User Reviews

I saw Anurag Kashyap's Paanch at the Cinefan Film Festival, 2002. It was clearly one of the best movies of the festival, on par with movies like Hero and Osama.

The story depicts what ambition, immorality, greed and angst, unmistakably the products of urban life, can do to an ordinary person. A little mischief for the sake of success leads a group of 5 wannabe rock stars to get entangled in a gory web of murder and betrayal.

What follows is a shocking thriller of a story, supported aptly by some great performances, the best coming from Kay Kay Menon and Tejaswini Kolhapure. The movie has a great musical score by Vishal Bhardwaj. The songs, most of which Kashyap interestingly uses up in the first 15 minutes, are brilliant. So is the background music. Another high point of the movie is the cinematography, which impresses upon the viewer an aura of fast-paced urbanity juxtaposed with dark, ruthless bloodshed. If there's a low point in the movie, it is the few minutes after the interval where which seem ineffective and dragged. However, they are easily outweighed by the compelling tension and gloom that permeate the movie.

Clever, brilliant, yet utterly pessimistic, Paanch is strongly recommended.

7.5/10

Almost all films stale out if the release is delayed by few months... forget years. Anurag Kashyup's Paanch is one of the strongest exceptions on the list. This film delayed by almost a decade is still so effective, most importantly because its narrative is timeless and was also ahead of its times making it relevant and entertaining even today.

Much before Bollywood had seen any Kaminey, Paanch was one of the first 'dark' and intense films from India and absolutely effective. Drugs, smoke, alcohol, abuse, expletives, kidnap, murder, body butchering, heavy metal rock music, dark lightening in scenes, sexual undertones in dialogues, crime thriller genre, noir treatment, erratic lyrics and much more - and none of this simply forced to make the film look pretentiously dark.

The narrative is unambiguous yet not predictable for a moment. 5 people (4 guys and 1 girl) get involved in a kidnap which leads to murder and the more they try to get out of it, the more they get trapped in it. The 5 people setting reminded of Mahabharat's Draupadi and the Paanch Pandavs (through here there was 1 guy less). There is also a subtle reference to Draupadi in a scene where Kay Kay asks Tejaswini to wear a longer sari - 'Sadi lambi pehna kar Draupadi' (the word Draupadi was muted by censor in the preview copy) - Interestingly in this scene there are 5 guys with the additional one being the one to be subsequently kidnapped (Pankaj Saraswat).

All the characters are negative and Kashyup develops each of them so distinctly. Even his approach to writing and directing every scene is absolutely innovative with the characters behaving unpredictably and the situations changing spontaneously. The characters are so unusual to Bollywood screen but so true to real life. You might have surely encountered one or the other character prototypes in real life in your college, workplace or home. One is a coward (Vijay Maurya), one is silent spectator (Aditya Srivastava), one is partner in crime (Joy Fernandes).

The performances are BRILLIANT. Without a doubt this is Kay Kay Menon's career best performance till date. He is so much into the character of a hot-headed perpetrator who vents out his frustration on anybody and everybody in the team that at times you literally feel a part of the cast who are bogged down by his constant bossing and bullying on the gang. Even when he sings a rock song, he is so much into the act that you feel he's performing for a live audience. Another gem of a discovery of this film was Vijay Maurya (who by now has become popular for his roles in Black Friday (as Dawood) and Mumbai Meri Jaan). Maurya plays his part so perfectly that you actually feel pity for his character's cowardice. Aditya Narayan and Joy Fernandes are good. It's sad that an actress as amazing as Tejaswini Kolhapure got lost never to come back in a proper role in Hindi films.

It's surprising that Censors kept the film on hold considering some of today's Hindi films have more expletives than Paanch. Actually the censor wasn't as evolved then as it is today. That's what makes the film ahead of its times. Now the film is seemingly approved by the Censors but is perhaps stuck due to producer problems. However there is not even a single smooch or even kissing scene in the film forget any sexual intimacy.

Music is one factor that Anurag Kashyap never ever gets wrong with. While we always talk of filmmakers like Subhash Ghai, Yash Chopra or Sanjay Leela Bhansali to have a good music sense that reflects in their films, Anurag Kashyap has always had superlative and path-breaking musical score in all his films (though he is grossly underrated for it) and has a 100% perfect track record. Whether its Indian Ocean in Black Friday, Amit Trivedi in Dev.D or Piyush Mishra in Gulaal, all his films had refreshingly NEW and very good music. Paanch is no exception with Vishal Bhardwaj (in his early days as a composer) who composed some tunes which were traditionally not Bollywood but very interesting.

