Effortless porn describes this baby, meaning little effort was expended. It's merely a time killer on Vol. 6 of SWV's Dragon Art Theatre series.
Two secretaries on vacation are enjoying sex, but have run short of cash to pay their $300 motel bill and have some money to get back home. The talkative one Sharon suggests they try some temporary prostitution to raise the swag and her pal agrees. At this point the film becomes derailed since the can't-act gal pal is named Carol at first but in the next scene inexplicably becomes Linda for the rest of the film. There's no budget for a continuity girl (or hardly anything else) at this bottom level of the barrel, and the non-actress with sizable breasts in the role apparently couldn't remember her name.
They pick up two white guys Bob and Charley with afro-style haircuts (!) in the motel lounge and have sex with them, once with 2 girls on one guy. The guys give them an exorbitant amount of money, and supposedly a diamond ring to boot, for the privilege, but the house dick barges in and demands a cut as well as servicing or he will turn them in to the police. They unbelievably raise $800 in less than a day, and get to keep it all when Sharon drugs the detective, leaving him on the bed with a nasty note and his penis tied up in a red ribbon as if gift-wrapped.
This one is junk all the way, with untalented performers and two girls who are not very attractive. I was ticked off right from the outset, when the anonymous filmmakers chose to accompany the sex with a dreamy version of Duke Pearson's classic "Cristo Redentor" on the soundtrack, immortalized on Donald Byrd's Blue Note LP "A New Perspective" nearly a decade before this film was made. Other pirated music on the soundtrack includes "Comin' Home Baby" and a ton of Muzak.
In a tradition that was very, very common for soft porn in the '60s, film has its only credits, the title and "The End", scrawled on a nude woman's body.
Two secretaries on vacation are enjoying sex, but have run short of cash to pay their $300 motel bill and have some money to get back home. The talkative one Sharon suggests they try some temporary prostitution to raise the swag and her pal agrees. At this point the film becomes derailed since the can't-act gal pal is named Carol at first but in the next scene inexplicably becomes Linda for the rest of the film. There's no budget for a continuity girl (or hardly anything else) at this bottom level of the barrel, and the non-actress with sizable breasts in the role apparently couldn't remember her name.
They pick up two white guys Bob and Charley with afro-style haircuts (!) in the motel lounge and have sex with them, once with 2 girls on one guy. The guys give them an exorbitant amount of money, and supposedly a diamond ring to boot, for the privilege, but the house dick barges in and demands a cut as well as servicing or he will turn them in to the police. They unbelievably raise $800 in less than a day, and get to keep it all when Sharon drugs the detective, leaving him on the bed with a nasty note and his penis tied up in a red ribbon as if gift-wrapped.
This one is junk all the way, with untalented performers and two girls who are not very attractive. I was ticked off right from the outset, when the anonymous filmmakers chose to accompany the sex with a dreamy version of Duke Pearson's classic "Cristo Redentor" on the soundtrack, immortalized on Donald Byrd's Blue Note LP "A New Perspective" nearly a decade before this film was made. Other pirated music on the soundtrack includes "Comin' Home Baby" and a ton of Muzak.
In a tradition that was very, very common for soft porn in the '60s, film has its only credits, the title and "The End", scrawled on a nude woman's body.