Directed by
| Lionel C. Martin | ... | (directed by) |
Writing Credits
| Tony DeCamillis | ... | (written by) & |
| Louis J. Pearlman | ... | (written by) |
Cast (in credits order)
Produced by
| Daniel D'Or | ... | producer: Canada |
| Tony DeCamillis | ... | producer (produced by) |
| Mary Alice Drumm | ... | associate producer |
| Robert Fischetti | ... | associate producer |
| Lorraine Hayes | ... | associate producer |
| G. Philip Jackson | ... | producer: Canada (as Philip Jackson) |
| Lionel C. Martin | ... | producer (produced by) |
| Louis J. Pearlman | ... | producer (produced by) |
| Addison Wright | ... | co-producer |
Music by
| Lalo Schifrin | ... | (music by) |
Cinematography by
| Sergio Arguello | ... | director of photography |
Editing by
| William Young | ... | (edited by) |
Casting By
| Amber Jarrett | ... | (casting by) |
Production Design by
| Jeff Hall | ||
Production Management
| Matthew R. Hannon | ... | post-production supervisor |
Second Unit Director or Assistant Director
| John P. Aguirre | ... | second assistant director |
| Patricia Veronica Anthonyson | ... | assistant director |
| W. Scott Wolf | ... | second assistant director |
Art Department
| Christopher Griffie | ... | props |
| Michael V. Maurice | ... | props |
| Marc Meisels | ... | lead man |
Sound Department
| Craig Berkey | ... | re-recording mixer |
| Amy Fritz | ... | sound mixer |
| Bob Goold | ... | dialog editor |
| Brett Grant-Grierson | ... | sound mixer |
| Nicholas James | ... | dialogue editor |
| Stanley Kastner | ... | re-recording mixer |
| Julie McKinnon | ... | utility sound (2000) |
| Tanya Peel | ... | sound utility |
| Lee Tinkham | ... | adr mixer / foley mixer |
| Robert Woolfson | ... | sound mixer |
Special Effects by
| Al Marangoni | ... | special effects coordinator |
Visual Effects by
| Greg Arther | ... | digital artist |
| Ziad Seirafi | ... | cgi supervisor |
| Dan Walker | ... | digial opticals |
Camera and Electrical Department
| Eric Albert | ... | best boy grip |
| Michael Caparelli | ... | second assistant camera |
| Mark Colicci | ... | assistant camera |
| Michael Dronge | ... | key grip |
| Ray Flynn | ... | rigging gaffer |
| Michael Goi | ... | director of photography: additional photography |
| Scott Hammer | ... | key video assist operator |
| Josh Harrison | ... | first assistant camera: Florida |
| Brad Hruboska | ... | steadicam operator |
| Mark A. Lindsay | ... | gaffer |
| Michael J. Maurer | ... | rigging gaffer: New York |
| Michael May | ... | camera operator (as Michael P. May) |
| Derick Pritchard | ... | best boy electrician |
| Mark Walpole | ... | assistant camera |
Casting Department
| Kimberly Mullen | ... | casting: Florida |
Costume and Wardrobe Department
| Ryck Schmidt | ... | assistant costume designer |
Editorial Department
| Harry Muller | ... | color timer |
Location Management
| Eric Klein | ... | location manager |
| Larry Pearson | ... | location manager |
| Jason Savage | ... | assistant location manager |
Music Department
| Gustavo Borner | ... | score mixer |
| Darrell Hall | ... | music editor |
Additional Crew
| Linda Darras | ... | production accountant: Toronto |
| Michael P. Dugan | ... | studio facility manager |
| Mary Jasionowski | ... | production accountant |
| Bernadette Lee | ... | production coordinator: New York |
| Julie McKinnon | ... | production assistant |
| Fred Moyse | ... | set paramedic |
| Robin Petgrave | ... | helicopter pilot |
| Carrie Specht | ... | assistant coordinator |
| Helen Yu Leseberg | ... | production counsel |
