A lead detective being stalked by a serial killer is asked to check into a clinic treating law enforcement officials who can't face their jobs.
Director:
Writers:
Photos and Videos
Complete, Cast awaiting verification
| Sylvester Stallone | ... |
Jake Malloy
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| Charles S. Dutton | ... |
Hendricks
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| Polly Walker | ... |
Jenny
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| Kris Kristofferson | ... |
Doc
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| Mif | ... |
Brandon
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| Christopher Fulford | ... |
Slater
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| Jeffrey Wright | ... |
Jaworski
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| Tom Berenger | ... |
Hank
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| Stephen Lang | ... |
Jack Bennett
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| A.C. Peterson | ... |
Gilbert
(as Alan C. Peterson)
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| Hrothgar Mathews | ... |
Manny
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| Angela Alvarado | ... |
Lopez
(as Angela Alvarado Rosa)
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| Robert Prosky | ... |
McKenzie
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| Robert Patrick | ... |
Noah
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| Courtney B. Vance | ... |
Reverend Jones
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| Sean Patrick Flanery | ... |
Conner
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| Tim Henry | ... |
Weeks
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| Dina Meyer | ... |
Mary
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| Rance Howard | ... |
Geezer
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| Frank Pellegrino | ... |
Jimmy
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| James Kidnie | ... |
Red
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Yves Cameron | ... |
Killer
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| Harrison Coe | ... |
Medical Examiner
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Peter Flemming | ... |
Officer
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| Chris Nelson Norris | ... |
Police Lieutenant
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| Bill Mackenzie | ... |
Bartender
(as Bill MacKenzie)
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Ian Gschwind | ... |
Paramedic
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| David James Lewis | ... |
Jeweler
(as David Lewis)
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| Rest of cast listed alphabetically: | |||
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John Timothy Botka | ... |
Police Officer (uncredited)
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| James Ralph | ... |
Officer in Bar (uncredited)
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| Ruth Zalduondo | ... |
Additional Voices (uncredited) (voice)
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Directed by
| Jim Gillespie | ||
Written by
| Howard Swindle | ... | (book "Jitter Joint") |
| Ron L. Brinkerhoff | ... | (screen story) |
| Ron L. Brinkerhoff | ... | (screenplay) |
Produced by
| Karen Kehela Sherwood | ... | producer (as Karen Kehela) |
| Ric Kidney | ... | producer |
| Maureen Peyrot | ... | executive producer |
| Kevin King Templeton | ... | associate producer (as kevin king) |
Music by
| John Powell | ||
Cinematography by
| Dean Semler | ... | director of photography |
Editing by
| Timothy Alverson | ... | (as Tim Alverson) |
| Steve Mirkovich | ||
Editorial Department
| Jordan Acomba | ... | assistant editor: Vancouver |
| Jason Dale | ... | assistant editor |
