User Reviews

This movie offers several spectacular shots (free-falling, swimming against the sunset, scuba-diving, car flip / crash, etc), locations (France, Switzerland, Morocco, Spain) and means of transportation (cars, boats, subway trains, planes, helicopters). The production values are certainly very polished. But the director takes an overly detailed approach to storytelling - there are quite a few scenes that go on longer than necessary. The thrills are limited: a car chase ends almost as soon as it begins, and a fight between Cassel and a Spanish female assassin (Najwa Nimri) is shot in such tight close-ups that you literally can't see any of the moves. As for the insights into the spy business ("We're not asking her to collaborate with us; we're asking her to obey our orders"), they're not exactly groundbreaking stuff. The intense Cassel and the dazzling Bellucci are interesting people to look at, but for the most part this spy thriller is too dry - and the ending is poor. (**)

I watched this film entirely in French without subtitles with some french speaking friends, as someone with reasonable French skills and still learning, i paid more attention to it than i would with an American film. I understood what was happening. From the start it had the potential to be a good film. Good locations, reasonable camera work, a good cast and some believable action sequences. A proportion of the film was located in Geneva, where i am staying at the moment, which i recognised, so effort was taken to be on location, unlike some films which are filmed in Prague and then set in Paris, Zurich or other European cities. I liked much of the story, the way that the characters interacted with each other and how the plot developed. Nevertheless, i found it disappointing and thought that more effort could have been made to develop the plot and perhaps develop the characters better. The actual action scenes were more brief than i had expected, which was another disappointment, but they were more believable that many in this specific genre. Having watched a number of French and other European films, i believe that they do have an edge over what Hollywood is producing. This film i think would not, i am sad to say. Not i think worth buying. If you rent it on DVD, then rent something else as well at the same time. That would be my advice.

Again a french blockbuster! I had in mind "Largo Winch" for our national action / thriller tries and the feeling that something was lacking in comparison to James Bond, "Mission Impossible" or the recent "Traitor".

My opinion hasn't changed: action isn't unforgettable, the story is boring, and the characters dull: even before the troubles come, the spies are depressive, mournful!

I know the director wanted to show the crude reality of undercover action but he failed to tell something interesting. Even his commentary is lethargic. It's a pity because some sequences show that he is talented with a camera!

The best moment of the movie is their "vacations" in Casablanca, because it was almost like mine in Oujda, another Moroccan town: streets filled with people, red and whites taxis, pool, …

And another french DVD without subtitles!

Hi! First of all I have to say that I really enjoyed 'Agents secrets'. I wasn't disappointed as many seems to be because I knew what kind of film I was going to see... By this, I would mean that it is a 'Schoendoerffer movie' i.e. a movie that is not focusing on a special mission or on action but rather on people, what implies their job, on their daily life...even if they are spies. It was the same in one of his prior movies 'scenes de crimes'. So, don't expect to be staggered by special effects or by an unexpected end. You're not in 'M.I.1' or in 'The Usual suspects' - even if I also appreciated these movies- , what matters is people, their relations, their perception of their job... It was really a good moment and it does not really matter if at the end everything is not fully explained. It's not the the director's main purpose at all...

This moving film has suspense , tension , emotion , wild fighting images , mystery , car crashes and a little bit of violence . From his offices in Switzerland, Russian Igor Lipovsky (Avedikian) is an arms dealer engaged in a huge and profitable gunrunning operation with a special load whose destination results to be Angola . The French government wants to hinder the activities of Igor and sends an outfit to sink one of his ships heading for Africa with a shipping of illegal weaponry . Lisa (Monica Bellucci) , Brisseau (Vincent Cassell) , Loïc (Ludovic Schoendoerffer , brother's son) , Tony (Eric Savin) and Raymond (Sergio Peris Mencheta) are professional spies under command of Colonel Grasset (André Dussollier) to proceed the dark operation . But moles threaten to foil a team of secret agents' plan . The code-name of the assignment is "Janus" ; and just like with the ancient deity , as they have to pull off a dangerous mission to sink the general cargo vessel "Anita Hans" in Casablanca . After that , they are betrayed by other spies (Najwa Nimri) , then Lisa is detained and Brisseau attempts to free her , but the events go wrong .

