User Reviews

Solid and tragic drama from acclaimed director Bigas Luna who brought Jamon , Jamon and The chambermaid on the Titanic , including an excellent trio , being completely filmed in Denia (Alicante) , surrounds and Comunidad Valenciana . The film contains human drama , passion , emotion , tragical events , character description in deep and complemented with a loving triangle . These elements provide the setting for this piece of dramatic deeds , giving it its own special quality and ambient . It deals with a new literature teacher called Ulises (Jordi Molla) arrives in a little town located on the Mediterranean coast , he comes to teach at a high school near the sea and falls in love with a gorgeous young woman named Martina (Leonor Watling) . This attractive girl is also loved by a wealthy businessman named Alberto (Eduard Fernández) but she chooses the poet Ulises . There Ulises discovers sensuality through beauty Martina , her chips and tasty food and splendorous Mediterranean sea . Soon after their marriage and the birth of their son , Ulises vanishes while fishing at sea . In the meanwhile Martina marries Alberto, but all is not what it seems and the events go wrong until a surprising ending . Many years later Ulises returns and recites : ¨I have crossed the seven seas to understand that I can't live without you¨.

This stirring as well as intimate story is a passionate retelling and a touching triangular drama , full of visual poetry and Greek tragedy , but including strong sex scenes with loads of nudism as female as male . This Spanish picture is an enjoyable tale with a thought-provoking characterizing about a few characters , tragic drama and colorful outdoors . Based on a novel by Manuel Vicent who used his native Comunidad Valencia background to write an overblown tragic drama novel , being screen-written by the same novelist and by prestigious Rafael Azcona . Director Bigas Luna also writes the script along with Azcona and being filmed in his usual formal and stylistic scholarship , without leaving a trace the brooding issues , in terms of dramatic and narrative excitement . The storyline relies heavily on the continued relationship among them , including a lot of sexual scenes, almost softcore , but it doesn't make boring , however the film is slow moving . In spite of , the movie results to be better than average , being surprisingly good and compellingly realized . Bigas carries out a perfect imaginary , a willingness almost perfect of the elements of each shot , every sequence, every space . Good acting by trio protagonist , all of them give fine performance , such as Jordi Mollà as Ulises , a sensitive teacher who recites poetry and reappears back from Sumatra , now as a beggar and unfortunate man ; a beautiful Leonor Watling as Martina , she overcome with sentimentality and takes Ulises under her protection , Leonor is marvelous and charming with her sweet and enjoyable countenance,; latterly Eduard Fernández as Sierra an ambitious as well as revengeful rich owner . Sensitive as well as evocative musical score by Piano Magic composed by means of synthesizer and piano . Furthermore , a colorful and evocative cinematography by Jose Luis Alcaine who was first cinematographer to use fluorescent tube as "key" lightning and deemed to be one of the best Spanish cameraman . Alcaine frequently works with Pedro Almodóvar , Bigas Luna and Vicente Aranda , as he has photographed ¨The skin I live in¨ , The bad education¨ , ¨Volver¨ , ¨Women in the verge of a nervous breakdown¨, among others . Here he shows splendidly the impressive landscapes from Denia & surroundings, Alicante, Comunidad Valenciana, Spain .

The motion picture was professionally directed by Bigas Luna . Bigas Luna was born on March 19, 1946 in Barcelona, Catalonia, Spain as Josep Joan Bigas Luna . He was a Bon Vivant who along with his wife, produced wine, ham, and organic products ; they are well shown in his films . He was a writer and director, known for ¨Jamón, Jamón¨ (1992), ¨Huevos de Oro¨ or ¨Golden eggs¨ (1993) "The Chambermaid on the Titanic" , ¨Angustia¨ or ¨Anguish¨ (1987) , ¨The tit and the moon¨ , ¨Volaverunt¨ , ¨Yo soy La Juani¨, ¨Di , Di Hollywwod¨ among others . He's also an expert on murky atmosphere such as proved in ¨Caniche¨ , ¨Tatuaje¨, ¨Bilbao¨ , ¨Anguish¨ and ¨Reborn¨. Luna discovered actors Ariadna Gil, Leonor Watling , Javier Bardem and Penélope Cruz . He sadly died recently on April 6, 2013 in Tarragona, Catalonia . His film ¨Sound of the sea¨ is stylishly photographed and smartly designed and here Bigas Luna delivers the sensitive and erotic goods with nice sense of style . The picture will appeal to Leonor Watling , Jordi Molla fans and Bigas Luna buffs.

Ulises says that naming a boat after one's wife is a forerunner of bad luck. From the moment he names it "Martina" we know misfortune will overtake them. Like a Greek tragedy what follows is inevitable.