| Gabrielle Fasulo | ... | editor: main title sequence, New Wave Entertainment |
| Mo Henry | ... | negative cutter |
| Roger Jones | ... | post-production assistant |
| Peter A. Mirkovich | ... | post-production assistant (as Pete Mirkovich) |
| Tim Mirkovich | ... | apprentice editor |
| Mark Perzely | ... | assistant editor: Los Angeles |
| Davis Reynolds | ... | assistant editor: Los Angeles (as David Reynolds) |
| Michael Smith | ... | assistant editor: Vancouver (as Mike Smith) |
| Mike Stanwick | ... | color timer |
| Frederick Wardell | ... | assistant editor |
| William Yeh | ... | assistant editor: Los Angeles |
| Chad Wingerd | ... | post-production assistant (uncredited) |
Casting By
| Anne McCarthy | ||
| Mary Vernieu | ||
Production Design by
| Gary Wissner | ||
Art Direction by
| Gary Pembroke Allen | ... | (as Gary P. Allen) |
| Nancy Ford | ||
| Gershon Ginsburg | ... | supervising art director |
Set Decoration by
| Peter Lando | ||
Costume Design by
| Catherine Adair | ||
Makeup Department
| Melina Calogiros | ... | first assistant hair stylist |
| Angelina P. Cameron | ... | key hair stylist (as Angie Cameron) |
| Stan Edmonds | ... | key makeup artist |
| Toby Lindala | ... | special makeup effects artist |
| Audrey McAngus | ... | special makeup effects artist |
| Tone Rorvik | ... | first assistant makeup artist |
| Tricia Sawyer | ... | makeup artist: Mr. Stallone |
| Janine Thompson | ... | hair stylist: Mr. Stallone (as Janine Rath) |
| Vince Yoshida | ... | fabricator |
| Stacey Butterworth | ... | wig maker (uncredited) |
Production Management
| Ric Kidney | ... | additional unit production manager |
| Shelly Kidney | ... | post-production supervisor |
| Brent O'Connor | ... | production manager |
Second Unit Director or Assistant Director
| Andrea Beardsley | ... | trainee assistant director |
| Chris Brighton | ... | first assistant director |
| J. Stephen Buck | ... | first assistant director (as Stephen Buck) |
| Katherine Keizer | ... | third assistant director |
| Tracey Poirier | ... | second second assistant director |
| Andrew M. Robinson | ... | second assistant director (as Andrew Robinson) |
Art Department
| Chris Andreas | ... | assistant set dresser |
| Victoria Balharry | ... | art department assistant |
| Cal Barnett | ... | lead greens |
| Jim Birkel | ... | construction foreman |
| Robert Blasi | ... | art department coordinator: reshoots |
| Madonna Blunt | ... | lead scenic painter |
| Karin Brooks | ... | set decoration buyer |
| Scott Calderwood | ... | set dresser |
| Maureen Carey | ... | construction department assistant |
| George Cawood | ... | art director: main title sequence |
| Lubor Cencak | ... | scenic artist |
| Ron Clifford | ... | construction foreman |
| Janice Lynn Coats | ... | carpenter (uncredited) / scenic carpenter |
| Gary J. Coelho | ... | laborer: additional photography |
| Michael Diner | ... | draftperson |
| Donald Engel | ... | carpenter (as Don Engel) |
| Chris Gilmour | ... | lead dresser |
| Jim Green | ... | head greens |
| John Hamilton | ... | paint foreman |
| Tambre Hemstreet | ... | art department coordinator |
| Craig Henderson | ... | construction coordinator |
| Steve Houle | ... | on-set dresser |
| David Jenkinson | ... | assistant set dresser (as Dave Jenkinson) |
| Carl Johansen | ... | greensman |
| Georges Kamm | ... | model maker |
| John B. Keys | ... | scenic artist |
| Jan Kobylka | ... | construction coordinator |
| Barry Kootchin | ... | head scenic artist |
| Ken Laderoute | ... | scenic helper |
| Theron Layne | ... | scenic carpenter |
| Malcolm MacLean | ... | paint foreman (as Malcolm Maclean) |
| Scott Mathers | ... | construction buyer |
| Max Matsuoka | ... | first assistant property master |
| Don McGill | ... | on-set props |
| Barbara Mercer | ... | construction accountant |
| Sheila Millar | ... | draftperson |
