I had the pleasure of meeting Jeff Stolhand at the Austin Film Festival a few years ago after the screening of his first feature film, "Seeking Cafe Bob". It was a delightful film that ended up winning the Best Screenplay/Best Film Award. Since then I have followed Stolhand's progression as a filmmaker from "What I Like About You," which had a successful screening at Slamdance, to his most recent feature, "Master of the Game".
Despite the cleverness and freshness of Stolhand's previous two films, I was not prepared for the most compelling film that I have seen this year. "Master of the Game" is a delightful display - beautifully shot, powerfully acted, and has the wit and clandestine plot of a David Mamet thriller. Shot on the new HD 24P camera that filmmakers like Robert Rodriguez and George Lucas are now using, the interior shots have the warmth of film.
I do not want to give away any of the plot, so I will not specify any scenes, but Uygar Aktan's script is almost poetic in its narrative - a script that an actor would have to love, with longer prose and emotion found only in laudable play adaptations like "Twelve Angry Men" or "Inherit the Wind" - great films that are all but extinct in today's fast paced genres. And the actors chew the scenery with magnificent adeptness and emotion, giving wonderfully nuanced performances. Prince, in particular, conveys a calculated coldness that is reminiscent of Ralph Fiennes in "Schindler's List".
But the consummate genius has to be Stolhand's interpretation of the material. Stolhand capitalizes on the intimacy and claustrophobia of the situations without letting the prose feel stagnant. His shots and camera angles are inventive without distracting from the characters. And the overall presentation has a big-budget look and feel. I look forward to following his promising career and would love to see what he is capable of producing with a multimillion dollar budget.