This thrilling movie deals with an expert team of spies , but no in James Bond style , as they are secret agents that carry out their assignments in realist as well as methodical manners . Exciting as well as surprising screenplay by Jean Cosmos , Ludovic Schoendoerffer and the same filmmaker Frederic Schoendoerffer . Although the picture has various ingredients for entertainment , the plot is some confused and complex and filled with plot twists . This enjoyable picture contains action , thrills , intrigue , car pursuits , struggles , including a violent fight between Vincent Cassell and his nemesis Najwa Nimri . The first part of the movie takes inspiration of the Rainbow Warrior case that has been slightly adapted ; events are transposed in Casablanca and the sabotaged boat carries weapons instead of environmental militants . Very good duo protagonist , Vincent Cassell , an actor with endless energy , but Vincent is also a family man with 2 children and married to Monica Bellucci, his Italian co-star . For professional reasons, Vincent lives mostly in Paris while his Italian-born wife, Monica Bellucci, lives mostly in London . However , they have been separated in 2013 . Despite this , they have appeared in the following films together : Sheitan (2006), Secret agents (2004), Irreversible (2002), Brotherhood of the Wolf (2001), Mediterranees (1999), Le Plaisir (1998), Compromis (1998), Dobermann (1997), Come Mi Vuoi (1997) and Flash-back (1996). The star studded support cast is important with known international actors , most of them French people such as André Dussollier as Colonel Grasset , Charles Berling as Eugène , Bruno Todeschini , Eric Savin as Tony , Gabrielle Lazure as Véronique Lipovsky as well as good Spanish actors such as Sergio Peris-Mencheta as Raymond , Najwa Nimri as Maria Menendez and Simon Andreu as lawyer .

Sensitive as well as touching musical score by Bruno Coulais . Colorful and evocative cinematography by Jean Pierre Sauvaire . The motion picture produced by Spanish producers : Ricardo Garcia/Francisco Ramos/Miguel Menendez and French ones : Eric Neve/Porchet/Latif Lahlou was well directed by Frédéric Schoendoerffer , son of also filmmaker Pierre Schoendoerffer , an expert on war movies . He was born in 1962 in France, he is a director and assistant director, known for Switch (2011) , Trunds (2007) , Scènes de crimes (2000) and especially this Secret agents (2004) . Rating : 6,5/10 . Well worth watching .

There is a lot of walking in this movie, that's for sure. But it isn't a thriller, it isn't an action movie - it's a boring piece of work. At time it is hard to understand what's going on. Not that the story is complex - there hardly is a story - but it is hard to understand because it's directed very, very poorly and at an infuriating pace that seems to be wrong for every scene. I felt really disappointed after watching this one. I can't believe they make this kind of crap. The only good thing is that the always enchanting Monica Bellucci once again shows her two best, breathtaking assets. Cassel on the other hand is not that charismatic. But he gets by better than in his awful role as Blueberry. If you like Cassel and Bellucci, you will be better off if you watch Irreversible.

Frederic Schoendorffer directed 4 years ago a great serial killer movie with a realistic point of view, "Scenes de crimes". And now he does it all over again with "Agents secrets", a sharp, always surprising look at the world of spies. Like, a James Bond movie directed by Ken Loach (well, sort of). Of course, when you decide to take a movie genre and break all its rules one by one, it helps to have two major movie stars by your side. Our American friends may not realize how big Vincent Cassell and Monica Bellucci are in France. They're, like, Brad Pitt and Jennifer Aniston, only more rebellious and real and glamorous and daring and hip. When you look at their respective filmographies, you know for sure that "Agents secrets" won't be a "Troy" or a "Along Came Polly" (though I do respect and love Brad and Jennifer, their career moves are sometimes, well, surprising). Now, Vincent and Monica are a real life couple and they do not play a couple in "Agents secrets", but two spies who pretend to be a couple on a mission that will go awfully wrong. Don't expect too many visual effects here : the suspense is intensely psychological and the cast does deliver, even though the screenplay sometimes doesn't (to be honest, the story is not always clear). When I saw the movie, most people in the audience were very angry by its ending. Without giving it away, I can tell you it is daring : the director wanted to make a movie about the extraordinary life of ordinary people who have no choice, once they've chosen such a lifestyle, but to live this way till they die. Their whole life is a mission, and it has no end.

