunting remake of "The Exorcist" or "The Omen". The cover text suggested somewhat the same, so I was slightly disappointed when I watched it: I did expect a horror thriller, but I got a slow-moving, well-acted drama set in a station hotel in England, where Greta (superbly played by German singer Ute Lemper) and Jay (Trevor Eve, another great but under-appreciated actor) sort out their weird, uneven relationship. The supporting cast of Milton's beautifully staged directorial debut is excellent, especially Christien Anholt, who plays a sexy and mysterious sailor, proves his versatility. The song that Lemper performs in the end, "Whenever we get close (we fall apart)", is a rare masterpiece in itself. This may not be a good thriller, but it's a sophisticated drama about the strange paths of love, and fear.
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8/10
A film that shows fine cinema is by no means dead!
bennus7 June 1999
This intelligent movie shows great potential from a young Director, however it also shows the difficulties in getting a film distributed as Appetite, at current has no distributor in the UK or US.

Set around a hotel. A group of Strangers meet to celebrate the obnoxious Nelson's birthday. Here the chef, Wim, tells of one of the rooms in which nobody sleeps. In this room it is said that those who have slept there, dreamt the dreams of those who had gone before. Drunk, Nelson challenges the guests to play a game of cards, the loser having to sleep in the room for a night. From this point on we see the varrying deprevities, lusts, addictions, madnesses & weaknesses of the guests.

The film is well written yet still relies much more on the characters actions. Indeed it seems the director signs up to the idea that a picture can tell a thousand words. The main delight of this film however relies on the relationship between Greta (Ute Lemper) & Jay (Trevor Eve). Both showing a longing for one another yet neither brave enough to confront the other. The supporting cast is also just as fine with all characters developed just as well. The Story is also a marvel with enough different plot lines to keep anybody entertained & a pace which is just about right.

A recommended film which anybody should watch showing that there is still room for talent in cinema today.
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6/10
All About Eve
cdreamerme24 March 2013
No matter what Trevor Eve appears in: i.e., comedy, drama, period pieces, classics, or better yet in "Waking The Dead", Eve is always believable. What a consummate actor. And Eve's performance in "Appetite" seemed a bit restrained which only added a nice touch to the overall effect of the film.

The storyline and characters are odd but I wonder about the shadowy pasts of the main characters and how they ended up in such a hotel which is old and run down. Eve as the hotel owner/front desk clerk seems a bit stark, as though he cannot ever leave the hotel for some unknown reason.

What a collection of characters rife with problems, emotional issues, fear, etc. Odd as the film is, I liked it because it was all about Eve.
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