Jean Kent: ‘The Browning Version’ 1951, Gainsborough folds (photo: Jean Kent in ‘The Browning Version,’ with Michael Redgrave) (See previous post: “Jean Kent: Gainsborough Pictures Film Star Dead at 92.”) Seemingly stuck in Britain, Jean Kent’s other important leads of the period came out in 1948: John Paddy Carstairs’ Alfred Hitchcock-esque thriller Sleeping Car to Trieste (1948), with spies on board the Orient Express, and Gordon Parry’s ensemble piece Bond Street. Following two minor 1950 comedies, Her Favorite Husband / The Taming of Dorothy and The Reluctant Widow / The Inheritance, Kent’s movie stardom was virtually over, though she would still have one major film role in store. In what is probably her best remembered and most prestigious effort, Jean Kent played Millie Crocker-Harris, the unsympathetic, adulterous wife of unfulfilled teacher Michael Redgrave, in Anthony Asquith’s 1951 film version of Terence Rattigan’s The Browning Version — a Javelin Films production...
- 12/4/2013
- by Andre Soares
- Alt Film Guide
British film and television actress Jean Kent has died after suffering a fall, per UK reports. She was 92. Kent made her name in the 1940s and 1950s starring in a number of melodramas from Gainsborough Pictures, including Fanny By Gaslight, Bees In Paradise, Madonna of the Seven Moons, and The Wicked Lady. On another Gainsborough film, 1946′s Caravan, she met actor and future husband Josef Ramart. They starred together again in the 1949 musical comedy Trottie True. Kent moved into television in the 1950s, appearing in shows including Epilogue to Capricorn, Sir Francis Drake, and Thicker Than Water. Notable film roles came opposite Marilyn Monroe in The Prince and the Showgirl and in Otto Preminger’s Bonjour Tristesse.
- 12/1/2013
- by THE DEADLINE TEAM
- Deadline TV
Television comedy director and producer known for Fawlty Towers, Steptoe and Son and Till Death Us Do Part
Douglas Argent, who has died aged 89, was a prolific producer and director who scored hits with Till Death Us Do Part, Steptoe and Son, Fawlty Towers and Spike Milligan's Q8 and Q9 series – all with humour that pushed the boundaries of TV comedy.
He was gifted the second series of Fawlty Towers to produce in 1979. The creation of John Cleese and Connie Booth – who had divorced since the first run, four years earlier – went on to top a British Film Institute list of the 100 best TV programmes, as voted for by industry professionals. Argent modestly insisted that its success lay in the writing. However, producers guide all those working on their programmes and his track record was impressive, particularly in the field of comedy.
Argent was born in Bexleyheath, Kent, and his parents ran ironmonger's shops.
Douglas Argent, who has died aged 89, was a prolific producer and director who scored hits with Till Death Us Do Part, Steptoe and Son, Fawlty Towers and Spike Milligan's Q8 and Q9 series – all with humour that pushed the boundaries of TV comedy.
He was gifted the second series of Fawlty Towers to produce in 1979. The creation of John Cleese and Connie Booth – who had divorced since the first run, four years earlier – went on to top a British Film Institute list of the 100 best TV programmes, as voted for by industry professionals. Argent modestly insisted that its success lay in the writing. However, producers guide all those working on their programmes and his track record was impressive, particularly in the field of comedy.
Argent was born in Bexleyheath, Kent, and his parents ran ironmonger's shops.
- 12/6/2010
- by Anthony Hayward
- The Guardian - Film News
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