Monica Bellucci and Vincent Cassel team up again after "Irreversible" in this decent movie that I recommend due to its simplicity and gripping storyline. Despite some definite defects (Bellucci's acting firstly), it shows a couple well working together and having a strong chemistry; a lot of intrigues, cover ups, action scenes. Shot in Casablanca, Geneva and Southern France (I guess) it can be seen as a motion picture that rarely loses its grip, well scripted and acted. The only objections I can find are Monica's Bellucci's role and the shortage of something that might have avoided the film to fall into the ordinary spy genre, like a stage trick revealing something new.

Agents Secrets is not only a spy / contra-spy thriller but also one of the best portfolio examples french cinema has nowadays. With few words and dynamic fast camera movements the actor-couple Monica Bellucci & Vincent Cassel are very well fitted in this story of spies & secret agents. Not the most original story, but the story sequence is.

It is a joy to watch these two professional actors, there is no question about if they are acting: the just ARE the two secret service agents. No doubt about it. You will be touched by the movie and once you will see the credit rolling by, you still be in your chair thinking about all the impressions and story line.

I think this one is a high ranker on your list if you like spy-games.

A team of secret agents – Raymond (Sergio Peris-Mencheta), Loic (Ludovic Schoendoerffer), Lisa (Monica Bellucci) and their leader Brisseau (Vincent Cassel) – is assigned by the French Agency in a mission called Janua to sink the general cargo vessel "Anita Hans" in Casablanca. The ship is transporting weapons for the rebels in the civil war of Angola that are using diamonds to pay the dealer Igor Lipovsky (Serge Avedikian). Brisseau and Lisa are advised by an American agent to abort their mission, but their superiors order them to ignore. When the mission is successfully accomplished, Lisa is framed and arrested in the airport with 150 g of heroine. When Raymond is killed, Brisseau realizes that they have been betrayed and he tries to release Lisa from the prison.

"Agents Secrets" is a bitter and realistic original story of manipulation and betrayal, showing the dangerous, lonely and empty lives of secret agents, where the interest of a nation is above any principle of ethics, as Machiavelli observed and wrote in the Fifteenth Century. Vincent Cassel and Monica Bellucci have excellent lead performances, well supported by a great European cast, and the action scenes are really very impressive. My vote is seven.

Title (Brazil): "Agentes Secretos" ("Secret Agents")

I went to see this film with a fairly international group of film goers. . . and we all hated it. Apart from some interesting cinematography (eg. the tandem swim at sunset) this film is absolutely empty. I can't remember a film where I felt so cheated out of my money and my time.

On the yahoo cinema site for the film it said that the director did an enormous amount of research:

"Frédéric Schoendoerffer s'est énormément documenté sur le métier d'agent secret en procédant à un tri méthodique des informations recueillies à ce sujet".

If this is true then the spy business has to be the most boring profession on earth. Granted I realize it isn't all James Bond in real life, but it has to be a thousand times more interesting than the film, because someone could pay me to be a spy, but they could never pay me enough to have to watch this film again.

It should be pointed out, I think, that the director didn't do an enormous amount of research into car accidents. The main character suffers severe injury to his head and hand from a relative fender bender, while walking away from a car accident in which the car he is in, going at full tilt down an expressway, flips over a median and land upside down hitting another car, which then causes them both to blow up within a matter of seconds...

yet he escapes unscathed...

Please, don't waste your money on this film . . . go watch classic Hitchcock. . . he also did an enormous amount of research on the subject but he also knew how to tell a good story.

Watch the zoom-in shot at the beginning from outer space to the Meditteranean, it is alright, though a bit cliché these days, then go demand your money back for those of you who have accidentally bought your tickets in advance.

I've expected to have a different look from the French film industry to a spy trivia rather than imitating the American flavor. Whatever you do, imitation is an imitation and you can't get rid of that.

Although the scenario has some potential, it seems they've missed the point and got bored in the story telling. Monica Bellucci is a really beautiful and talented actress whom I admire, but she got lost in the movie with the same dull look and it seems she didn't like her role too... The best casting is Vincent Cassel and he's probably the only one who took it seriously. The chief staff of the secret missions are too light to be described as bosses. The action scenes are rare and not so devastating. The camera use is fine though.

