User Reviews

This was a part of a double feature by vinegar syndrome.I learned that this feature was made Simultaneously with Canterbury tales .It had that feel ,including the sex scenes,that it was made with less budget and less time. .Jesse Eastern portrays the manager of the radio station ,who is threatened by Bud lees to pull his advertisement if the rating of the radio station don't go up,is a bit over acting.Jesse even had trouble speaking word.A real radio jockey participated in this film,under a different name Buster Cherry.You could tell he was a real person and not a porn actor cause he had a bear belly.This real d.j.was also Hayapatia Lee's produces for her record album of country songs and novelty tunes.Unfortunately the only real sex you see when they do it is when he oral's her.A stunt was use to show the penetration shots.Was he afraid he be fired from his Jockey job,for doing sex in front of the camera? That's a question. The scenes between Karen summers and Steve powers ,during the radio show,were enthusiastic.I enjoyed the adult satire of a popular song ,Give it to your wet shot ,instead of ,Give it to your best shot. The best sex scene was when Patty Petite was calling Hyapatia because she and Scott Irish wanted to do the anal the same way it was done in the Last Tango in Paris ,but found it painful. Starting with a dildo ,leading to hot anal action.In spite of it's short coming it's still good .There's a interview with Bud Lee.He has gotten older.lost a lots of weight.Does not have the Hippie look any more . He has changed .02/14/16

Radio station manager Gary Connors (wildly overplayed to the obnoxious hilt by Jesse Eastern) threatens to fire all the disc jockeys who work at his station KNUT after a major advertiser says they will stop running their ads unless the sagging ratings improve by the end of the week. Sexy DJ Tasty Tastums (the ravishing Hyapatia Lee in delightfully tart and spirited form) and her fellow disc jockeys decide to rectify the situation by switching from playing rock music to broadcasting about various racy sex-related subject matter live on the air.

Director Bud Lee, who also co-wrote the blithely bawdy script with Hyapatia, relates the entertaining story at a snappy pace, maintains an engaging lighthearted tone throughout, nicely captures the easygoing vibe of 1980's California (yep, we get jokes about Valley girls and hilarious parodies of popular songs with titles like "Backdoor Annie" and "Hit Me With Your Wet Shot" -- the latter comes complete with a sidesplitting music video!), and gets plenty of laughs from the amusing sense of cheerfully naughty humor. The sex scenes are quite strenuous and steamy: Among the definite scorching highlights are an anal number involving slender blonde honey Patti Petite and a blazing make-out session between Eastern and the insanely foxy and energetic Gail Force. Naturally, Hyapatia goes all-out sizzling for her key carnal set piece and the sumptuous Karen Summer not only brings on the sexy something incendiary, but also contributes a supremely gut-busting turn as a endearingly ditsy Valley girl who says "totally awesome" a whole lot. Guido's glossy cinematography provides an attractive bright look. Lexi Hunter's funky-throbbing score hits the right-on rocking spot. A real hoot.