Based on a radio play by her father Michael from the 1970s, Elisabeth Scharang creates a nostalgic but also critical journey into the period where Bruno Kreisky was Austria's chancellor, comparing it with the now by interviews withs former workers.
The film is playful and visually inventitive, but it does not, as a documentary should, find any answers or ask any crucial questions; this makes it rather boring unfortunately.
The film is playful and visually inventitive, but it does not, as a documentary should, find any answers or ask any crucial questions; this makes it rather boring unfortunately.