The numerous sex scenes in this drama are given an original touch when Ulises, a teacher of classical literature, mesmerizes Martina by reciting an episode from Virgil's Aeneid. While this may sound rather silly, Ulises delivers the lines in a poetic way which tends to enliven the romantic mood. Indeed his story oft repeated ultimately becomes part of the sex act. When Martina says "Tell me that story again" it is an invitation to indulge in another session of sex.

The character of Ulises is interesting. Not the usual clean cut hero, but long-haired, unshaven and with a generally unkempt look. An easy prey for the seductive Martina. Their scenes together are mainly convincing except when he cries with his head in her lap. I do not feel moved by this scene as I feel I should. Perhaps it is because he has just handled a tuna fish, and the smell of fish is still on his hands.

The introduction of Alberto's crocodile into the story leads one to surmise what horrible part it may play, and who will suffer as a consequence. All your guesses will be wrong! The planned drowning of the lovers at sea by evil and underhand forces brings to a close so many romantic interludes. But wait! The director of this film has decided that love transcends death. In a symbolic way we see their bodies lying in utter nakedness on a cold slab move together and embrace as true lovers do. Strange isn't it, how so many films end with a kiss?

If you've ever wanted to see a film that stresses style over substance, this is for you. To me, Son de Mar is beautiful to SEE, but there's precious little substance, unless mawkish, melodramatic, manipulative love yarns turn you on. This may be one of those famous 'chick flicks' you've heard so much about.

We're about half-way through this film before anything really happens: Ulises (Jordi Molla) goes out to sea looking for tuna, and doesn't come back, leaving his wife Martina (Leonor Watling) and son to fend for themselves. Then, in a furious six minutes of screen time, they bury Ulises, Martina gets married again, and her son grows into mid-childhood. This rapid transposition is jarring, to say the least, and very sloppy: after 40 minutes of more or less hanging around, we're suddenly into a full-blown melodrama, all in six minutes. I think this is called wayward narrative pacing.

Five years later, Ulises (as in the wandering superhero Ulysses; get it?), returns to his 'Penelope' (Watling) only to find she's married to Sierra (Eduard Fernandez), an inexplicably wealthy guy (what does he DO to earn all that dough?) who inexplicably keeps crocodiles as pets. When Martina, in great anger, questions Ulises about his absence, he tells her that he'll take her to the island of Sumatra someday and she'll understand EVERYTHING.

And here's the thing: he DOESN'T take her to the island of Sumatra. The reference just dies somewhere in the script. He DOESN'T really explain where he was and why he ignored his wife and child for five years. He DOESN'T acquit himself as an honourable guy, and the movie DOESN'T fill in the plot holes that are staring at us for at least half of the film. I can only assume that director Bigas Luna wants us to fill in the story lines with the mystical clues (fish, reptiles, the sea) he offers through breathtaking cinematography and evasive dialogue. It just doesn't work. The narrative 'arc' on this film ends up looking more like a wobbly clothesline.

I'm sure Jordi Molla is a good actor, but I just couldn't buy his Ulises as any kind of hero (which is what the original Ulysses was supposed to be). With moist sensuality, he spouts a short stanza of identical poetry from Virgil roughly 2,000 times and each and every time it excites Martina to explosive orgasm. This guy should be rented out to reinvigorate stale marriages. I'm sure Virgil would be impressed. He didn't get laid that often, as I understand it.

This poetic 'device' figures prominently in the film, and I had no choice but to assume it was a gender reversal of Ulysses' famous 'siren song' (i.e. beautiful maidens singing seductively to far-off sailors, who were doomed if they answered the, well, siren call). If this is what Bigas Luna is up to, you can see the problem -- he's offering convoluted symbolism in a snatch-and-grab attempt at High Art. Once again, it just doesn't work, at least in my eyes.

Watling is a beautiful and magnetic young actor, but she gives us a character here who doesn't seem to have much intellectual or even romantic depth. It's beyond me how she could desperately fall in love with a guy who sports a for-rent sign on his face (as in vacant), oily 1960s-style hair that looks more like seaweed, and one of those trendy 21st-century 'beards' (you know, four days' growth, no more, no less). He's SUPPOSED to be a dreamy kind of guy (I think), but those eyes of his suggest he might be suffering more from overexposure to a preposterous script.

But, don't despair, this film is great to look at. Just don't try to connect the dots on the red herrings or think too much about what you're hearing in the way of dialogue. You can do a lost of fast-forwarding on this film (particularly in the first 40 minutes) and you really won't miss much.