If you haven’t seen, or heard of, Dear Zachary- and sadly, the chances of that are quite high- then you simply must watch it. It is one of the best documentaries I have ever seen, and definitely the most emotionally devastating- it is more effective and powerful that Catfish, Fahrenheit 9/11, The Cove or even The Imposter. Perhaps the reason it is so is because its director, Kurt Kuenne, was at the heart of the documentary- the subject of the documentary, the late Dr. Andrew Bagby, was Kuenne’s close friend- Bagby was murdered by his ex, also the mother of his son, Zachary. The documentary serves not only as a tribute to Andrew by those who knew him best, but also a harrowing portrait of how Andrew’s murderer escaped justice.
Kuenne is an eclectic and talented guy- in addition to directing documentaries like Drive-In Movie Memories and feature films such as Scrapbook,...
Kuenne is an eclectic and talented guy- in addition to directing documentaries like Drive-In Movie Memories and feature films such as Scrapbook,...
- 10/2/2012
- by Oscar Harding
- Obsessed with Film
By Allen Gardner
Quadrophenia (Criterion) Franc Roddam’s 1979 film based on The Who’s classic rock opera tells the story of working class lad Jimmy (Phil Daniels) struggling to find his identity in a rapidly changing Britain, circa 1965. Jimmy is a “mod,” a youth movement dedicated to wearing snappy suits, driving Vespa motor scooters bedecked with side mirrors, popping amphetamines and obsessed with the new sound of bands like The Who and The Kinks. Their other pastime is engaging in bloody brawls with “rockers,” throwbacks to the 1950s, who listen to Elvis and Gene Vincent, wear leather biker gear, grease in their hair and drive massive motorcycles a la Marlon Brando in “The Wild One.” Often cited as a worthy successor to “Rebel Without a Cause” as the greatest angry youth picture ever made, it is that and more, including a first cousin to the “kitchen sink” dramas of scribes John Osborne,...
Quadrophenia (Criterion) Franc Roddam’s 1979 film based on The Who’s classic rock opera tells the story of working class lad Jimmy (Phil Daniels) struggling to find his identity in a rapidly changing Britain, circa 1965. Jimmy is a “mod,” a youth movement dedicated to wearing snappy suits, driving Vespa motor scooters bedecked with side mirrors, popping amphetamines and obsessed with the new sound of bands like The Who and The Kinks. Their other pastime is engaging in bloody brawls with “rockers,” throwbacks to the 1950s, who listen to Elvis and Gene Vincent, wear leather biker gear, grease in their hair and drive massive motorcycles a la Marlon Brando in “The Wild One.” Often cited as a worthy successor to “Rebel Without a Cause” as the greatest angry youth picture ever made, it is that and more, including a first cousin to the “kitchen sink” dramas of scribes John Osborne,...
- 9/4/2012
- by The Hollywood Interview.com
- The Hollywood Interview
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