Some of the most effective scenes from the films are when - Kay Kay and Maurya get into a fight over switching off the stereo, - when Kay Kay scares Joy for a moment saying 'Kya main Joker dikhta hoon' (supposedly a tribute to Martin Scorcese's Goodfellas), - when Kay Kay faces Inspector Deshpande (Sharat Saxena) for the first time and almost every other scene.

The film brought into light the rock culture (much before the ROCK ON happened), had a subtle reference to a human body butchering scene (which has now become a cliché in crime dramas), had a noir treatment when the genre was still in its nascent stage in Bollywood. Again, ahead of its times... or would you call trend-setting!

However the film is not flawless. The epilogue added to the crime drama in the last 15 minutes is clearly stretched and perhaps the only predictable portion of the plot. The twist in the tale that it intends to create almost falls flat. Also an item number was the worst way to end an otherwise original and entertaining film. Plus the footnote added at the end of the film as a moral-of-the-story (perhaps forced by the Censors) which reads 'Crime Never Pays' absolutely kills the noir effect of the film.

Nevertheless the film is so gripping barring this slack ending that you easily excuse that blemish and enjoy Paanch as one of India's cult-classic crime dramas.

Saw Paanch at Osian's at Siri Fort Audi no 4 in 2003..hop and skip distance from my erstwhile home.I,along with others in the Audi witnessed something that could and should have changed the landscape of Indian cinema had it released in its stipulated period.Period!

As the opening credits rolled I started to feel overwhelmed by the visuals..expectation began to rise.It had been a long time that so much of effort had gone into the start of a movie.It sets the tone for what is to come.This movie is real and still not in your face.The characters,dialogues and scheme of things are so spontaneous that you start to think yourself being a part of the film/scheme/plot as a mute character/spectator.

Lets talk about the characters/actors:

Luke(K.K. Menon): I have no words to describe him.One actually can see the Devil/Lucifer/Belial in him in certain scenes (Esp Bus and Conductor).He manages to do it so much panache.That fleeting madness in Luke makes you gawk at him with sheer disbelief.Murgi(Aditya Shrivastav):Brilliant silent performance.He talks away the cake at times from KK and Vijay Maurya(Pondi).Such restrained performance is hard to find.What talent!!Pondi(Vijay MAurya): Amazing timing.I am actually tired of eulogizing every actor and character but cannot help but they are so frigggin good.Joy(Joy Augustine) has his own style and does bring a different dimension to the movie with his presence.I like Shiuli's role (Tejaswini)..very strong character portrayal.

This movie deserves to be seen by all.It should see light of the day!! Had the movie been made at this day and age,we could have witnessed mayhem,carnage,silence,evil,ideology,mania,spontaneity,reality...in best ever celluloid form till date.

Must Watch(8.5/10)

I had heard so much about this movie for the last 5-6 years that I thought this would be a letdown. Usually over-hyped movies are such that you feel that you were letdown by it. I finally got hold of it and I can say that Paanch is arguably one of the best crime thrillers the Hindi film industry has produced.

I cannot fathom the reason why the government would ban this, (probably because this movie would attain cult status and dissuade the youth of today to smoke and drink and waste their time....) but in this movie we have one of the greatest acting performance by an actor, one of the best soundtracks ever made in the history of Bollywood, and one helluva movie. The movie theme will remind you of Requiem for a Dream, Trainspotting, only Paanch has a thriller plot apart from based on the systematic destruction of human morals.

The plot is fairly simple. Its about 5 people who are struggling musicians. They play at nightclubs and concerts for cheap cash, but most of it is spent on marijuana, drugs and booze. They are all college dropouts and have almost no connections with their relatives. They live under one roof, practice in a vacant garage of one of their friends(their only friend!!).

The movie continues at leisurely pace until they have an idea to kidnap their friend and ask for a fat ransom from his rich dad. But all goes haywire when one of them in a fit of rage kills their friend. Things turn for the worse when to cover up one murder they go on a killing spree. In the end, all five of them are behind bars, and in a gradual degradation of all morals.

