Chicago – The third week of the 13th Annual EU Film Festival at the Siskel Film Center has arrived, and we’re back to give you an idea of what to expect in the second half of arguably the best fest in the Windy City. We profile several of this week’s hottest tickets, including an anticipated screening hosted by Chicago’s own Jonathan Rosenbaum.
The first half of EU 2010 (which you can read about here and here) produced some memorable films including Sweden’s taut thriller “The Girl With the Dragon Tattoo,” Italy’s sumptuous romance “I Am Love,” and France’s exhilaratingly off-kilter re-telling of “Bluebeard.” As good as all of those films were, the festival has generally been offering stronger programming each week, and this is the best one yet. Out of the next four highlights, there are at least two that absolutely should not be missed.
It...
The first half of EU 2010 (which you can read about here and here) produced some memorable films including Sweden’s taut thriller “The Girl With the Dragon Tattoo,” Italy’s sumptuous romance “I Am Love,” and France’s exhilaratingly off-kilter re-telling of “Bluebeard.” As good as all of those films were, the festival has generally been offering stronger programming each week, and this is the best one yet. Out of the next four highlights, there are at least two that absolutely should not be missed.
It...
- 3/18/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
- The majority of his films don't find U.S distribution (perhaps his films are simply too "French") but audiences might remember him as the helmer of Le petit criminel, Ponette and most recently, Raja. Just by reading the plot outline, I think busy bee director Jacques Doillon might find a taker for Aux Quatre Vents (To the Four Winds). Counting on a stellar cast, written by Doillon, the film centres on a playwright (Pascal Greggory) who invites some actors to his secluded house to prepare a play. But the combined presence of his ex-wife (Julie Depardieu) and her lover (Louis Garrel), as well as the playwright’s assistant and mistress (Agathe Bonitzer), makes this a particularly turbulent day, in which romantic and creative rivalries become entangled. For some reason, I'm thinking of Ils se marièrent et eurent beaucoup d'enfants as I write this (probably because of the Birkin connection
- 7/7/2009
- IONCINEMA.com
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