| Jay Mitchell | ... | draftperson |
| Kathleen Morrissey | ... | model maker |
| Garry Frank Patt | ... | construction foreman (as Garry Patt) |
| Lorne Poole | ... | set dresser |
| Hamish Purdy | ... | set dresser (as Hamish F. Purdy) |
| Tom Robertson | ... | stand-by painter |
| Luis Russo | ... | production illustrator |
| Kristin Shanski | ... | props buyer |
| David Shauger | ... | propmaker gangboss |
| Sandra Smolski | ... | set decoration buyer |
| Gordon Stewart | ... | set dresser (as Gord Stewart) |
| Grant Swain | ... | property master |
| Faye Thorp | ... | assistant set decorator |
| Mario Tomas-Niedworok | ... | scenic artist |
| Rick Willoughby | ... | lead on-set carpenter |
Sound Department
| Ron Bedrosian | ... | adr mixer |
| Lon Bender | ... | supervising sound editor |
| Stu Bernstein | ... | foley editor (as Stewart Bernstein) |
| Rick Bold | ... | boom operator |
| Gary C. Bourgeois | ... | re-recording mixer (as Gary Bourgeois) |
| Barney Cabral | ... | supervising sound editor |
| John Cannon | ... | first assistant sound editor |
| Kerry Carmean-Williams | ... | sound effects editor (as Kerry Carmean) |
| Mark Choi | ... | sound effects editor |
| Simon Coke | ... | dialogue editor |
| Richard Dwan Jr. | ... | adr editor / dialogue editor |
| Eric Flickinger | ... | sound recordist |
| Dylan A. Flores | ... | adr recordist (as Diana Flores) |
| Nerses Gezalyan | ... | foley mixer / sound mixer |
| Laura Graham | ... | adr editor |
| Alan Holly | ... | adr mixer |
| David Husby | ... | production sound mixer |
| Constance A. Kazmer | ... | dialogue editor |
| Michael Keller | ... | re-recording mixer |
| Randy Kelley | ... | sound effects editor |
| Lee W. Lebaigue | ... | digital assistant (as Lee Lebaigue) |
| Peter J. Lehman | ... | sound effects designer (as Pete Lehman) |
| Jennifer L. Mann | ... | adr editor (as Jennifer Mann) |
| Glenn T. Morgan | ... | adr supervisor |
| James Moriana | ... | foley artist |
| Myron Nettinga | ... | re-recording mixer |
| Mark Ormandy | ... | sound librarian |
| Kelly Oxford | ... | adr editor |
| Perry Robertson | ... | sound effects editor |
| Scott Sanders | ... | sound effects editor |
| Alison Sanford | ... | dubbing recordist |
| David Stanke | ... | digital assistant |
| Jon Title | ... | sound effects designer |
| Gayle Wesley | ... | first assistant sound editor |
| Jeffrey Wilhoit | ... | foley artist |
| Wayne Williams | ... | sound assistant |
| Greg Zimmerman | ... | foley recordist |
| Douglas J. Schulman | ... | production sound mixer: re-shoots (uncredited) |
Special Effects by
| Brent Baker | ... | mold technician: Steve Johnson's XFX |
| Todd Bilawchuk | ... | special effects assistant |
| Mark Boley | ... | hair department supervisor: Steve Johnson's XFX |
| Brett Collen | ... | special effects assistant (as Brett Kollen) |
| Joe Colwell | ... | body fabricator: Steve Johnson's XFX |
| Zach Cveticanin | ... | seamer: Steve Johnson's XFX (as Zack Cveticanin) |
| Michael Del Rossa | ... | special effects makeup |
| André Dominguez | ... | lead snow technician (as Andre Dominquez) |
| Darya Douglas-Andres | ... | special effects assistant |
| Fernando Favila | ... | production coordinator: Steve Johnson's XFX |
| Damian Fisher | ... | mold maker |
| Chris Flemington | ... | on-set special effects assistant |
| Thomas Floutz | ... | lead painter: Steve Johnson's XFX (as Tom Floutz) |
| Bleau Fortier | ... | special effects assistant |
| James Franchuk | ... | special effects assistant (as James Franchuck) |
| David Gauthier | ... | special effects coordinator (as Dave Gauthier) |
| Denys Guillemette | ... | special effects assistant |
| Brad Hardin | ... | body fabricator: Steve Johnson's XFX |
| Garnet Harry | ... | special effects buyer |
| Rob Hinderstein | ... | prosthetics: eyes & teeth, Steve Johnson's XFX |