This movie, if and when it comes out will primarily be remembered for the immensely powerful acting performance of one Kay Kay Menon. His performance is bound to remind you of Brad Pitt in Fight Club as the legendary Tyler Dyrden. K.K's music will make you take a jacket and go out to the nearest music store and buy the Original Soundtrack of this movie ASAP!! Paanch is the movie where one can say Bollywood came of age and we had proper rock music.

There are only three songs in the movie, one a bluesy track "Kya din kya raat" one that will remind you of the classic jazz of the 40's, the psychedelic themed "Tu Jaa Maat" meant to remind you Cobain and the rock track "Khuda ke Liye" which will remind you of "Rock On!!" only it was 5 years earlier.. Even The Doors' "Roadhouse Blues" was an awesome addition!!!

The acting performances have been superb. Kay Kay Menon was brilliant as "Luke" as I mentioned earlier, and he has been brilliantly supported by the very impressive Aditya Srivastava as "Murgi", Joy Fernandes as "Joy" and Vijay Maurya as the hilarious "Pondy" Even Tejaswini Kolhapure as "Shiuli" the only chick in the movie does a decent job. Sharat Saxena is also impressive in his short role as the Police Inspector.

Lastly, Mr.Anurag Kashyap!!! This was his very first attempt behind the camera. It was his brainchild. He being the producer and writer as well. But kudos to the man, for giving us yet another cinematic pleasure. Thank you sir, and I hope you make more of similar movies and keep us people who are fans of non-mainstream movies satisfied.

A truly well deserved 10/10 !!!

Prompted me to chip in after the ROCK ON!! "euphoria". A film I saw at the at Osians in 2003. A film made way-back…..an underground fav. Though a envy worthy status for a film to be loved and sought after even in it's unreleased state.…it's been long and it needs to be out in the open. What if we never got to watch Fight Club or Old Boy ever and just were privy to the downsized Indian Censor friendly Sanjay Gupta's Zinda and what if the only Fight Club I knew was Vicky Malhotra or Chopra or whatever's Zayed Khan starrer Fuzz Club? I would dread it if censors all over the world kept a film in limbo for their own immaturity and stunted growth process.

And now that it's cleared what are the producers upto? Is it a medical product to have an expiry. Will it lose it's value?

For me Paanch still looks fresh and dark/morbid/stark/gritty and this is the movie which patented Anurag Kashyap's neon fetish. When the first poster of Alwyn Kalicharan was released in the TOI some years back…..it read… "This Winter Think Neon"

15 fps shots...time transitions.....great music....VIJAY MAURYA is awesome....as usually towering over the expected SHOW STEALERS....KK and Aditya Srivastav......who are GREAT anyways....the problem is they are so good....you know they are gonna blow you...so you expect it....awesome music......Abbas Tyrewala's legendary "TAMAS" lyrics...they still manage to haunt me......

IT'S ABOUT ROCK…….and there is ROCK…..they dope....they swear…they scratch armpits….they want a better life….Luke wants to be recognized…ever worshiped…and music is a let out…a let out for angst/love/lust/greed and unfulfilled dreams and not just a Sunday relief in their plush Malabar Hill penthouse.

A film which gives me the choice to explore or feel for the lesser evil than the GOOD v/s BAD routine or is PAANCH about EVIL v/s BAD ASS EVIL. How often do we have that on screen?

ONE OF THE BEST TITLE SEQUENCE....ONE WHICH YOU WILL REMEMBER....AFTER SEVEN WHICH HAD A SIMILAR GRUNGY FEEL TO IT.....I LOVED THIS ONE.....PLUS THE CITY CAPTURED IN IT'S PSYCHEDELIC GLORY.

Paanch needs a wider platform to be seen…..to be loved/hated/criticized/debated on.

There are hardly any films that stand the test of a year these days, let alone 8 years. Paanch was shot in 2000, but has yet to see a mainstream release in India due to strange business problems (which continue complicating the world rather than simplifying it). There may be cinematic moments in Paanch that have been replicated in later (and far lesser) films, but the whole here is far greater than the sum of its parts. And that whole is driven by a tone of seething intensity that is too individual, too real, to not be the author's personal voice. Films with personal voices are rare in these times, and that is what makes the film special. Whether Paanch is seen now, or 10 years later, it is this tone that will always give it a distinctive voice.

Despite not having a remarkable plot or even a thought-provoking narrative thrust, and despite a few (no doubt, forced) nods to commercial viability, the film's visceral energy still gives it a very compelling quality. The performances are almost uniformly excellent, and the "realness" of atmosphere can make you smell and taste the time and place – qualities Hindi cinema badly needs to incorporate in its thought process.

