User Reviews

Carandiru is the true story of the greatest massacre of prisoners in the world. It happened in 1992, in São Paulo, after a rebellion in the greatest Brazilian penitentiary. Doctor Drauzio Varella has written a successful best-seller about this sad event. The great Brazilian naturalized director Hector Babenco (from `Pixote', `Kiss of the Spider Woman', `Lúcio Flávio' etc.), with the support of a fantastic cast, presented a good movie about this wound in our society. The screenplay presents some personal dramas of some prisoners before the invasion of the prison by the Military Police and execution of one hundred and eleven (111) prisoners. The double Brazilian DVD is magnificent:, presenting not only the usual making-of, interviews, deleted scenes and errors, but also the TV News in 1992 after the slaughter. My vote is eight.

One could easily get the wrong impression of the storyline here. Yes, it is based on the true-life massacre at the Brazilian prison in 1992 BUT that story is only shown in the last 30 minutes of this 145-miniute film.

The movie is really about the people who inhabited that prison back in that time. There are short profiles of numerous criminals, told through the eyes mainly of a doctor who is sent there. AIDs was a major problem in the jail. The doctor treats a lot of people who then tell him stories how they got to be inmates at Carandiru. In addition, there are bunch of scenes in which the inmates interact among themselves, shown as everything from antagonists to lovers.

Make no mistake: some of the stories are sordid, but its not as unpleasant to watch as one might think because the characters and the film-making are very interesting. The storyline moves fast, which is important considering the length of this film.

A viewer could even stop the movie at several points, pick up later without losing much since the story unfolds in segments. The ending (the massacre) really comes on suddenly. Unlike most movies,the story doesn't build up to the climax, here it just appears out of nowhere.

The same director who did the more-famous "City of God" filmed this and many critics here say it's not in the same league, but I thought it was at least in the same ballpark Both are entertaining, and most of us watch films to be entertained. So, if you liked ""City Of God," give this one a look as well.

Carandiru is a true hymn of humanity in all of us. What let the Brazilian riot squad shoot down over a hundred inmates was that following both prejudice and the professional drilling they had been subjected to, they regarded the rioters of 1992 as nothing but worthless scum. Bebenco does not defend his characters. Based on the eyewitness account of the prison physician, he presents us with assassins, murderers, robbers and drug-dealers who do not even claim they do not deserve their sentences (although many were kept in prison without convictions). What made them human was their continuous contact with the world outside. The visitation day scene is a memorable tribute to life in a truly Christian sense - everyone deserves to live and to hope not because of his own qualities or deeds, but because of the love others share for him. The character of the serial killer Dagger was essential to this purpose. His solitude in the midst of the modest pleasures of everybody else visited by his close ones was the first sign of the overcoming guilt which eventually took him to the preacher. Let this review not be understood as if the movie pursues to proselytize the viewers; I hope not to be too cynical to say that its prime purpose is to rejoice - to rejoice with the great diversity of human characters to whom Dr Varella and H. Bebenco paid their tribute.

'Carandiru' is a film based on the real experiences of Dr Drauzio Varella. He worked in Carandiru prison in Sao Paulo, Brazil, in the late 80s/early 90s carrying out Aids prevention work. During his work he came to know a lot of the inmates closely, and as he was a doctor got to see prison life in a way the other prison workers didn't. He made friends with a lot of the inmates, and learned a lot of their personal stories. The prison is extremely cramped, and the situation came to a climax in 1992. One entire block of the prison fell under prisoner control and a riot squad was sent in, killing 111 men.

The film is being dubbed by some as "this year's City of God", but it's very different to last years Brazillian smash. Where 'City of God' had some very flashy direction and MTV-ized zip-bang editing, 'Carandiru' is pretty straight forward. The film still has some great direction though, Hector Babenco has a leisurely style (matched by his actual output, it's been 7 years since his last film, and nearly 20 since 'Ironweed'), allowing the story the space it needs to breathe but still picking up the pace to build tension. Ironically the only section of the film I didn't really like was the bit that was the most 'City of God'-like. When the doctor is dealing with his patients he asks each one what their story is, and sometimes it's a bit forced, just like in 'City of God' with the "now it's my turn to tell you my story".

