User Reviews

I enjoy Anne Perry's novels, both Thomas Pitt and also William Monk (which would have also made good material for a movie). But I had in mind someone more like Alan Rickman in his younger days. Is there no one able to speak as he does, coming up in the ranks of actors? The character of Charlotte would have been better with someone a little stronger in ability to make Charlotte the determined character she was. I am sure everyone pictures their own ideals when reading a book, but changing the story a bit doesn't bother me as much as making the characters not fit the story. Thomas Pitt was described as having a beautiful voice and brown, not blonde, hair. Anyway. I do so wish they would try a movie using William Monk and his friend, a nurse from the Crimea. (By the way, AP's books have also become audio books, the best ones read by David McCallum, another gentleman with a talented and wonderful voice). I do believe they may have tried making this one because it is the first of the Inspector Pitt series. The stories get better as time progresses. Making one like Pentecost Alley, or Ashworth Hall would be much more entertaining. To have pitted the future of other dramatizations on this one book, was not a good idea as can be seen.

The Cater Street Hangman is a brilliant movie with exceptional lead actors - McCarthy and Hawes. Eoin McCarthy and Keely Hawes shine as Inspector Pitt and Charlotte. The movie is brought to life by the exciting book it is based on by Anne Perry and by the fact that it is a period piece. This is a must see for murder/mystery fans. The movie keeps you guessing until the end. It would be great to see more of Anne Perry's novels in this series come to life. Until that happens, Cater Street will do to satisfy anyone's appetite. Enjoy!

While liberties were taken with the original story by Anne Perry, the Cater Street Hangman was very true to the overall feeling of the novel. Eoin McCarthy did an outstanding job as Inspector Pitt - very believable. Keeley Hawes also did wonderful work as the much-oppressed, liberal-minded woman of Victorian times. I wasn't interested in Anne Perry's work until after I had watched this movie, and I hope to see more adaptations of this series in the near future.

While the Victorian social and moral notions are roasted as thoroughly as a movie can without losing sight of the murder mystery plot, I especially welcome the degree of detailed accuracy enforced in the wardrobe, the accessories and hair. The stiffness of the fabrics, the bustles, the cropped fringes and the minimal makeup reinforced the feel and look of the rising middle classes in 1880s Victorian London. Kudos to the staff and departments ruling those decisions. Thankfully that very realism makes this production very tricky to date so little of the movie's contemporary make-up and hair styling filtered through.That is too rare these days...that I had to look the date up.

I enjoyed this movie. I thought it was very well done and I cannot wait to see more shows. The acting was great. Mr McCarthy and Ms Hawes did an excellent job of bring the lead characters to life.

The characters were far from stereotypical...with the exception of Charlotte's father and mother. Of course, this was the intention...Mr & Mrs Ellison represented the mores of the day while Charlotte and Pitt were representative of a new day.

While the movie stayed fairly close to the book, I have to admit to being disappointed that the motive was sanitized. The fact that the motives in Perry's books are sometimes rather seamy make them stand out from other mysteries dealing with the Victorian era. Possibly that has something to do with Anne Perry's own history. If the book had ended the way the movie did, I probably wouldn't have bothered reading any of her others.

I think it was a fantastic movie all the actors and actresses were really great and it was a gorgeous film and it showed just how people were treated who were in a lower class and how the rich treated them as well.

Ah, British period piece murder mysteries. ITV or BBC, the station hardly matters, for such fare bears a common look and feel from one to the next. The production design, art direction, costume design, and hair and makeup work are all splendid in summoning forth the Victorian setting. The direction, cinematography, lighting, and effects likewise all carry similar airs about them, and similar high quality. In that same spirit, we're also given information on characters' backgrounds, relationships, and social and business dealings that feel superfluous to the central plot, as though the film were intended to be a part of a series that would feature the same characters over time. (In fairness, this was adapted from the first of a series of novels, so there we are.) To this add a considerable demonstration of antiquated values and norms that are deeply unseemly as they further cement the period and present as major themes: sexism coursing through every level of culture; haughty upper class boorishness, including refusal to aid investigations of murder; rampant patriarchy, relegating women to direly low positions all around; tawdry gawking and othering at the notion that some people might not be Christians, and specifically the pretentious "tea and moral smugness" variety thereof. Yes, before we even consider the particular narrative on hand, 'The Cater Street Hangman' is as broadly recognizable as any such genre piece could be.

Once we get past these facets (and subjective hurdles), there's much to appreciate here. The story is engrossing and compelling as the mystery grows and in one way or another envelops all the characters we're introduced to. The scene writing is increasingly fraught with delicious tension as thick as London fog, not least as Charlotte is the only character who's specifically likable and sympathetic for quite a bit of the runtime. To that point, though I think we're given more information about the characters than is truly necessary (padding out the length, one might say), as written they are all defined by substantial, varied personality and complications, enriching the tale all the more. I also quite admire the dialogue - no doubt present in Anne Perry's novel, screenwriter T. R. Bowen weaves together words of a grandness and grace that lets them all roll off the tongue with pleasant mellifluousness. (Some lines are especially choice, such as a barbed retort in a charged conversation with the vicar.) And to the credit of the cast, they embrace all these complexities with a natural ease portending their skill as actors. Of course Keeley Hawes stands out most, given the prominence and determined, stubborn temperament of Charlotte, with Eoin McCarthy a close second as investigator Thomas Pitt. Yet all others present are just as exemplary in bringing their roles to life, not least those that are so seedy there's no possibility of liking them.

I'm a bit divided on the ending, for the identity and reveal of the killer is written well, I think; on the other hand, the suddenness with which Pitt pieces together that identity and has his realization is rather oversimplified and inelegant. Still, for that climax and ending to be win-lose is better than many other mysteries have achieved, so I can't entirely hold it against this instance. When all is said and done I must say I rather like 'The Cater Street Hangman.' It falls short of perfect, in my opinion, yet while it starts kind of slow and catches our attention in curious ways, there's much sharper intelligence here than I was first inclined to assume. All that which first makes an impression turns out to be the right elements, attracting our eye in the wrong way - and maybe deliberately so, a sort of movie-making red herring to further distract us as the mystery swirls about. In any event, it's a strong production, a good cast, and the writing is really excellent, all told. I'm pleased to have stumbled onto this, and for it to have so successfully won me over. Viewers who aren't inclined to enjoy British murder mysteries won't find anything here to change their minds, but if you're open to the style, at length 'The Cater Street Hangman' is an absorbing, satisfying film that's well deserving of one's time if you have the chance to watch.

This is a well acted TV mystery movie. I have not read the book on which it is based, but it is a story about young women being strangled in London in the 19th century, and the circumstances surrounding the investigation of two of the murders. Several characters emerge from these investigations to jolly the story along.

However, I found the characters to be stereotypical and shallow. The movie's view of the 19th century is lightweight, and all the characters - dastardly males, entrenched class snobs, decent humble servants, rebellious daughters, caring professional policemen, etc. - are cardboard cut-outs. I found the story to be crushingly predictable and boring.

If you like easy dramas, you will enjoy this.