This is not a film about music or musicians, but about dark mindsets in people who happen to be musicians. The music (with very distinctive Indian rock songs – Vishal Bharadwaj and Abbas Tyrewala at their best) is just a backdrop but it has a force that makes you forget that it is just a small plot point in the overall scheme of things.

The director of Paanch – Anurag Kashyap, has moved on with a highly accomplished film (Black Friday) and a very personal one (No Smoking), but Paanch will always be special for the new voice that emerged in 2000. Whenever the film is seen.

There is may be.. not may be but definitely wrong with me or with the censor board who did not given certification to this movie,though i just finished watching the preview copy of this movie after downloading from torrent.i don't know why i took that much time or years... to watch this movie but never the less this movie still got it freshness after 9 years.

so what went wrong why this movie did got released and question remain unanswered even after that time period or so. while watching this movie it reminds me of another exceptionally well picture which recently released called shaitan because that movie shaitan has a shadow of this paanch really i find the glimpse of that in that paanch so when shaitan can get a certification why not this one.

about paanch what can i say. Kay Kay menon rocks man! and so the other star cast really they all together pulled out the great job.and after seeing this one can really say that why anurag kashyap is been known as the one of the most talented director of recent times because he given one of the best work almost 9 or 10 years ago and still its not been appreciated or given credit for masterpiece which hes has created long ago.

as far as songs are concerned Vishal bhardwaj and abbas done once again they have know for uniqueness and freshness because still this kind of work is very rare though there are few like amit trivedi in Dev.d but again there is anurag kashyap again..

editing and cinematography are also the strong parts of the movie and which in whole this movies is truly or nearly a masterpiece......

I feel good i have seen a such kind work before it get theatrical released but on the other had i feel sorry the movie lovers for not got chance to see. and to be honest censor board is been biased to this movie.

Saw it finally, after a long long wait. It is an engaging piece but not a path breaking, shattering one as I found in some other reviews before the Internet preview release.

My points, Cinematography and Art direction right from credits to last frame (i would combine these as they gave the whole feeling) are splendid capturing the entire feel of youth's agony, their ambitions, their fear and the entire feeling of being locked up in a room or a garage or in a police station (claustrophobic feeling). The outdoors are though minimal and not extravagant, they are done with finesse. No green scenery's here and no sunset sunrise scenes. Yet they are captivating enough to endear, enthrall and to transform into the world of these characters.

Editing, nope that's one thing I felt is not up to the mark, the reason may be that its the director's and editor's first movie and a sharper scissor was needed. The scenes I would like to cut are 1) The end song in which the girl sings same one as she has sung earlier 2) The scene in which Luke strangles Nikhil's father (this was later communicated in dialogue) 3) The scene where Pondy and Joy are shown as being taken to Jail (this was later communicated in dialogue). Thus felt like these were like spoon feeding. Acting of Kay Kay as Luke Morrison is just awesome and equally appreciable is that of Vijay Maurya as Pondy. I did not like the acting of Tejaswini, I felt she just sleep walked. Background music is apt 3 songs are great. Main Khuda, Baith Jaa, Akhiyan. Vishal Bharadwaj gave an awesome sound track and thanks to him.

Now, the thing to writing, the dialogues are wonderful "Aye Pondy Chaai Piyega, Chal Mere Liye Ek Banaa" reveals the domineering attitude of Luke and so is each dialogue relevant to the characterization.

The script has made me ask some questions to myself and some questions to the writer director Anurag, 1) If the entire confession in police station was about money then police at any point did not seem to be interested in where the money that was stolen was kept and all they were interested is why were the murder's that took place happen. 2) Was it necessary for Joy to have the other guys waiting outside Nikhil's house after they stole the money they wanted? He was just eating and these guys went in and when they found that Nikhil's father was there, they just strangled him. Without this also it would have been done as how the police came to know about murder of Nikhil's father and kidnap of Nikhil was not shown anyways and that was not the point of movie also. 3) The most disappointing thing was that Luke who was shown as if he was drowned just comes alive. This seemed to be a twist and this made the movie predictable as to who shall have the final laugh. And there in lay the antagonist of a wonderful script.

Direction no doubt is superb. But what started as a very very interesting and psychological thing with each shade of a character being revealed poignantly. What started as a very interesting and psychological movie turned out to be a thriller kind where the ending was predictable and so called commercial. Yet its one thing that should be watched out to know what a angry young man does (for KAY KAY).