Where it's very similar to 'City of God' is it's themes - it's essentially a humanist comedy with a moral edge, dealing with love, hate, revenge, innocence and betrayal. The cons are poor and murderous, but lovable at the same time. If this film and 'City of God' are to believed drug-dealing thieving murderers all have their hearts in the right place and are all okay guys who just took a wrong turn on the road.

There's a bit of a stink being kicked up at the moment on the imdb forum for 'Carandiru'. A lot of Brazillian's are posting, very upset with filmmakers consistently showing Brazil in a negative light. I think that although both films do have that slant to them, they have actually increased interested in the country, and even more so the countries film output, taking it to a global audience. If all Scottish films are to be believed we're all a bunch of Glasweigan Gangster Hardnuts or heroin-addicted thieving murderers too, so I fail to see what the fuss is about.

The director drives home the real point of the film in the last 20 minutes. The overcrowding and in-fighting finally erupts into a full-blown riot that results in the main characters block being taken over by the prisoners. A riot squad enters, and the ensuing rampage is one of the most graphic and genuinely shocking ever committed to film. Definitely not for the faint-of-heart. I remember seeing the prison riot being reported in the UK news, and being appalled at how crowded the prison was, and how a government could let it reach boiling point like that. The last 20 minutes really smacked that home, but with the closing shots of the prison finally being demolished in 2002 you feel like there was at least some sort of closure on the tragedy.

The story is harrowing, but heart-warming, and the acting (mostly from unknowns) is top rate. It's my favorite film of the year so far, but do beware the last 20 minutes, you won't leave the cinema feeling happy.

As a Brazilian, I saw on TV many of the things that happened inside Carandiru, the biggest jail in Brazil and maybe the biggest in Latin America. I can clearly remember the news where we saw the police invasion and the slaughter they made there instead of stopping the prisoners rebellion

I knew this fact would be shown in Hector Babenco's film, but I could never imagine it would be so strongly illustrated. It's pure violence and the audience gets really astonished. Although it's really sad and we can't avoid being sorry for those deaths and suffering, it's impossible not to like the movie. It's excellent.

It's important to say that the invasion is not the only fact that is shown. Actually the book is based in Drauzio Varela's book. Mr. Varela is a doctor who worked in the jail helping the prisoners. The book, that is called "Estação Carandiru" (Carandiru station - because of the underground station that is nearby) is a success in Brazil.

27-year-old Rodrigo Santoro is one of the best actors we have in Brazil nowadays. His talent on Brazilian TV Series have guaranteed him good roles in films made in the country and recently he has started an international career, once he'll be in "Charlie's Angels 2". Some other good actors like Milton Gonçalves and Caio Blat add more positive points to the production. Some others, unknown up to now, showed they'll probably have much success in the future due to their talent, like Lázaro Ramos.

Argentinean Hector Babenco directed 'Carandiru' with a great sense of art, talent and made his film probably the best one of Brazilian cinema this year.

My rate 10/10

I saw Carandiru after seeing Takeshi Kitanos "Zatoichi" at the Toronto Film

Festival. Let me tell you, my day was full of carnage but it's OK because both movies were very good. The director was there as well as an actor or two if I remember correctly, they spoke about the film with true passion which added to the essence of the final product. It opend my eyes to an event that I never knew of. Highness was a great charater, Graca was my favorite, he should learn

english and get into the indie scene in North America. Good film 7\10.

Let's get things straight here, if you were drawn to this film due its comparisons to the equally magnificent City of God, you're going to be surprised. Aside from the fact that its a Brazilian film about criminals, there are few similarities. While City of God was an epic story of life in the slums of Rio De Janeiro, Carandiru is about much older criminals and the days leading up to the infamous Carandiru prison massacre.