| Mike Hyrman | ... | special effects crew |
| Leon Laderach | ... | prosthetics designer: 'Smiley', Steve Johnson's XFX |
| John R. McConnell | ... | digital designer: Steve Johnson's XFX (as John Robert McConnell) |
| Clay McGhee | ... | special effects lead fabricator / special effects shop foreman |
| Elie Merhab | ... | special effects assistant (as Elie Merheb) |
| Bill Mills | ... | special effects assistant |
| Eric Milner | ... | special effects technician |
| Steve Newburn | ... | technician: Steve Johnson's XFX |
| Robert Newton | ... | production coordinator: Steve Johnson's XFX |
| Michael O'Brien | ... | mold/lab technician: Steve Johnson's XFX |
| Mark Obedinski | ... | special effects assistant (as Mark Obedezinski) |
| Jak Osmond | ... | assistant special effects coordinator |
| John Reynolds | ... | special effects assistant |
| Bob Robinson | ... | special effects assistant |
| Clancy Scheirer | ... | special effects assistant |
| Clay Scheirer | ... | special effects first assistant (as Clayton Scheirer) |
| Roy Schultz | ... | special effects assistant (as Roy Schulz) |
| Walter Shemley | ... | special effects assistant (as Walter Shemly) |
| Matt Singer | ... | mold department supervisor: Steve Johnson's XFX |
| John Sleep | ... | special effects technician |
| Dave Snyder | ... | project supervisor: Steve Johnson's XFX |
| Siegfried Stock | ... | special effects assistant |
| Wayne Szybunka | ... | lead on-set special effects assistant |
| Adam Tayler | ... | special effects technician |
| Adam Taylor | ... | special effects assistant |
| Monte Thompson | ... | special effects assistant |
| Christien Tinsley | ... | project supervisor: Steve Johnson's XFX |
| Harry Tomsic | ... | fabricator |
| Scott R. Treliving | ... | special effects assistant (as Scott Treliving) |
| Brian Van Dorn | ... | mold technician: Steve Johnson's XFX |
| A.J. Venuto | ... | technician: Steve Johnson's XFX |
| Brad Zehr | ... | special effects assistant |
Visual Effects by
| Syd Dutton | ... | special visual effects: Illusion Arts |
| Bill Taylor | ... | special visual effects: Illusion Arts |
| Toby Wilkins | ... | inferno artist: main title sequence, New Wave Entertainment |
Stunts
| Charles Andre | ... | stunt coordinator (as Charles André) |
| Guy Bews | ... | stunts |
| Richard L. Blackwell | ... | stunt rigger |
| Celia Bond | ... | stunts |
| Yves Cameron | ... | stunts |
| Mark De Alessandro | ... | stunt double: Mr. Stallone (as Mark DeAlessandro) |
| Jim Dunn | ... | stunts |
| Alex Green | ... | stunts |
| Dee Jay Jackson | ... | stunts |
| Jeff Langton | ... | stunt double |
| Mike Mitchell | ... | stunts |
| Jim Stephan | ... | stunt rigger |
| Mark De Alessandro | ... | stunt coordinator (uncredited) |
| Dave Hospes | ... | stunts (uncredited) |
| Ernie Jackson | ... | stunts (uncredited) |
| David Jacox | ... | stunts (uncredited) |
| Michael Langlois | ... | stunts (uncredited) |
| Lauro David Chartrand-Del Valle | ... | stunts (uncredited) |
Camera and Electrical Department
| Dan Bennett | ... | grip |
| J.B. Bivens | ... | grip (as JB Bivens) |
| John Clothier | ... | camera operator / steadicam operator |
| Ken Decker | ... | generator operator |
| John Dekker | ... | best boy electric |
| Herb DeWaal | ... | key rigging grip / rigging grip (as Herb Dewaal) |
| John Dines | ... | lamp operator |
| Todd Fairbairn | ... | lamp operator (as Todd Fairburn) |
| Bob Findlay | ... | first assistant camera |
| Colin Gray | ... | rigging gaffer |
| Tim Hogan | ... | key grip |
| Joseph Lederer | ... | still photographer (as Joe Lederer) |
| Michael P.R. Lemmers | ... | best boy grip (as Michael Lemmers) |
| Carl Leveque | ... | rigging grip |
| Shawn McLaughlin | ... | rigging gaffer (as Sean McLaughlin) |