Watch it for KAY KAY 3/5

New Defenitions of Bollywood 1)KK is God(Main Khuda)

2)Best Music Director-Vishal Bhardwaj

3)Best Director-Anurag Kashyap(Along with Vishal Bhardwaj) 4)Best Scriptwriter-Anurag Kashyap 5)Best Actor-Kay Kay Menon

6)Best Movie- Paanch

now you can well imagine how good Paanch is!! :D

Wonder if it was released back in 2003, KK would have been the most wanted singer Kay Kay the superstar Vishal Bhardwaj would have been the 1st Indian to receive an Oscar Anurag Kashyap would have left bollywood for Hollywood :D

"Crime never pays" - that is basically the moral of this film. Also - Avoid bad company.

The story is about 5 members of a rock band with a female and male vocalist who are involved in drugs, sex,smoke and the like. The lead man is crazy and addicted and goes to any extent to achieve what he wants. Soon all band members get involved in robbery and murder, with the cops at their heels. The rest of the film describes their fate, with some twists and turns that make for a noteworthy though very explicit film.

The film concept is good. Music is high octane, especially for the rock genre fans. Acting is good on part of all actors.

But it is too explicit a film and unsuited for kids.

You can watch the film, if you don't mind the explicit stuf and foul language. It's worth.

Paanch has been one of the movie unicorns in the Hindi movie industry; always lurking near a release but never quite getting there, thus assuming a mythical cultist aura. How I came to watch it, I will be quiet about.

Paanch is an effective thriller overall and even compared to todays standards (which isn't much to compare to anyway), its radical. It almost reminded me of the Coens in the way it handles its suspenseful scenes, Tarantino in its sudden outburst of extreme violence, it has a lynchian tone to its suffocating nightmarish locales and features such a powerhouse performance from Kay Kay Menon that simply blows you away.

The movie had a laughably idiotic prologue and epilogue text (put in by the censors according to Kashyap) which warns you not to take the glorification of violence too seriously and I could sense how different this movie would have turned out if Kashyap had the creative freedom to do what he wished. Still I could see why it ran into censorship troubles in before 2003 with its frank depiction of drug use, on screen masturbation, expletives, extreme violence and the general amorality that the characters naturally embrace out of the demands of their stifling self loathing environment.

There are portions of the movie that haven't aged as well, for e.g. the actors don't really pass on as rock stars and the on stage performances are a bit funny. Then there's an atrocious signature song in the end. If its released in its present state today, I really don't think it will make a mark on the box office. It needs a bit of a revision and re shoots, a bit of technical polishing and plugging some holes in the script and then I think it can prove to be a strong contender for a release.

Or what the heck, remake it!

This is an amazing movie and considering it is Kashyap's first attempt, it should be lauded. The characters are very real and performance are spot on. I have once crossed paths with a character like Luke. Character of Luke was so brilliantly written, I think Kashyap would have also crossed paths with somebody like Luke. K.K has given a superb performance. But I still don't think K.K. was able to capture the character with perfection. I understood just what look Kashyap wanted in Luke especially when he is committing violence. It is hard to describe. He is under influence of drugs, but instead of being mellowed and spaced out, he is hyper and manic. You wouldn't even notice it if it was not for his eyes. In those moments he seems to have lost all reason, can lash out at friends and foes alike with equal abandon. Friendly a minute and hostile the next. Even looking into his eyes is treated as an insult.

My only gripe is that the characters should have been played by younger actors, but I understand that Kashyap would have had hard time finding a younger crop of actors that could have given such performances.

I cannot understand why this was not passed by censors. Thankfully things have changed enough that a movie like LSD passed the censors. I hope that Kashyap appeals to censors once again. It should be able to go through censors easily now.

i watched this movie toaday . and it was hilarious . Anurag Kashyap did a great work It is his debut movie

The style of the movie is very good . this is not like some masala movies of bollywood . the plot of the movie is very good

Movie is well written and directed

Edited is good . music and background score is f..ng awesome . all is rock music . in 2003 who expect that ?

this is a completely dark movie . i have watched many Hollywood movies i am glad that there are people in India which have talent and do same work

all the actors did good job . Kay Kay is awesome

i enjoyed this movie a lot . you should watch it . its sad it was never released and banned by Indian censor board . F.ck them .