However, this is not the non-stop assault on the senses of grim violence you might expect. In fact, only the last twenty minutes or so of the film deal with the massacre at all and the film instead concentrates on a much more human aspect to the carnage. Focusing on the character of the Doctor as he tries to raise awareness of AIDs in the prison, it revolves around his day to day life as he chats casually with the inmates, learning of their hopes, fears and more often than not, their reason for being in the prison in the first place. These are stories that range from sad, to touching to outright hilarity and you soon find yourself absorbed in this world of offbeat criminals, so much so that when the violence does erupt, it is all the more shocking for it.

There are differences to the normal, US prison drama as well. I'm not sure how the Brazilians run their penitentiaries, but here there are no uniforms and they are allowed many of the comforts of home, along with free reign of the prison yard. But these are still drab conditions, with multiple inmates crammed into a single room, sweltering in the intense heat of the tropical summer. And ultimately, the prison is a community, made of genuine individuals, rather than clear cut prison stereotypes. This is a masterful film, one of my top movies of all time.

On October 2, 1992, a riot broke out at the Sao Paolo House of Detention in Carandiru, Brazil. By the end of that day, 111 prisoners lay dead, the victims of the riot police who stormed the facility and brutally massacred them - even after they'd surrendered their weapons.

Perhaps the most striking aspect about Carandiru is that it doesn't hit us over the head with its subject matter - at least not initially, that is. For roughly the first two-thirds of its nearly two-and-a-half-hour running time, the film focuses on the lives and struggles of the prisoners, as seen through the eyes of the compassionate doctor whose book on the subject served as the basis for the film. Without passing moral judgment, Dr. Drauzio Varella, who has been sent there mainly to help stem the spread of AIDS in the facility,

listens sympathetically to the stories the men tell regarding the crimes they committed (mainly murder) which led to their incarceration (these we see acted out in numerous flashback sequences). Although the prison is tremendously overcrowded and drug use and disease run rampant through the corridors, the conditions don't appear to be quite as harsh or hellish as we might have expected them to be before seeing the movie. For one thing, the men seem to be treated rather decently by the guards - who seem to exist in surprisingly small numbers, actually - and the prisoners appear to have more freedom to walk around and interact with one another than we are used to seeing in American prisons (or, at least, in movies about American prisons). In fact, so much time is spent exploring the relationship problems between the men in their prisons and their loved ones on the outside that Carandiru often feels more like a "novela" set behind bars than a gritty depiction of life in a human hellhole.

But all that changes in the last half hour of the film after the riot has begun and we see the prisoners gunned down in cold blood, many of them while cowering in their cells. It is a brutal and terrifying display of raw, inhuman savagery, one that far surpasses anything we have seen perpetrated by the prisoners themselves. However, writer/director Hector Babenco (along with co-authors Fernando Bonassi and Victor Navas) does not attempt to sanctify or glorify the convicts either, for much of what they do to their fellow human beings is not too many moral steps removed from what the riot squad members eventually do to them. Although the filmmakers' sympathies clearly lie with the prisoners, who are at least presented to us as flawed, three-dimensional human beings, he is not afraid to show the evil side of these men when he needs to as well. The acts of violence that the prisoners perpetrate on their victims and each other are conveyed by the filmmaker with a dispassionate efficiency and awe-inspiring swiftness that are indeed chilling.

As a drama, Carandiru could have benefited from a bit of tightening in its earlier stretches, for the film feels a trifle unfocused and meandering at times. Still, by concentrating so intently on the everyday minutiae of these men's lives in prison, Babenco certainly helps the characters to become more real for the viewer, thereby intensifying the sense of loss when the tragedy occurs.

Blessed with a large and gifted cast, Carandiru offers a long, sometimes touching, sometimes painful look into a world and an event that would otherwise have remained hidden from the eyes of the world.