If you have some spare time, you may enjoy the film, but don't expect too much of it. 6 out of 10.

good casting doesn't mean that a movie is good. it only win in fame but not the audience/spectators.

good casting isn't the important element of a good movie. good work from actors and good story plot is.

== Monica bellucci, irreversible's Alex, is pretty ... so this film emphasize on selling her...and her husband, vince (vincent cassel) is her couple agent.

like irreversible, like brotherhood of wolf, only sell this popular couples...remember that, good cast, popular girl (Monica bellucci) is not enough, but only a good storyline is.

to conclude, there is nothing good to be remembered here. Bad film.

not a good actress, pretty actress can hold all spectators, if your storyline is as good as frighteners, yeah it can hold many many spectators! but this movie only sells the vincent cassel couples! only sell these 2 ppl isn't enough. Monica is pretty but if we only want to see her beauty, Malena/Bro. of wolf/irreversible can satisfy us.

remember, pretty actress isn't the only point for a movie to win.

can you all see matrix 2 and 3? though the hi-tech wins but it is boring than matrix 1, why? because ppl there only emphasize on the tech used there, but not improve the storyline. so it lose when compared to matrix 1!

To conclude on matrix series, it tells that..."good casting isn't everything, good storyline is(find the right actors)"!

I'm sorry if I don't blindly join the many admirers of this movie, who would like to rate it 11/10 if it would have been possible. Since I don't run for Senator, I don't mind making possibly unpopular remarks. Don't get me wrong: Agents Secrets certainly is an interesting movie, worth while having in your collection. But to me it is not the gem many people describe. My main complaint is that the movie simply isn't surprising enough to earn that status.

Let's remain honest: 2 combat divers, send to blow up a ship with time bombs, accompanied by a back up team posing as a pseudo couple ? Rather watch the excellent movie "The Rainbow Warrior Conspiracy" from 1989. Illegal arms-for-diamond-trade ? Done several times before ! American agents clearly informed about what the "Frenchies" are up to (Echelon ? Moles ?...)… Déjà vu ! Someone framed by 150 gr. of heroin hidden in his or her luggage ? How many times has this not been seen before ? Also used in 20, 30 other movies: the main character gets kidnapped by the "opposition", but somehow miraculously manages to cause a traffic accident, after which of course he's the only survivor… I'm not even mentioning the somewhat unbelievable sideplot of Brisseau finding extremely quickly the professional (???) killer who shot one of the combat divers, and making quickly in between a trip to Spain to kill her.

Now, having said that... Strangely enough, even if Schoendoerffer really used too many wrong ingredients for a surprising plot, his spy flick isn't a bad movie at all. Not because of clever dialogs about international security or about the loneliness or the dangers involved with the spy business however. In contradiction with some other comments, I didn't found Agents Secrets a particularly good psychological study about secret agents… Don't expect a Simenon-like experience, with a relatively bleak plot as an excuse to paint vivid psychological portraits, as the Belgian writer often did. The few moments something "psychologic" is happening, it is far too cliché to be of any merit.

Other things that make some spy movies very interesting are superb locations. Agents Secrets can't have earned its reputation based on this argument. Don't expect to see superb cars nor –there needs to be something for everyone- breathtaking bathing beauties à la Bond either...

So, what is it, that makes me not calling Agents Secrets "not a bad movie" ? Strong pro's are the quick pace of the plot, underpinned by interesting "nervous" camera movements. The ultimate trump though is the excellent cast. Well, exception made for the cliché looking villains who kill a French agent in the strong first minutes of the movie: they look like the stereotype gang members of Pablo Escobar.

I wonder... Maybe the film would have gained strength if the killers remained invisible, anonymous, like a constant menace on the background.

For all this, a 7/10 seems to be an honest score.

That's how Jonathan Ross describes this French subtitled movie, when he introduced it when it was shown on the satellite French movie channel, Cinemoi.

The now almost famous (to us Brits) Vincent Cassel, playing 'Brisseau' and his wife, Barbara, or Lisa, (Monica Belucci) are the couple in question and are part of ring of agents, totally professional, taking great care to meticulously plan everything. They don't ask questions. Maybe they should...