Anurag Kashyap one of my best man from Indian cinema , he told in his directional debut movie what is he capable of

He wrote and directed the movie .

i am happy :)

At the outset, it'd be in order to mention that this is the well-known theatrically unreleased film that was in the news (in 2003 and afterwards) over the ethical exceptions that the Censor Board of India had taken to it while denying it permission to release. It held that the film "glorifies violence; it shows the modus operandi of a crime (killing of a police officer); it shows excessive use of drugs; it has double meaning dialogues (with sexual undertones); it has no positive characters; it does not carry a social message".

That episode resulted in further intensification of the lasting antagonism that marked (and continues to mark) the relationship between iconoclastic brigands of Indian cinema (with director Anurag Kashyap at the vanguard) and the government-appointed sentinels of public morality who run the Censor Board. It was primarily through p2p torrent networks and file-hosting sites like Dingora that 'Paanch' trickled into the audiovisual precincts of movie aficionados and elicited reactions that spanned the spectrum from disturbing/disgusting to captivating/thrilling. It has since then developed a sort of cult following among fans of the 'psychological thriller' genre.

The movie itself is a story of unapologetic evilness and unfettered debauchery and most of all a psychological revelation that unfolds as a chaotic sequence of events in the entangled lives of five individuals... who live on the fringes of social morality and discover (with delight) in violent sadomasochistic self-destruction an accessible means of self-realization.

In giving up, treacherous step by treacherous step, the social fiction of goodness and embracing ruinous crime they discover a seductive freedom of the soul… a primal condition that allowed for (and indeed drew forth) a most authentic, albeit disturbing, response to the fact of existence in a hostile world of urban ambitions, transient fame and chronic estrangement. The protagonist of the movie (Luke - played by KK Menon) is one of the most convincingly frightening and psychologically well-constructed characters in all of Hindi cinema. The script is cogently carried forward by the development, definition and motivation of this character. The plot consists essentially of Luke's psycho-socio-pathology and his domination of the will of the four other characters… a domination that eventually sucked all of them into a spiral of heinous crime and moral degenartion that kept their existences constantly hinged on the edge of egregious bloodshed (and frequently precipitated the same). To think that the times they had together as drug-stealing socially-shunned impecunious musicians were the actually the best they ever had is to betray some sign of how dark their lives were. Amongst the secondary characters, of particular note is Shuile (played by Tejaswini Kohlapure) who discovers a taste for evil most serendipitously… but goes on to unhesistantly accommodate seduction, manipulation, intrigue and cunning in her repertory of sin.

I have to say though, the denouement of the drama suffers a debutant directors' capitulation in face of the conventional need to impose a closure on a story that might have been better left open-ended. The movie ends on note which is somewhat redemptive and life-affirming but mostly a clear reflection of the makers' desistance to sink further into the dark recesses of human psyche which have otherwise been prodigiously explored more intrepidly than ever before in modern Hindi cinema. Anurag Kashyap is genius. He employs the visual medium in its fullness and enhances the cinematic literacy of the viewer. The soundtrack is awesome too. A gem of a flick that ought to have released theatrically and celebrated for its contribution to the coming of age of Hindi cinema.

(see the original review at http://www.voxmentis.com/search/label/Movie%20Review )

A knock out of a movie, I saw this at Osian 2003, never forgot it through the last few years. It has been an underground craze for long now. Held up by illiterate censors, it has been threatening to show up in theaters for quite sometime now but dunno why it has not been seen as yet. Seamy, neon lit Bombay captured as never before. A rock group, their aspirations, pretensions and crazy, guttural, gory end to their dreams with a dynamic twist at the end! Through this, five characters played by KayKay, Joy, Tejeswini, Vijay Maurya and Aditya Shrivastav live a sordid life on screen. The moods are dark and thoughts even darker. Anurag Kashyap comes up with a whammy of a script and directs it even better. Shots and lighting that have never been seen before then in Indian cinema. Cinema at its best, even now in goddamn 2008!!

paanch is the directorial debut of Anurag Kashyap. As the movie is yet to be released Black Friday is regarded as his first feature film. Anurag is not only my fav Indian director but also one of the favs around the globe. Yet I found this piece to be a big disappointment. Kashyap wasted a brilliant story (loosely based on the real incident of a series of murders by 4 creative art students of Pune)

The first problem of the movie is, it is awfully long (159mins). And the first 74 min of it could have easily been concise into 20 minits. After that it is quite gripping, but again at the end twist, after twist, after twist made it a boring.