| Randal W. Morton | ... | camera assistant trainee (as Randy Morton) |
| Bruce Murray | ... | lamp operator |
| Cam North | ... | first assistant camera |
| Rob Parisien | ... | video assist operator |
| John Price | ... | second assistant camera |
| Ian Prince | ... | grip |
| Christopher Reusing | ... | lamp operator |
| Noah Richoz | ... | video assistant |
| Calmar Roberts | ... | first assistant camera (as Cal Roberts) |
| David Schmalz | ... | video assist operator |
| Steve Sherlock | ... | grip |
| Rick Stadder | ... | dolly grip |
| Jarrod Tiffin | ... | lamp operator (as Jarrod Tiffen) |
| Jeff Upton | ... | gaffer |
| Michael Wiebe | ... | lamp operator (as Michael A. Wiebe) |
| Carrie Wilson | ... | second assistant camera |
| Ann Wraith | ... | lighting technician |
| Ed 'Animal' Schulz | ... | rigging grip (uncredited) |
Casting Department
| Sandra Couldwell | ... | extras casting |
| Barbara Harris | ... | adr voice casting |
| Sid Kozak | ... | casting: Canada |
| Jennifer Lindesmith | ... | casting associate: Los Angeles |
| Freddy Luis | ... | casting associate: Los Angeles |
| Alex Newman | ... | casting assistant: Los Angeles |
| A.J. Unger | ... | casting associate: Vancouver (as AJ Unger) |
| Clare Walker | ... | casting: Toronto |
Costume and Wardrobe Department
| Marie Boller | ... | costumer |
| Laurie Giles | ... | costume department coordinator |
| Jennifer Grossman | ... | assistant costume designer |
| Marci R. Johnson | ... | costumer: Mr. Stallone (as Marci Johnson) |
| Gillian Kieft | ... | costume set supervisor (as Gillian Keift) |
| Joanne Mills | ... | cutter fitter (as Joanne Trotta) |
| Sue Moore | ... | costume supervisor |
| Cindy L. Russell | ... | costumer (as Cindy Russell) |
| Kim Schwandt | ... | set costumer |
| Lily Yuen | ... | key breakdown artist |
Location Management
| Scott Harper | ... | location manager |
| Janet McCairns | ... | location scout |
| Dennis Swartman | ... | assistant location manager |
| James Thompson | ... | trainee location manager |
Music Department
| Bruce Botnick | ... | music score mixer / score recordist |
| Julian Bratolyubov | ... | music preparation |
| Sandy De Crescent | ... | music contractor (as Sandy DeCrescent) |
| Elizabeth Finch | ... | orchestrator |
| Bruce Fowler | ... | orchestrator |
| Sayuri Lyons | ... | orchestrator (as Sayuri K. Lyones) |
| Ladd McIntosh | ... | orchestrator (as Ledd McIntosh) |
| Yvonne S. Moriarty | ... | orchestrator (as Yvonne Moriarty) |
| Jeffrey Potokar | ... | assistant music editor (as Jeff Potokar) |
| Angie Rubin | ... | music editor |
| Scott Stambler | ... | music consultant |
| George Doering | ... | musician (uncredited) |
| Walt Fowler | ... | orchestrator (uncredited) |
| Nick Glennie-Smith | ... | composer: additional music (uncredited) |
| Gavin Greenaway | ... | conductor (uncredited) |
| Richard A. Harrison | ... | preview music editor (uncredited) |
| Sean M. Hickey | ... | music preparation (uncredited) |
| Stephen Lotwis | ... | music editor: temp music (uncredited) |
| James McKee Smith | ... | composer: additional music (uncredited) |
| Alan Meyerson | ... | music scoring mixer (uncredited) |
| William Ross | ... | composer: additional music (uncredited) |
| Sharon Smith | ... | music editor: temp music (uncredited) |
| Curt Sobel | ... | preview music editor (uncredited) |
| Sebastian Toettcher | ... | musician: cello (uncredited) |
| Terry Wilson | ... | preview music editor (uncredited) |
| Geoff Zanelli | ... | composer: additional music (uncredited) |
Script and Continuity Department
| Portia Tickell | ... | script supervisor (as Portia Jacox) |
Transportation Department
| Brad Bowe | ... | driver |
| Stephen Carr | ... | personal driver |
| Tony Czerwonka | ... | driver |
| Fred Davies | ... | picture car wrangler |
| Earl Fry | ... | driver |
| Marty Grohn | ... | driver |
