It's a knowing, dare I say sweet, little film that takes pains to let the characters speak for themselves, never rallying behind an implicit religious message, which may be the best message of all.
Winner of the Golden Starfish fiction competition at the Hamptons fest, pic's gutsy, madly ambiguous unleashing of a mixed bag of religious reactions attests to a genuine sense of regionalism.
60
L.A. Weekly
L.A. Weekly
The cinematography, by Dan Stoloff (Tumbleweeds, Miracle), is beautiful throughout, but the individual stories occasionally verge toward silliness...Still, there's an affectionate authenticity here that Hollywood baloney like "Crash" can't touch.