Out in Angola, is a bloody civil war and that requires guns, lots of them. A Russian arms dealer, trading from Switzerland is going to send a ship-load of weapons out there. The Secret Agents are set the task of going out to Morocco and sabotaging this sailing by planting explosives on the vessel and blowing it up.

So, that's the premise, interesting and realistic and to do just that would be far too straightforward, right?

The movie moves along quite quickly, shot in old style, i.e. steady cameras instead of wobbly, jarring ones. But there is excitement too, with well-shot stunts, especially car chases (French thrillers always do them well) and moody mellower moments. It's humourless and efficient and we aren't asked to like, or approve of the protagonists or what they do. It gets sufficiently complex to be satisfying, it's well acted and about the right length.

It's a good thriller, but somehow not a great one. It needs an extra something, though what this is difficult to pinpoint. It doesn't quite reach 7/10, for me, but is very close. Whether it's worth buying as a DVD and at the present cost, is a different matter. But rented or on Cinemoi, then it's a great choice for a mid-week action movie.

I saw the movie last evening and I think it's a very competent thriller. Nicely shot without being too stylish. Crisp and to the point. The interest never flags down. The plot is realistic and the characterization has the existential overtones the French so much love: agents doomed to obey orders and never ask questions living a lonely life of lies without any friends(while blowing up ships and routinely jumping down planes). The film manages to find new ways to thrill and narrate the story; and that when the espionage thriller field has already been saturated with Hollywood super-productions; so for a French movie to succeed with half the budget and with a European sensibility is great going. Part of the action moves in Casablanca and Geneva but these locales are used in a refreshing way not the usual Hollywood exotica "elsewhere"; if you see this movie try to compare it to say Bourne Identity and you will know what I mean. I love thrillers but for a long time hadn't seen a movie that really kept me glued, but this was it. There are minor gaffes like the makeup in places, the panicky way the agents are always looking around (why are they being so obvious in a crowd when they are supposed to be secret, eh) and some flat actors. But overall the movie is fun and well worth a visit.

One of the few movies that show real agents a little closer, and not James bond like agents...this movie had excellent FX and soundtrack, act was great , don't get why it got such low rating, the plot is understandable from start to finish. Didn't see the film in original lang. so maybe that's why i got another impression from the film

(dubbed in Russian). give it 8/10 - one of the movies i will definitely have in my movie collection.

It's not often that you come across a film in which, for the first eleven minutes, the only words spoken are: 'On the left!' Couple that with an opening sequence that begins on the dark side of the moon, slowly zooming down to earth – almost like a Google Earth video -- and to a ferry, somewhere in the Mediterranean Sea, to finally stop upon a man's eyes at extreme close-up. And, all done with only two almost seamless dissolves between the computer wizardry and the real McCoy... And all the time, the pulsating sound track from Bruno Coulais hits you almost as forcibly as three assassins forcibly and gruesomely dispatch the hapless agent returning to base...

Such is the combination of cinematic and directorial skills as evidenced by the director, Frederic Schoendoerffer and cinematography by Jean-Pierre Sauvaire. Add to that the consummate acting by the likes of Vincent Cassel -- unforgettable in La Haine (1992) – and Monica Belluci, probably best known to US audiences in The Passion of Christ (2004), and you have a cinematic thriller treat that the French do oh-so-well and oh-so-often.

Take a team of five agents from an unspecified secret French agency, add a notorious gun-runner from Russia, mix with the intrigue and settings in and around Casablanca, in Morocco, stir it all up with CIA mercenaries trying to spoil the fun, and top it all off with betrayal in the midst of the French team and you have 109 minutes of dirty dealings, and some break-neck action that might just leave you breathless. Some of the stunts were simply…stunning; in fact, I just had to re-view – again and again – the last car chase with the most spectacular head-on impact I've yet seen. But then, I'm a sucker for a good car chase ever since I saw Bullit (1968). What! You haven't seen Bullit yet...? Tsk, tsk...

The plot is straightforward and the director uses visuals to show most of it with a bare minimum of dialog. It is, however, a relatively complex story, with a number of sub-plots: the French agent who wants to quit, and who pays the price for trying; the degree of collusion between government and dirty business; the nature of the arms trade and why it continues. But, hey, we all know that it's a dirty world, and there are dirty people in it, always ready to do their bit for...for...oh, yeah, democracy.