| Dan Groseclose | ... | transportation co-captain (as Danny Groseclose) |
| Barry 'Bear' Horton | ... | driver (as Barry Hortin) |
| Peter Huff | ... | driver |
| Gale Hughes | ... | driver (as Gayle Hughes) |
| Dan Johnson | ... | driver |
| Malcolm Johnson | ... | transportation co-captain |
| Tony Johnson | ... | transportation captain |
| Dave Miller | ... | driver: Mr. Stallone |
| Allan Morgan | ... | transportation coordinator (as Al Morgan) |
| Drew Neville | ... | driver |
| Mike Porohowski | ... | driver |
| Bubba Ram | ... | driver |
| Al Woods | ... | driver (as Al Wood) |
Additional Crew
| Matt Adler | ... | additional voices |
| Amy Barager | ... | production assistant (as Amy Edelson) |
| Jasmine Barry | ... | production coordinator (as Jasmine Elsworth) |
| Doreen Beaulac | ... | assistant accountant |
| Adam Bitterman | ... | additional voices |
| James Black | ... | additional voices |
| Jacque Blackstone | ... | projectionist (as Jaques Blackstone) |
| Ron Blecker | ... | technical advisor: SWAT/tactical |
| Jesse Ray Boehm | ... | production assistant |
| Claire Boyle | ... | extras wrangler (as Clare Boyle) |
| Julie Bygrave | ... | accounting clerk |
| Terence Chase | ... | security |
| Thomas de Schutter | ... | stand-in: 'Malloy' (as Thomas B. De Schutter) |
| Holly Dorff | ... | additional voices |
| Judi M. Durand | ... | additional voice (as Judi Durand) |
| Greg Ellis | ... | additional voices |
| Efrain Figueroa | ... | additional voices |
| Wendy J. Findlay | ... | second assistant coordinator (as Wendy Findlay) |
| Greg Finley | ... | additional voices |
| Rob Fournier | ... | armourer |
| Danielle Faith Friedman | ... | assistant: Jim Gillespie (as Danielle Friedman) |
| Fabian Galick | ... | security co-captain |
| Rohry Galick | ... | security captain (as Rory Galick) |
| Michael Gough | ... | additional voices |
| Michele Hamilton | ... | accounting clerk |
| Barbara Harris | ... | additional voice (as Barbara Iley) |
| Bill Harrison | ... | security |
| Peter Jessop | ... | additional voices |
| Gordon Juli | ... | security |
| Robert Knepper | ... | additional voice (as Rob Knepper) |
| Paulette Kushniruk | ... | technical advisor: nurses |
| Robert Milicevic | ... | security |
| W. Robert Millar | ... | production assistant (as Robert Millar) |
| Melissa Mirkovich | ... | additional voices |
| Lee Anne Muldoon | ... | unit publicist |
| Joseph Murphy | ... | technical advisor: FBI |
| Bob Neill | ... | additional voices |
| Shannon Pearce | ... | office production assistant: Whistler |
| Richard Penn | ... | additional voices |
| John Priday | ... | title designer: New Wave Entertainment |
| Holly Amber Proulx | ... | office production assistant / receptionist |
| Patrizia Quas | ... | stand-in: 'Jenny' (as Patriz Quas) |
| David Randolph | ... | additional voices |
| Mike Revell | ... | production accountant |
| Penny Rogers | ... | assistant production coordinator |
| Mike Rumain | ... | security: Mr. Stallone (as Michael Rumaine) |
| Jayson Rupert | ... | production assistant (as Jay Rupert) |
| Carol Sanders | ... | technical advisor: nurses |
| Nina Saxon | ... | title designer: main titles |
| Shirley Smale | ... | craft service / first aid |
| Bob Stair | ... | technical advisor: forensics |
| Regan Steele | ... | production assistant (as Reegan Steele) |
| Joel Swetow | ... | additional voices |
| Stephen Tibbetts | ... | stand-in: 'Malloy' |
| Sarah Tichenor | ... | payroll accountant |
| Clare Turner | ... | office production assistant: Whistler |
| Heather Vedan | ... | production assistant (as Heather Byrne) |
| Nadia Venesse | ... | dialect coach |
| William Wintersole | ... | additional voice (as Bill Wintersole) |
| Ruth Zalduondo | ... | additional voices |
| Kody Zimmermann | ... | office production assistant |