Brazil is a country of contrasts, and this movie show that perfectly. The same person that can kill somebody without thinking it twice can be nice and gentle at very the next moment. Been in Brazil has this feeling, you may expect violence and danger, but you may get 99% of the time generosity and happiness. An, well, when you put 8000 man in the space of 4000, and they manage to create a micro-universe with there own rules, that works better than the world outside, it just can be in Brazil. Plenty of humor, humanity and honestly, this movie is superior to City Of God, just because it has a positive, optimist message regarding that'111 or so prisoners died in the 1990s' as Alexdffy point out above, showing a lot of respect for human life. Wightly recommended for open minds, that can see the person beyond the criminal...and not criminal to.

With Hollywood's usual sugar-coated approach to everything, including prison life, it's nice to see how independent filmmakers in some of the most impoverished societies of the world handle the subject. This is not the first time Brazil has been the subject of international attention. From their numerous wins at the world cup to being the place a once-good hardcore band called Sepultura started, it is probably the most well-known country in South America.

Those who are familiar with Sepultura's music will know the name Carandiru already. Although I forget the name of the song, the prison was covered in a song detailing the brutal murders of prisoners. Some things implied in the song are flatly contradicted here, but I will deal with that later. Where Carandiru, the film, succeeds while Sepultura's song failed, is that the film gives the prisoners a very rational, human face. They're not portrayed as angels, but neither are they portrayed as devil incarnates. They are given enough humanity to matter, and that is literally everything in this type of film.

It is also interesting to get a listen to some of the other musicians of Brazil in some of the soundtrack. I forget the name of the band (Ratos Du Parao or something like that), but their song Crucificados Pelo Sistema can be heard very prominently during one memorable scene. As you get to learn more about the criminals, both major and minor, the title seems exceptionally appropriate. In fact, a wide variety of music that is appropriate to the setting is presented here, as opposed to the one-note selections presented in many American films set in prison.

There has been criticism levelled at the film, along the lines of being too long and distended. That is true to some extent. Such scenes as the pop singer's visit to the prison should definitely have been left on the cutting room floor. The statements of the prisoners about the massacre were also unnecessary, as they build a sometimes false impression of who lived or died, and prematurely at that. It has also been said that the film lacks focus, with many prisoners getting a little detail, while others get none at all. Personally, I prefer it this way. Following a singular hero around is getting tired, especially when there is such a wide, diverse mix here.

It has also been said that the film builds a false, overly negative portrait of life in Brazil. I can see shades for and against that. As I mentioned before, Sepultura are a famous example of the music scene in Brazil, mixing elements of Napalm-Death style with Biafra-like punk. It is only in a nation so disrespectful of human rights and truth that a band that screams about injustice or abuses would have to leave. But at the same time, Brazil has a culture all its own, which most certainly should not be replaced by Americanism.

The aforementioned-song has it that the inmates in Carandiru were annihilated in what was described as a "holocaust method". The film has it that in a prison housing some 7500 inmates (it was intended to house 4000, apparently), 110 or so were killed. Either way, the prison was eventually closed and torn down. And Americans think their prisons are brutal!

In all, I gave Carandiru a seven out of ten. It is far from perfect, but as a change from the staid formula of Hollywood, it is just what the doctor ordered. Give it a squiz, if only for the cultural expansion.

Despite what some reviews and reviewers state, Carandiru is, for the large part, gloriously human and humane, without ever resorting to mawkish sentimentality. The story is based on a real event and when I saw it on TV some years ago and I so much wanted to see it again, I bought the DVD, now cheap.

Yes, these characters are a handful of long-term convicts in one of largest prisons in the world - 7000 of them, in one (in San Pualo, Brazil), that's designed for 'only' 4,000 and we are introduced to them and their frank, matter-of-fact lives as they describe their drug and sex life 'inside' to the wonderfully open and compassionate doctor ( Luiz Carlos Vasconcelos). It's from his perspective as, part of his training, he's thrown into the deep end as he tries to treat and educate prisoners about AIDS.