I guess AK was furious when it did not release. I believe actually it was good for him. because now people say he came into business with a bang like black Friday

A suspense crime thriller that's just is. And this one is not just set in a rock ambiance, favouritely settled in the intensity the genre is supposed to give it, its gritty, real and even hard on the guts. With all the hullabulloo going on about Rock On, I was reminded of Paanch. Especially as both have been compared on certain forums. Instantly I remembered the stark film I saw way back at some festival, probably Osians I think...not that I had forgotten it, such films are hard to forget...but it is interesting to see the waves another film based on rock music making when it was but a pale representation of what rock is all about when the much better picture lies in the cans, unreleased and rotting.

Paanch, hit me hard. I wouldn't say I hadn't seen anything like that before, the plot is pretty much reminiscent of a lot of other crime thrillers but the most interesting thing is the originality of voice, the culture of the backdrop, the development and representation of characters and above all the unpredictability of the suspense. Not only does the film take you by surprise unwittingly but also unwaveringly without giving you any indication that the director has any such plans for the plot. And its a refreshing experience.

So much for the plot and the way it has been handled. But what got me was the ambiance created around the characters, the way their world was etched from the red walls, obscene to existential graffiti, starkness of their passion and the unapologetic brazen-ness which is exciting as it so exquisitely avoids becoming crass or obscene! It speaks of some in-depth vision and an experience that goes way beyond just good art and craft.

And it is a film that I think is timeless. It might be urban and niche, the emotions and the portrayals are distinctly so. But I think it deserves a wider audience and more attention just because the voice is impassioned and absolutely believes in its craft. Rarely do we get to see such a film of acultured beings so well-steeped in its own culture of angst. Originality and belief such as this does merit a much much wider and legitimate audience.

I expected to see a rather dangerous thriller but it was a very tame attempt at one by Mr.Kashyap it was difficult to get my hands on this movie because it was blocked by the censor boards so I ended up seeing it online but I was disappointed the thriller wasn't as dark as was advertised there are some decent scenes mostly involving Kay Kay menon but a great director like anurag kashyap who has given us movies like black Friday and no smoking really should have worked harder at his script as this was his first directorial attempt the character pondi is really annoying mostly a tame dialogue based movie of 5 drug addicts who for the sake of money attempt a fake kidnapping but things don't go as planned. It's an interesting story but Mr.Kashyap can do better.

I do not know why I am writing a review for this UN-released movie.It s because I feel Paanch is a must release considering its mind-boggling storyline, deft execution of scenes and best of all the spine chilling climax! Paanch, directed by Anurag Kashyap was banned by censor board for "certain reasons" which I shall state below:-

The film glorifies violence(As if all the movies releasing these days are perfect for family viewing!); it shows the modus operandi of a crime ("killing of a police officer"-So Censor board should have banned Shaan, Garv, Gangaajal etc); it shows excessive use of drugs(then ban Hare Raama Hare Krishna, Dev D); it has double meaning dialogues ("with sexual undertones"- stop releasing most of the comedy movies made in India ); it has no positive characters(Still shocked to see this as a reason!! ); it does not carry a social message(Oh right! All the Govinda and Mithun s movies did..forgot?).

I am sure you will agree with me that these reasons stated by Board really seem futile to ban a movie, that too of such a class!

For complete review click http://rrachna.com/2012/01/15/movie-review- paanch/

paanch is a story of five different character.KK Manon play a lead role and done a fantastic acting ,AK is one of the best writer who have guts to show the reality .anyways guys i must recommend to watch this movie ,

lets discuss star cast

Luke(K.K. Menon): I have no words to describe him.One actually can see the Devil/Lucifer/Belial in him in certain scenes (Esp Bus and Conductor).He manages to do it so much panache.That fleeting madness in Luke makes you gawk at him with sheer disbelief.Murgi(Aditya Shrivastav):Brilliant silent performance.He talks away the cake at times from KK and Vijay Maurya(Pondi).Such restrained performance is hard to find.What talent!!Pondi(Vijay MAurya): Amazing timing.I am actually tired of eulogizing every actor and character but cannot help but they are so frigging good.Joy(Joy Augustine) has his own style and does bring a different dimension to the movie with his presence.I like Shiuli's role (Tejaswini)..very strong character portrayal.