| David Zyler | ... | additional voice (as David Allen Kramer) |
| Randee Lynne Jensen | ... | creative assistant (uncredited) |
| George Ramage | ... | set wire (uncredited) |
| Ben Schoen | ... | end titles: Scarlet Letters (uncredited) |
Production Companies
- Universal Pictures (presents)
- KC Medien (in association with)
- Capella International
- Soul Simple Productions
- Imagine Entertainment
Distributors
- United International Pictures (UIP) (2002) (Germany) (theatrical)
- United International Pictures (UIP) (2002) (United Kingdom) (theatrical)
- United International Pictures (UIP) (2002) (Netherlands) (theatrical)
- United International Pictures (UIP) (2002) (Spain) (theatrical)
- United International Pictures (2002) (Argentina) (theatrical)
- East West (2002) (Russia) (theatrical)
- DEJ Productions (2002) (United States) (theatrical)
- United International Pictures (UIP) (2002) (Australia) (theatrical)
- United International Pictures (UIP) (2002) (Belgium) (theatrical)
- United International Pictures (UIP) (2002) (Finland) (theatrical)
- United International Pictures (UIP) (2002) (France) (theatrical)
- United International Pictures (UIP) (2002) (Italy) (theatrical)
- United International Pictures (UIP) (2002) (Sweden) (theatrical)
- Columbia TriStar Home Entertainment (2002) (United States) (DVD) (as "Eye See You")
- Columbia TriStar Home Entertainment (2002) (United States) (VHS) (as "Eye See You")
- DEJ Productions
- MVD Visual (2020) (United States) (Blu-ray)
- Mainostelevisio (MTV3) (2006) (Finland) (tv)
- Netflix (2021) (World-wide) (tv) (limited)
- Sub (2011) (Finland) (tv)
- Umbrella Entertainment (2021) (Australia) (Blu-ray)
- Universal Home Video (Brazil) (DVD)
- Universal Home Video (Brazil) (VHS)
- Universal Pictures Finland (2002) (Finland) (DVD) (VHS)
- Universal Pictures Finland (2010) (Finland) (Blu-ray)
- Universal Pictures Home Entertainment (2010) (Germany) (Blu-ray) (DVD)
- Universal Pictures Video (2002) (Australia) (DVD)
- Universal Pictures (2002) (Netherlands) (DVD) (VHS) (rental)
- Universal Pictures (2003) (Netherlands) (DVD) (VHS) (retail)
- Universal Pictures (2010) (Netherlands) (Blu-ray)
- Universal Pictures (2010) (Sweden) (Blu-ray) (DVD)
- Veronica (2005) (Netherlands) (tv)
Special Effects
- Illusion Arts (special visual effects)
- Lindala Schminken FX
- Lindala Schminken FX (special makeup effects)
- Snow Business International (snow effects)
- Steve Johnson's XFX (prosthetic and animatronic effects)
Other Companies
- Chapman/Leonard Studio Equipment (camera cranes)
- Chapman/Leonard Studio Equipment (camera dollies)
- Kodak Canada (motion picture film)
- Mondo Catering (catering)
- New Wave Entertainment (main title sequence)
- Pacific Title (opticals)
- Province of British Columbia Production Services Tax Credit (with the participation of)
- Sabron Payroll Services (payroll: orchestra)
- Scarlet Letters (end titles)
- Spacecam Systems (SPACECAM aerial camera system)
- Wescam USA (Wescam provided by)
Storyline
| Plot Summary |
FBI agent Jake Malloy just can't nail a serial killer who's been targeting cops. The killer has already killed nine cops. Not only does the killer despise policemen, but he also has a grudge against Malloy for pursuing him during a string of prostitute murders four years ago. The killer finally decides to hit Malloy where it hurts, killing one of Malloy's friends on the force, and brutally killing Malloy's fiancé Mary. The grief sends Malloy off the deep end and causes him to become alcoholic, forcing Malloy's colleague, Detective Hendricks, to sign Malloy up at a remote detox clinic in a snow-covered part of Wyoming. The clinic specializes in rehabilitating alcoholic cops. But the killer murders another patient and assumes the patient's identity at the clinic. While Malloy participates in group therapy sessions, the killer starts killing the patients. Among the endangered patients are Jaworski, Slater, Noah, Conner, and a dozen others, one of whom must be the killer. One by one, the patients start falling prey to the killer and, starting with the facility's director, Doc, the killer starts targeting the staff as well. Written by Todd Baldridge |
