Directed by
| Steve Jodrell | ||
Writing Credits
| Alan Seymour | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Paul D. Barron | ... | co-executive producer / producer |
| Anne Basser | ... | co-executive producer |
| Julia Overton | ... | co-producer |
Cinematography by
| Michael Edols | ||
Editing by
| Kerry Regan | ||
Production Design by
| Phil Peters | ||
Art Direction by
| Julieanne Mills | ||
Costume Design by
| Noel Howell | ||
Makeup Department
| Marilyn Smits | ... | makeup artist |
Production Management
| Julie Forster | ... | production manager |
Second Unit Director or Assistant Director
| Peter John Armstrong | ... | third assistant director |
| Ross Reading | ... | second assistant director |
| Corrie Soeterboek | ... | first assistant director |
Art Department
| Aldis Bernsteins | ... | set dresser |
| Tish Phillips | ... | set dresser |
Sound Department
| Wayne Barker | ... | boom operator |
| Steve Burgess | ... | foley artist |
| Julius Chan | ... | sound assistant |
| Bob Hayes | ... | sound recordist |
| Ian McLoughlin | ... | sound mixer |
| David White | ... | sound assistant |
Camera and Electrical Department
| Guy Bessell-Browne | ... | best boy |
| Phil Golombick | ... | gaffer |
| Andrew Mission | ... | assistant camera |
| Felicity Surtees | ... | focus puller |
| Mark Zagar | ... | clapper loader |
Music Department
| Raphael Apuatimi | ... | music arranger: traditional music |
Script and Continuity Department
| Jenny Quigley | ... | continuity |
Additional Crew
| Toni Lush | ... | production coordinator |
| Adam Sallur | ... | unit production runner |
| Eric Sankey | ... | production accountant |