Amongst the knowing humour, there are tales of anguish, violence and heartache with the main character's stories being run as flashbacks. Most of the crime is petty but circumstance and poverty has dumped most of these damaged people into one huge melting pot, of squalor, STD's and drugs. One finds it surprisingly easy to be open and impartial about situations that could make your toes curl.

Despite the vivid colours used and the Latin music that gets played in and amongst this tapestry of a human jigsaw, where few of the pieces fit, mounting signs reveal an underbelly of unrest, a pressure-cooker that's about to boil over and when it does and armed police march in, the film turns dark, angry and really hits the viewer. I won't say why, though the closing epilogues do (very) partially redress some of what went on.

This is essential Brazilian drama. Gritty, hard-hitting, yes but if you've got the stomach for the excellent City of God, you'll have no trouble here. Buy it, watch it, you'll feel like a proper human being, I promise you.

Carandiru was the biggest prison ever in Brazil, with a capacity of 4000, but most of the time it accommodated more than 7000 prisoners. It was demolished a few years ago. This film shows us the life conditions in Carandiru on the months previous to a riot that ended up with a hundred dead, and tons of wounded prisoners... We see prisoner's subhuman life conditions, we're told about what some of them did to be convicted, their relationships in and outside prison. The main character is the prison doctor, the best witness for all of the prisoners' diseases, their problems with drugs, AIDS, sex, and everything. In many ways he's kind of a confessor.

In some sequences it seems like you're watching a comedy... other times the film turns into a brutal drama. I think the director didn't really focus the story in a definite line. He wanted to cover so many issues, but ended up not properly covering any of them. There're too many characters, too many crossed stories, and because of that the film is way too long (148 minutes!). You'll found some brilliant sequences, and it's brilliantly filmed (reminds me of another recent Brazilian movie: City Of God), but that's not enough. It could've been a great film if Hector Babenco had just focused the story in no more than 2 characters, and talked deeply about them. He only dedicates 10 minutes to recreate the riot and its serious consequences. My verdict is that the director was too ambitious, and that he threw away a good chance to make an excellent movie (he sure knows how to move the camera -no doubt about it-).

As for the actors, I didn't know any of them but they certainly do a good job, all of'em.

My rate: 6/10

'Carandiru' is a mess, not just the blood flowing over the steps of the infamous São Paulo prison that was razed after a prisoner riot and slaughter in 1992. In 145 minutes, Hector Babenco ('Pixote,' 'Kiss of the Spider Woman') has too many episodes about different inmates that only tangentially and sometimes superficially relate to the central subject of AIDS prevention; frequently they are standard flashbacks to what the prisoners did to merit incarceration. A secondary and successful purpose is to reveal a highly structured prisoner society where justice is swift and not always wrong, where the only mistake is to give in to the civilian authority, at which point any freedoms are lost. Despite the crowded and unsanitary conditions, inmates are usually safer and healthier inside rather than out. The story is told mainly from a prison doctor's point of view as he interviews the inmates for AIDS screening and hears about their lives. Although he is way too happy in his work, he represents a humanistic attitude lacking in the prison officials and the world outside. Homosexuality, while appropriate for any prison tale, seems to dominate the entire long movie (145 minutes) and throw into relief the director/ writer's interest in the subject that began at least in 'Kiss.' One of the most affecting scenes is the marriage of a devoted, physically mismatched couple and the subsequent attempt by the smaller 'husband' to protect his bride. Babenco and the actors manage to relay dignity and gravity in a situation that could be laughable if not at least clichéd. Babenco was inspired to write this screenplay by a doctor who saved his life, a doctor who wrote about his experiences in this prison in 'Carandiru Station.' Although HBO's 'Oz' prison series was more insightful, no account could be as loving and socially concerned. Famous prisoner Oscar Wilde wrote in 'De Profundis,' 'A day in prison on which one does not weep is a day on which one's heart is hard, not a day on which one's heart is happy.' Babenco caught the hard sadness of prison life in 'Carandiru.'