To some extent, I was let down by the final scenes. On reflection, however, it was appropriate, if a bit flat – especially after all that blazing action. You be the judge when you see it.

As he reached the status of French cinema's »mandarin«, and by proving to be the undisputed commercial ruler of non-American cinema, Luc Besson retired form directing and began writing and producing a whole serial assembly of rather simple French programmers which were set to compete with mid-budget Hollywood efforts. Some of those films like »Taxi« or »Crimson rivers« (Rivieres pourpres) managed to score amazing box office. And yet, Besson's employees failed to deliver anything more than middle-of-the-road of half-baked products. However, each of those titles managed to either reach or surpass Hollywood products in certain set-pieces. Thus, Besson's productions cured European fear of Hollywood's technical supremacy.

The other line of French lust for Hollywood, unlike Besson's superficial clan, is represented by frontmen of the Newest Wave of French Cinema consisted of extremely talented and educated auteurs like Gaspar Noe, Christophe Gans, Jan Kounen and Olivier Assayas who use the rethorics of genre cinema in order to create brave and edgy body of work and blend of art-house.

The acting icons of the Newest Wave are Vincent Cassel and Monica Bellucci, the couple who defined four most important films in the last ten years of French film history – Jan Kounen's »Dobermann«, Gilles Mimouni's »L'Appartement«, Christophe Gans' »Pacte de loups" and Gaspar Noe's »Irreversible«. The two of them star in »Agents secrets «, the film which tries to use the fourth method in order to tame the energy of commercial cinema.

The explorer of the Fourth Method is Frederic Schoendoerffer, a classicist among contemporaries, son of famous Pierre (Dien Bien Phu), whose body of work mostly includes documentaries and chronicles of French colonial presence in Indochine. Frederic gained attention by grim and very serious police procedural "Scenes de crimes". In his debut the absence of stars prevented it from being an important title in the Serial Killer Film Pantheon.

»Agents secrets« is a thriller partly inspired by a recent incident when French secret service (DGSE), which belongs among the most discrete, sank the Greenpeace ship. That event caused a backlash and DGSE eventually abandoned some of its' operatives.

In »Agents secrets «, agents are ordered to sink the ship used by the notorious Easteuropean arms dealer. When the ship is sunk, agents consider mission accomplished. Suddenly, it transpires that they provoked CIA by this act and DGSE abandons them.

This exciting yarn is adult-oriented judging by robust pacing and character portraying. Unlike (as exceptional) "The Bourne Supremacy" which grabs the viewer, »Agents secrets « attempt to seduce you. Thus, if "Supremacy" is the model of what 007-franchise should have been, then Schoendoerffer's film threads in legacy of John Mackenzie's "The Fourth Protocol". On the other hand its' Hollywood counterpart is Tony Scott's "Spy Game", another fine film about the dynamics of espionage reality. All of these films were directed by Europeans even if some belong to A-List Hollywood milieu, meaning that Europeans, especially Brits, are the go-to guys when it comes to spy yarns.

»Agents secrets« is a fine espionage thriller that delivers efficient and disciplined roles of two authentic, and probably greatest contemporary French film stars. This film marks the return of adult-minded espionage film where espionage finally became a subject instead of being an excuse for action mayhem. Simply put, in »Agents secrets «, the device is also the goal, and this is why it stands out as a calm and articulated commercial film in the age of hysteria.

I went to see this film full of expectations. Vincent Cassel, gifted actor very popular here and abroad. Monica Belluci, his wife, a beautiful Italian. And here in this film they play a husband and wife secret agent couple, working for the French government in a variety of difficult missions. Well, by the time I had finished watching this film my illusions were well and truly shattered. From some very poor acting (André Dussolier in particular as the boss of our agents) to some dreadfully staged set pieces (Cassel disguised as a cycle dispatch rider killing a Spanish bartender / contract killer with a bicycle pump, anyone?) and some downright shabby makeup (one of the actor's hair got greyer as they film went on, to the point where you could distinguish the grey powder quite clearly stuck on his head), the film is without merit. It is possibly one of the least interesting movies of the year. There is absolutely no chemistry between our heroic couple, there is nothing to hook the spectator, and everyone looks thoroughly bored throughout. Even the ending is frankly dull.