User Reviews

As films go this is was just tolerable, I didn't feel like i had wasted time that i'd never get back, however If your expecting to see great acting and expensive sets you'll be disappointed,this is a low budget film, good idea but a poor execution due to budget constraints.the only outstanding part of the film is a piece of music in it called carnavalito tango, the day after it was on TV i met some friends for a drink, some of them are real knuckle dragging neanderthals, the first topic of conversation was about the film and that piece of music which i have been searching for for quite some time, my only reason for wanting to see the film again would be just to record that track

OK, so its been ages since i caught this on in the early hours of the morning...but i did see it twice, both by catching those early am viewings.

And...OK, its not amazing. But as post apocalyptic art films go...I really like this one. A man in a gas mask, playing the piano, to the woman he loves who is inside the room with the only air they can breathe unaided.

cut in with bits of Oshiis anime.

Its actually really good. Power rangers with brains and heart I guess. But, just because its got lumps of another film in there, really doesn't make it bad, and I'd love to see it again.

Being a fan of animes (i.e., Japanese animation), I am familiar with the movie 'Angel's Egg' by Mamoru Oshii. Some time ago, a friend told me there was a movie which had used scenes from that anime: 'In The Aftermath'. After some research I managed to get a copy of that film...

I didn't have high expectations, but that experience was far beyond my worst nightmares. I've never seen a piece of art (and I mean 'Angel's Egg'!) being torn to pieces in such a radical way. About 30 min. of the original anime footage were used for 'In The Aftermath'. The rest of the film consists of live sequences that have been done so poorly it just hurts: C-class movie actors stumbling around with gas masks in a deserted chemical factory most of the time, special effects that don't deserve the name, and a 'story' that tries desperately to bring some sense to a plot that was never meant to have any sense at all (sounds strange, doesn't it? Go on and you'll know what I mean).

The anime 'Angel's Egg' in my opinion is a real masterpiece. You may like it or not, but everybody who has seen this movie agrees that it is something unique. However, its director Mamoru Oshii admitted in several interviews that even he didn't know what its story was about - if there was any at all.

Obviously, Carl Colpaert decided to add that lacking sense by combining some of the anime sequences with a real movie to create 'In The Aftermath'. He failed miserably. The combination doesn't work at all. If it would have been an attempt to create a parody, it would just have been annoying. But this movie was an honest attempt to improve the Japanese original, and that's what really makes it so bad.

According to IMDB, 'In The Aftermath' was the first movie Carl Colpaert ever directed. I sincerely hope that he (or anybody else) may never try something like that again...

Most who're interested in this film have interest because it contains images from Oshii's surreal masterpiece "Tenshi no Tamago." With Tenshi no Tamago lacking a proper release abroad, one may feel tempted to pick up a copy of "In the Aftermath" just to view the plundered footage. Do not do it! The acting is awful, the direction is pointless and cheesy, and the special effects could have been better done with equipment found lying about the house. It's a third-rate film with a fourth-rate production. The usage of the footage from Tenshi no Tamago, a true art film, is shameful and unacceptable. Fans of campy science fiction would do better to pick up an arm-full of TROMA flicks from the video store.

An unnamed time, an unnamed place, probably Australia given the accents. The earth is dying from a poisoned atmosphere, in this post-apocalyptic live action / anime /art house crossover. The remains of humanity scour the surface in search of hope, until one of them is found by an angel.

It's bizarre, the animated sequences are nicely designed, but suffers from a lack of frames. The live-action is well done for low-budget stuff, and the integration is pretty minimal, but the whole sort-of works.

Tripped over this movie on late night TV after a hard shift at work. Caught it just after the intro credits and wondered what it was about. The anime caught me off guard as I had gone to get a coffee and sandwich and thought the film had ended and was surprised to find it hadn't. The music caught my attention more than anything else. There is a classic piece played on the piano by one of the main characters which I have since discovered was not written for the movie as I had first thought. I'd like to track this piece down as it kept me watching the movie to the end. Some of the anime scenes have a haunting imagery to them which the music again complements well.

The first time that I saw this film, I believe in I-SAT channel already 15 years ago, I was surprised by the excellent music that plays the protagonist in the scene of the piano. Watching the credits at the end, and hearing that song again, I could find the answer to my surprise when I saw the name of the song: "carnavallito tango", neither but nor less than a mixture of two typical musical varieties of Argentina. Spent several years from the release of the film, I could discover, thanks to internet, that the author is Horacio Moskovici, an Argentinian pianist. I would like much to contact him and to congratulate by the masterpiece that has composed and that has pleased, according to the commentaries, people of diverse countries. 10 points, excellent.

From New World Pictures, this is a great fun, Sci-Fi, half Japanese animated (Pokeman' style) & half live action film... I was the Sound Designer/Sound Supervisor/Editor on this film and it SOUNDS GREAT (for a first timer)!!!! It was my first film and started my career. The sound was so good that Don Bassman, the lead mixer and Director of the Sound Department at Twentieth Century Fox, asked me to move my company onto the studio lot. I did, from 1988 to 1992,... he gave me the key to building 26!!!!

I watched this film firstly when I was 4 or 5 years old. I didn't really know what I was watching in the early 90s. I just remember that half was animated and half was a horrible barren wasteland with not many people and a man playing piano wearing a gas mask. The song played by the man wearing a gas mask whilst the woman watches is called Veni Gabriel by Horacio Moscovici who was by chance in Buenos Aires, whilst playing at a bar, approached by the director who happened to be there. He was asked to write the score to the movie. This was in 1986 or so. Since google existing, I looked up this movie and watched again and how it bares a resemblance to what happens to day. I just got off the phone to Horacio Moscovici now where he is in Argentina. I have been playing piano for 25 years or slightly more now.

It is strange how a movie can be made but as time passes have a little more meaning than it did before. Sometimes humanity isnt ready for movies made yet. Sure the movie is low budget but then again so are a lot of the best theatre performances. Sometimes you have to put aside the fact that there isnt complicated CGI sequences like Lord of the Rings or the pyrotechnics of Saving Private Ryan and see a movie for what it is.

Look up Del Nido al Vuelo - Horacio Moscovi - the whole album is brilliant stuff and piano that is not your usual Bach or Beethoven.

Very bad, simple and not thought provoking. Exactly the opposite of what they were going for.

Just watch Angel's egg by Mamoru Oshii. The director of this thing was just envious of that movie.