| Plot Keywords | |
| Taglines | Survival is a Killer. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Box Office
| Budget | $55,000,000 (estimated) |
| Cumulative Worldwide Gross | $6,416,302 |
Did You Know?
| Trivia | After the movie was finished in 1999, Universal Studios decided to screen it to a test audience. All the screenings of the first cut got very bad reactions, and the film was then shelved while re-shoots and story changes were being done. A new ending was also filmed in which the main villain is killed in a different way - but even after re-shoots and title changes (the movie's working titles were "Detox", "The Outpost" and "Eye See You"), Universal Studios didn't care for it. After test screenings for the new version also got negative response, it finally received a limited release three years after completion. In a Q&A for Ain't It Cool News in December 2006, Sylvester Stallone was asked why the movie didn't get a wider release, and he answered; "It's very simple why D-TOX landed in limbo. A film is a very delicate creature. Any adverse publicity or internal shake-up can upset the perception of - and studio confidence in - a feature. For some unknown reason the original producer pulled out and right away the film was considered damaged goods; by the time we ended filming there was trouble brewing on the set because of overages and creative concerns between the director and the studio. The studio let it sit on the shelf for many months and after over a year it was decided to do a re-shoot. We screened it, it tested okay, Ron Howard was involved with overseeing some of the post-production... but the movie had the smell of death about it. Actually, if you looked up, you could see celluloid buzzards circling as we lay there dying on the distributor's floor. One amusing note: It was funny, when we were met at the airport by the teamsters they'd have a sign in front of them saying DETOX, and all these actors like Kris Kristofferson, Tom Berenger and myself looked like we were going into rehab rather than a film shoot." See more » |
| Goofs | When Malloy is kissing his girlfriend after bringing her the toy monkey, his nose is on the right side of her nose. The POV changes and his nose is now on the other side. See more » |
| Movie Connections | Featured in In Search of the Last Action Heroes (2019). See more » |
| Soundtracks | One More Night See more » |
| Quotes |
[first lines]
911 operator: 911, what is your emergency? disguised voice: I'm tired of the way things are, as opposed to the way they should be. 911 operator: Is this an emergency? Where are you located? disguised voice: That really doesn't matter, so hear me out. 911 operator: Can we have your name please? disguised voice: Of course, "Common Denominator", your man in the street. Now don't ask a another question or I will be obliged to do bad. Doing bad, you would have to assume responsibility. No interruptions. That's natural selection. Born to win, born to lose, born to die, three situations that make up everything in the world. No interference, but interference happens. People need to fear the important task I enjoy doing. I don't believe people are not good by nature, not at all. So if you remove the rule of authority, even the police, then you'll see life as God intended it to be. A world of pandemonium and quotients. Without rules, the weak and diseased would be gone, streets red with blood, the way nature intended it to be. There will be another body found. Thank you for your time. See more » |