In spite of strong acting and good direction, this picture leaves the observer with an impression of having gained but little from its perusal. The situations develop well, and one sees the young wife placed where she must either expose her father for the killing of Dago Bill, or see her husband stand the blame. She chooses the latter course. The husband loses his mind temporarily and there are a lot of unpleasant, almost repulsive, scenes. Three years later, when he regains his sanity, he pursues her with his terrifying glance until the truth is forced from her. Even then there is no happiness for them, and the picture closes with him walking away down the road, and the father being taken to jail. - The Moving Picture World, August 9, 1913
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