65
Metascore
18 reviews · Provided by Metacritic.com
- 90L.A. WeeklyScott FoundasL.A. WeeklyScott FoundasScaled like an epic but possessing the narrative simplicity of a fable, The Warrior unfolds over a brisk 85 minutes of screen time, keeping dialogue to a minimum as it celebrates the power of stories told through handcrafted, CGI-free images.
- 83Entertainment WeeklyLisa SchwarzbaumEntertainment WeeklyLisa SchwarzbaumAsif Kapadia's blazing feature debut, a gorgeously photographed saga with a fine sense of the way place shapes personality, has won numerous awards in the filmmaker's native Britain.
- A minimalist but strikingly beautiful tale of renounced violence told with uncommon precision and depth.
- 80Los Angeles TimesJan StuartLos Angeles TimesJan StuartIt is chockablock with brutality, but the violence is of the high-minded, self-congratulatory sort that indicates without actually showing.
- 60Film ThreatRich ClineFilm ThreatRich ClineThis is a timeless tale; the time period is irrelevant as the story is a profoundly personal one about trying to reject the strong internal drive for vengeance.
- 50Village VoiceVillage VoiceVisual grandiloquence more than makes up for the bare-bones dialogue. But while high on mysticism and vast in scale, The Warrior seems more poised than poetic, and ultimately landscape proves to be the film's real grabber.
- 40The Hollywood ReporterJoe MaderThe Hollywood ReporterJoe MaderThe plot is simple to the point of being simplistic, and the characterizations are never more than rudimentary.
- 40VarietyDerek ElleyVarietyDerek ElleyTendency to go for art rather than action, and a leisurely pace that isn't bolstered by much dialogue or food for thought.
- 40The A.V. ClubNathan RabinThe A.V. ClubNathan RabinBoasts an action-movie plot and an action-movie title, but precious little action. It's a lovely film about brutal men, but its integrity and visual splendor ultimately can't make up for its overall lack of visceral excitement.
- 38New York PostNew York PostThe Warrior may be mighty of sword but he is exceedingly limp of writing. We never learn why he went bad in the first place, or what causes his sudden conversion. If the audience is expected to do most of the work, we should be paid $10.50 each.