Carandiru is a horrible prison which is something like 50% over capacity. So the prisoners are squeezed in like sardines. It's a different type of prison movie to a typical American prison movie, as Brazilian prisoners don't tolerate rape. Rapists are in a wing of the prison that would I think be referred to as administrative segregation in a US penitentiary, along with serial killers and informants. They are in the awful situation of never having any sunlight, they live in very dark cells, perhaps 7 to a cell that is not much more than 10x20 feet. If they were to go out to the prison yard, they would be murdered.

The men running the prison from the prisoners side are career criminals, they're not serial killer lunatics or male rapists. That doesn't mean to say that everything they do is nice but it's not an insane asylum. There are guards on the walls with automatic rifles to stop people getting out, and a governor who will walk around inside, as well as a prison doctor, but these inmates are basically in charge.

The film is played for a lot of magic realism, it's mostly a recounting of the experiences of the prison doctor. You get very surreal images like the doctor leaving late at night, walking down spottily lit corridors, he looks through the spyhole of one cell and there are seven men each watching a different TV with a different TV channel. There is also a man who makes strange patchwork Montgolfier style balloons that he tries to send out of the prison walls, which are always too high, there's a very surreal shot of one of these balloons rising and then slowly bursting into flames.

Generally the relationship between the prison officials and the prisoners is relaxed, the prisoners get a lot of privileges for behaving, they can have televisions if they pay for them, they can have long term sexual relationships, they also have a visitors day where families will come in with picnics, and they sit and eat them in the courtyard, or go off to specially prepared cells for conjugal visitations. The prisoners have also decorated the prison, often with text, for example scripture, but also with many beautiful graffiti. It's like a purgatory, a beautiful horrifying lost world.

The movie was made to memorialise the inhuman reprisals from the authorities following a prison riot. I think it does the job well. This is a great movie, and Hector Babenco is a great artist. Next stop if you haven't already seen it yet should be Babenco's "Ironweed".

Héctor Babenco is a great director, but I grew bored with Carandiru. It's overlong (2 hours 20 minutes; should have been 50 minutes shorter). And it's largely a parade of prison-movie clichés. You have the tough but fair prison director, Senhor Pires; prisoners divided into saints and scoundrels (the latter, naturally, meet all sorts of gory fates); the inevitable riot; the murderous response of the riot squad, etc. And it's told through the eyes of a doctor whose character lacks depth, and whose connection to the plot is tangential. Save it for free viewing on the Independent Film Channel. If you want to see better gritty, downbeat Brazilian films, I recommend Ônibus 174 (Bus 174) or Central do Brasil (Central Station) instead.

This movie is based on brazilian best-seller by Drauzio Varella and was directed by Babenco, both excellent. Probably will be indicated for the Oscar, correcting the mistake made with CITY OF GOD, the best brazilian movie until now. It is impossible not to compare both movies. The violence is more real in this one, the corruption of police, the dirty facilities. The prison no longer exists but the murders that happened there will never be forgotten. In spite of 2 1/2 hours, you don't feel the time passing, because the cast and the directing are perfect.

"Carandiru" is a prison flick which takes the audience behind the walls and into the halls of an over crowded, dilapidated detention facility in Sao Paulo, Brazil. Unlike the typical Hollyweird version of prison life, you'll see a panoply of unusually happy and gregarious inmates who seem to have the run of their pavilion living in sweaty cells with open doors, many of the comforts of home including surf boards, TVs, plenty of drugs, civilian clothing, etc. all seemingly coping well with prison life until the end when a riot erupts. Part of this long 2.5 hour flick centers on a physician and wanders via flashbacks into the lives of some key inmate characters showing us how they managed to end up in the joint. The balance is a tedious tale of the ups and downs of inmate life from a program to stop the spread of AIDS to a gay marriage to a stabbing to lots of small talk to the final riot, etc. Well cast and adequately shot with the real deal for the prison location, this colorful flick has it's upside. On the downside, however, budget constraints were evident in poor effects, emotional investment is difficult at best, and what story there is seems trite and lacking focus. I found myself completely bored with it at the 2 hour mark. Recommended only for those interested in prison life south of the border who don't mind subtitles. (C+)

