Dagli archivi della polizia criminale (1973) Poster

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4/10
Dagli Archivi Della Polizia Criminale (Paolo Lombardo, 1973) **
Bunuel19766 May 2008
Mediocre poliziottesco, with an equally lackluster score, about the attempt to smash a drug ring in Tunisia (admittedly, an atypical setting for the genre). Amusingly, one of the two criminal factions involved is led by a cigar-chomping heavy-set man called Maltese Joe (even if he speaks with a heavy Sicilian accent!) – the other by a paraplegic sporting slick attire, shades and the coolest of demeanors (hilariously instructing his underlings at one point to elevate him off his wheelchair). The hero, then, is an Edmund Purdom past his prime – his womanizing antics (in a feeble attempt to link the film with the concurrent James Bond spy sagas) often getting in the way of his job. In fact, most of the action is entrusted to a couple of relics from the peplum era – namely Alan Steel (who has a fixed expression throughout, and the sight of him behind a desk with coat and tie was also quite funny!) and Gordon Mitchell (who actually turns up in only one scene before being killed, for no specific reason).

As expected, there are plenty of women on hand (including a black girl called Zula who, out of the blue, performs a dance completely nude!): most look quite nice, but are given little of substance to do. One is Purdom's reporter girlfriend – unaware of his specialized police work and suspecting a fling, she follows him from London to Tunisia. Another is Maltese Joe's blonde moll, a woman who's past it but who makes herself useful by procuring her boss with information on his opponents/rivals. One more is a local girl (an Italian actress made to look like an Arab – it's safe to assume that the company never left the country!) who helps a young police aide, who sells information to the highest bidder, by having him dress up as a Casbah girl; the latter is played by Andre' Montchal: I was vaguely aware of his face as I watched the film, but couldn't quite place him…until I realized he had been the hero of one of Jess Franco's best efforts, EUGENIE DE SADE (1970). And then there's the ultra-efficient Secretary of Purdom's boss: her presence in Tunis isn't properly explained – but she's able to bug any discussion held between the various parties and, at the end, leaves with Purdom and his girl (much to the latter's chagrin)!

The film has a slapdash overall look (I, for one, had never heard of writer/director Lombardo) – most evident in the adoption of odd angles without any rhyme or reason, not to mention some of the clumsiest stunt-work on record! Even so, it was an agreeable time waster which is why my rating was not as low as it could have been under the circumstances.
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4/10
Fairly poor poliziottesco / spy film fusion
Red-Barracuda28 July 2014
You know an Italian genre pic is going to be obscure when it doesn't even appear to have an English title listed. This is such a film and, having seen it, its obscurity isn't really hard to understand. Set in Tunisia it concerns a microfilm that contains incriminating evidence about a major drug peddling operation; needless to say both the police and gangsters want to get hold of it.

It can perhaps best be described as a poliziottesco with spy film elements. It's typified by quite a messy plot-line unfortunately, with a lot of poorly defined characters with their own agendas. The MacGuffin is of course the microfilm and all of the action revolves around the whereabouts of it. It isn't in truth the most interesting idea for a film and it does mean that things never get all that exciting to be perfectly honest. The direction feels a little slapdash, although the music was at least a little bit distinctive with its amalgam of Italo-cheese with a North African sound. The lead actor is Edmund Purdom who made a fair few low budget genre pictures in Europe at the time and there is also Andrea Montchal who played the corrupt cop Larsen who will be familiar to some from his roles in various Jess Franco films such as Vampyros Lesbos.
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5/10
Micro Joe.
morrison-dylan-fan9 May 2014
Warning: Spoilers
Searching around a while ago for titles to watch for a poll being held on IMDb's Classic Film board for the best movies of 1973,I was caught by surprise,when I stumbled upon a fun sounding flick from the Italian Crime sub-genre,which led to me getting ready to opening up the criminal archives.

The plot:

Going behind his bosses back,Raf Licta gives the police a microfilm which contains details about a major drug trafficking operation that leading gangster Joe Il Maltese is setting up in Tunis.Getting word on what Raf has done,Joe decides to reveal his iron fist by getting Licta shot down.

Being desperate to keep the microfilm as safe as possible,the head of the department places it in the buildings main safe.Making sure to stay out of sight,police officer Larson waits until the building is completely empty, and then steals the film. Believing that he's sitting on a goldmine,Larson rushes to Tunis in so that he can demand a huge ransom from Joe for the return of the film.Following Larson's footsteps,fellow cop Teddy Webbs attempts to catch up with Larson,before the film is disintegrated forever.

View on the film:

Whilst the screenplay never quite makes clear whose on whose side,writer/director Paolo Lombardo delivers an unexpected Italian Crime/Spy film combo,with the rough'n' ready Italian Crime side being matched with a quick-pace espionage side,as Larson discovers that he is going to have to use all of his skills,in order to escape from everyone who is after the microfilm.

Despite the movie containing some less than convincing stunts,and also some less than pc moments,(such as an actress being put in terrible thick makeup,in order for her to look like a Tunis resident)Lombardo shows a real flair for keeping the title moving a whip-fast pace,thanks to Lombardo using jagged side angles which help to build a great feeling that the viewer is taking a sneak peak at the blood soaked microfilm.
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1/10
Stay away,,,
noodles-135 June 2007
An incredible spy story set in Tunis but actually shot in Rome and the surroundings. It has no meaning and no script. The actors are simply ridiculous and seem to be on the set by chance. I can hardly write about playing, since nobody seemed to play, they just stared at the camera and spoke. An ultra-low budget movie, so silly yet not funny. I recorded it on TV (very late at night or early in the morning) because I am a fan of Italian police movies of the 70es and I never heard of this title: there were good reasons for that. Anyway, this movie has nothing to do with that genre. Stay away from this movie. Please, do not lose your time. Rated 1 zero is not available).
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7/10
GOOD SOLID GANGSTER MOVIE WITH TWO HERCULES LEADS
larryanderson19 July 2020
Gordon Mitchell and Alan Steel both played HERCULES and are pitted against each other in this modern day movie. Talk about a HERCULEAN battle. A corrupt policeman uses micro film taken from the archives (thus the title), of the London police to provoke a clash between rival gang members. Wait until you see the Alan Steel torture scene. He was is still in top shape. Alan took his acting seriously.
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