The "What If" game is an entertaining way to burn a few hours. What if you went to Vassar instead of Arizona State University? What if you never went to happy hour that night? What if the Portland Trailblazers had drafted Michael Jordan?
Cinema is one of the best, and most maddening, places to play the "What If" game. Only a few truly great roles float around Hollywood each year. A-list actors jockey against one another for these parts, and the up-and-comers battle it out in auditions. What if Denzel Washington had accepted the lead role in "Ray"? What if Francis Ford Coppola had cast Frank Sinatra as Vito Corleone in "The Godfather"? What if Ashton Kutcher had played Bruce Wayne in "Batman Begins"? The questions go on and on.
Auditions for "The Twilight Saga" drew every young actor with a half-decent agent. For this reason, there are plenty of...
Cinema is one of the best, and most maddening, places to play the "What If" game. Only a few truly great roles float around Hollywood each year. A-list actors jockey against one another for these parts, and the up-and-comers battle it out in auditions. What if Denzel Washington had accepted the lead role in "Ray"? What if Francis Ford Coppola had cast Frank Sinatra as Vito Corleone in "The Godfather"? What if Ashton Kutcher had played Bruce Wayne in "Batman Begins"? The questions go on and on.
Auditions for "The Twilight Saga" drew every young actor with a half-decent agent. For this reason, there are plenty of...
- 10/11/2011
- by Ryan McKee
- NextMovie
Measured against the guidelines for creating good drama as articulated by Aristotle in his Poetics a few millennia ago – the earliest surviving treatise on literary theory — many of the big-budget studio releases of the last 20-30 years stand pretty feebly. While some might understandably wonder whether anything anybody wrote about good stage drama nearly 2400 years ago has any relevancy to movies today, Michael Tierno, a one-time story analyst for Miramax Pictures, says – firmly — yes. Taking it a step further, Tierno maintains the Greek philosopher’s tenets of dramaturgy have held first playwrights, then screen scenarists and TV writers, in good stead for centuries. He set that credo down in his book, Aristotle’s Poetics for Screenwriters: Storytelling Secrets from the Greatest Mind in Western Civilization (Hyperion, 2002), applying the ancient Greek’s primordial how-to concepts to such contemporary fare as The Godfather (1972), Rocky (1976), and even the hyperkinetic, chronological juggling act of...
- 12/9/2010
- by Ricky
- SoundOnSight
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