"Carandiru" is Hector ("Kiss of the Spider Woman") Babenco's sweeping epic about life inside the notorious Brazilian prison of the same name, which was demolished in 2002 following a brutal riot during which 111 prisoners were killed (execution style, supposedly) and not one cop or guard was killed.

The film is based on a book called "Carandiru Station", written by Babenco's former doctor, who was the official prison doctor for several years. Babenco, who has made other films about Latin American prison life ("Pixote", "Kiss of the Spider Woman") was intrigued and decided to film it.

The whole thing is told from the point of view of the doctor, who spends a great deal of his time trying to educate the prison population about the spread of AIDS which many catch through homosexual sex and dope needles. The bulk of the film involves prisoners coming to see him and telling him (us) the story of how they wound up behind bars. Most of the stories are sad and tragic but not without humor and compassion.

The prison itself is not at all like what we in America associate with a prison. Carandiru is more like a super scummy apartment complex. The prisoners come and go with a shocking amount of freedom. The whole thing is basically run by the prisoners. The cells look almost like apartments. On visiting day women and kids wander freely in and around the cells and halls. Very strange.

The last third of the film is a re-creation of the horrific riot which claimed the lives of so many prisoners.

The film is similar in many ways to "City of God" in that its basically an extended Brazilian crime saga. But where "City of God" is nihilistic and adrenaline-pumped, "Carandiru" is compassionate and humanistic. Make no mistake, this is a brutal, brutal film. But Babenco really strives to turn the prisoners into characters the audience can understand and even empathize with. None of them are scary, blank-faced killers like Lil Ze in "City of God". The violence that happens happens for a very tangible reason, often leaving a tragic feel. The prisoners seem very trapped in lives filled with disease and drugs and vendettas.

A sad film, but also one with a great deal of humor. Prisoners like Highness, who is eternally juggling two women at the same time (even while in prison!). And Dagger, a brutal killer who is suddenly paralyzed by guilt over his actions. The images of him wandering, wraith-like, through the yard are haunting.

A superb film. Highly recommended

Carandiru is based on true events. I suggest you read all about it after watching the movie as the end of the movie is not clear enough on what happened after the tragedy. Let's just say justice hasn't been served. The good thing about Carandiru is that it looks so real. Credits for the makers of this movie to make it look that way. And also a big thumbs up to the actors that did a great job playing their characters. The story is something you won't ever forget, certainly not after reading the résumé on Wikipedia. It's another scandalous thing that happened on this planet, where nobody seems to care. The prison conditions in Brazil are just horrendous. No wonder nobody gets to be a better human being after leaving prison, which is normally the point of prison. If you like movies based on true events this one is certainly worth a watch.

The movie turned out to be really good. I went to the special screening last Wednesday at the Magnolia. The movie was... different, not at all what I expected. There was hardly any background music; the mood was set directly from the scenes and the characters. It's going to be released late spring, so I do not want to give too much of it away. :) It was a horrific story, a true story. At times I wanted (and did) scream out. Other times the theater was filled with a nervous laughter, followed by gasps. The movie made you feel sentimental towards the characters, showing glimpses of whom they were, inside and out the Center, but at the same time making you despise them for the terrible crimes that they had committed and showed no remorse for.

