Kismet (1999) Poster

(I) (1999)

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Offbeat entertaining diversion
lueckheide4 November 2004
Came across Black Souls when I was looking down Jule Ronstedts filmography, a brilliant yet little known actress, doing theatre mostly plus some rare TV movies. She's the main characters girl-friend Christine.

After having read the destructive review above, the film came as quite a surprise. I understand why one would feel the story does not make much sense at some points. It comes as both comedy and somber drama, in which the characters make some surprising moves. But the way it's done, I think that it is part of its beauty. The characters are believable thus memorable. To me Axel Milberg's and Jule Ronstedt's acting is outstanding.

Don't expect a masterpiece like 'night on earth'. It's lighter. Take it as an offbeat entertaining piece and you'll like it. More films like this should be made.
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1/10
Worst movie I've ever seen. Truly.
Collaroy-Beach4 June 2004
Warning: Spoilers
SPOILERS AHEAD!

(Though I wouldn't call them spoilers, because this movie can't be spoiled, it's already too bad)

The plot sounded interesting enough (guy finds the murdered body and the murderer who's begging him to give him 5 minutes to explain all this before calling the police), I loved the movies of Fatih Akin so far and the DVD was cheap. Well, it turned that the DVD wasn't the only thing that was cheap- the entire movie sucked. Its normally not my style to say this or that sucked, but for this movie I just can't seem to find any other word. Starting out from the story this could well have been a very entertaining movie- but from the first minute on it only goes downhill.

We were three to watch this movie and we just couldn't help asking the same questions over and over again: "Why's he doing THAT??" and "Why am I still sitting here when I could as well entertain myself much better with, say, cleaning windows??". I can easily answer that second question (one always desperately hopes for the movie to get better), but the first one is way over my head. The entire movie doesn't make any sense, the characters are absolutely abstruse and the acting... nah, let's leave it at that. You want an example? Here we go: at some point the guy who finds the corpse sleeps with the presumed murderer- why?? He's not gay, and you can't find any hint before that could somehow support this storyline. And his ex-girlfriend is looking for him all over Cologne, which would already be stupid enough (Cologne is quite big, you know)... but why the hell is she spending most of her time in a brothel, of all places?? WHY?!?!

No matter what expectations you may have for this movie- you'll be deceived on every single one. Personally, I'm a fan of Fatih Akin's (director of "Solino" and "Im Juli", two of my favourites), as I've said before, and I think Steffen Wink and Axel Milberg are decent enough actors, but a movie like that... no, thank you very much.

The sad thing is, the initial idea -a murderer pleading for only a few minutes to tell his story, that could have been interesting- is quite original, you could have gotten a really good movie out of it, but they failed. Totally.

I really can't imagine anyone would ever like this movie, but judging by the user votings apparently some people did, which genuinely surprised me as hell. I honestly warn everybody to keep away from this movie. It's a huge waste of time, and there are so many good movies out there. The only ones I recommend this to are movie makers- as a repulsive warning how bad a movie can get. It's neither funny nor thrilling nor anything else apart from truly, truly bad.

And why did they change the name from "Kismet" into "Black Souls"? Because people spread the word never ever to watch a movie called "Kismet"? Could be that.
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8/10
a heated evening when Western civilization nearly collapsed
juha-varto-11 April 2005
Westeners think they are rational and good people. Immigrants learn quite soon what are the weak points in our culture and in us. We think we are coherent and clever but someone looking from outside easily solves the knot of coherence and cleverness. Andres Thiel's fine film gives us one night, one immigrant of second generation and three "clever" German people. And heat. Jan and Christine are naive, even stupid students who play the compulsory play of dating, separating and committing (whatever). Once again separated Jan bumps to a Turkish guy Tony who keeps Jan running after his whistle. He asks Jan for five minutes to tell him his story. This five minutes grows to a school of Western Morality and Hypocrisy. Jan presents every single belief we cherish but in context that shows them ridiculous. Both Jan and Christine are like kids whose reason is gravely underdeveloped. They "want" everything, they "desire" all, they "can't" something but they have no idea what life is all about. Tony, on the contrary, knows well: he has his agenda, no sentimentalism, nothing free. Westeners are make-believe people with book-learned ideas. But in real situation every one of us is like vermin, too: in case one has power over any other person, we use it even if it be an ax. The film is very wise, very embarrassing if one has any shame left, and has in Tony's role the most charming home-Turk of Hamburg, Faith Akin.
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