Afterwards the director was there. He had flown in all the way from Brazil. When asked what his intended message of the movie was, he said "Message!? If I wanted to send I message I would go to the Post Office!" Also he stated that the destruction of the detention center, Carandiru, was an important step in their government. The place wasn't even a prison. I was a holding place for criminals before they even had a sentence. The place was only destroyed about a year ago. He just wanted to share it with others; I implied that it was for everyone to learn from instead of actually having to live it themselves. All in all it was a much enjoyable evening. 9/10

I'm under the impression that, unlike its subject matter, being part of this film has to have been a lot of fun, especially for the actors. There are moments here as you're watching the movie where you can tell the cast is having a great time on set, and although that doesn't speak well regarding how they're doing their job, it creates this "buddy atmosphere" and, weirdly, makes everything more welcoming, and delightful.

It's fascinating how similar this movie is to its "big brother," the undeniably best Brasilian film of the 2000s, 'City of God.' You'd find similarities between the two films story-wise, character-wise (though that's a given since both films revolve around the same culture), and also, the way the films are shot it's very similar too. Yet, unlike 'City of God,' 'Carandiru' leaves you wanting.

If it weren't for the last fifteen minutes, more or less, you'd think this film has nothing to do with any massacre. 'Carandiru' feels like an anthology film where it'd talk episodically about a few stand-out characters: the prison's most intriguing inmates. The characters are everything here, and the cast does a great job constantly keeping you engaged with them. Wagner Moura especially gives an enjoyable early performance in his career. Quick confession: for me, a massive fan of Moura's performance on 'Narcos,' seeing him here say, "Filho da puta," was a peculiar, most welcomed treat. I can see how part of this performance could've worked as the perfect audition for his role in 'Narcos.'

As I already mentioned, the film is shot very similarly to 'City of God.' There's a lot of hand-held camerawork here, which it's very fitting and effective in bringing the messy, flesh-and-blood intensity of prison life compellingly to our eyes. Alongside the hand-held camerawork, there's also the use steady camera here and there, which, again, it's effective but nothing worth noting. Visually, the film felt a bit bland - 101, basic stuff. And, I'm afraid that goes for the film overall if it weren't for the entertaining characters. 'Carandiru' is social realism seen with the utmost heartfelt eyes, but as a film, it's too episodic, often meandering, and that ending makes it all look like a numb mashup of a few short stories.

Carandiru is a a very good film. I think it is not the best Babenco's movie (e.g. not so good as Pixote) but yet it is one of the best film I have seen during this last year.

In the first place, it should be remarked that it needs a lot of courage to put on screen the beautiful and crude Varella´s book on the day-by-day of prisoners of the Sao Paulo jail Carandiru (once the biggest jail on Brazil, now demolished). In particular the movie shows one the the darkest pages in the recent Brazilian history, namely, the massacre occurred in that jail in October 1992: during a rebellion, the police invaded the prison and killed summarily 111 prisoners. Not a single policeman was even injured during the action.

In order to understand the movie, I think is very important to stress how deep has been the relevance of this sad and cruel event in the slow evolution of the Brazilian society towards less barbarian standards. At the time of the massacre most of the elites, media and middle class supported the police action and only ten years later, in 2001, some of the authors of the massacre has been put on trial. In other words the Carandiru tragic facts of 1992 and the way they have been so differently evaluated here during these years, reveals in a tragic fashion one of the most explosive contradiction of the present Brazilian society, in which a large majority of the Brazilians is completely excluded and plundered.

The movie of Babenco show this clearly and powerfully. Babenco used different kind of approaches. Most of the time the tone of the movie is realistic even bordering a documentary, but there are scenes in which the movie becomes visionary.

I am not surprise that the film was not well accepted in the recent Cannes festival. Critics from the first world are not expected to know much about the actual situation of Brazil (euphemisticly speaking). The fact is that Brazil in the USA/Europe imaginary continues to be unfortunately the country of carnival, football and samba and dark crude point of view such as the one of Babenco tend to be considered as disturbing or worst boring. So, while in the preview session for the press in Cannes 2003 most of the comments were "too long", this nearly three hours movie is one most

seen of the year in Brazil.