Regie | |||
| Cate Shortland | |||
Buch(In alphabetischer Reihenfolge) | ||
| Cate Shortland | geschrieben von | |
| Abbie Cornish | ... | Heidi | |
| Damian de Montemas | ... | Adam | |
| Olivia Pigeot | ... | Nicole | |
| Alex Babic | ... | Brian the barman | |
| Elizabeth Muntar | ... | Ticket Vendor | |
| Justin Martin | ... | Guy | |
| Ben Tate | ... | Sean | |
| Joshua Phillips | ... | Josh | |
| Sam Worthington | ... | Joe | |
| Nathaniel Dean | ... | Stuart | |
| Paul Gleeson | ... | Roy | |
| Bruce Ross | ... | Staring Man | |
| Lynette Curran | ... | Irene | |
| John Sheerin | ... | Pat | |
| Anne-Louise Lambert | ... | Martha (als Anne Louise Lambert) | |
| Erik Thomson | ... | Richard | |
| Hollie Andrew | ... | Bianca | |
| Archer Lyttle | ... | Pete | |
| Leah Purcell | ... | Diane | |
| Blake Pittman | ... | Karl | |
| Erica Englert | ... | Rachel | |
| Stephanie Overs | ... | Clare | |
| Caroline Lowe | ... | Kellnerin | |
| Diana Glenn | ... | Sally | |
| Toby Schmitz | ... | John | |
| Henry Nixon | ... | Nick | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Mark McCann | ... | Caravan park manager (nicht im Abspann) | |
Produktion | |||
| Anthony Anderson | .... | Produzent | |
| Jan Chapman | .... | Ausführender Produzent | |
| Miranda Dear | .... | Abnahmeschnitt | |
Originalmusik | |||
| Decoder Ring | |||
Kamera | |||
| Robert Humphreys | (Kamera) | ||
Schnitt | |||
| Scott Gray | |||
Casting | |||
| Nikki Barrett | |||
Szenenbild | |||
| Melinda Doring | |||
Bauten/Dekorationsbau (art directors) | |||
| Janie Parker | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Glen W. Johnson | |||
Kostüme | |||
| Emily Seresin | |||
Maske/Frisuren | |||
| Angela Conte | .... | hair stylist supervisor | |
| Angela Conte | .... | Leitung Maskenbild | |
| Helene Glover | .... | Friseur | |
| Helene Glover | .... | Maskenbildner | |
| Kellie Griffin | .... | Friseur | |
| Kellie Griffin | .... | Maskenbildner | |
| Sheldon Wade | .... | Friseur | |
| Sheldon Wade | .... | Maskenbildner | |
Produktionsleiter (production managers) | |||
| Colleen Clarke | .... | Leitung Postproduktion | |
| Felix Reitin | .... | unit manager: Canberra (als Felix Reiten) | |
| Libby Sharpe | .... | Produktionsleiter | |
| Naomi Wenck | .... | Leitung Postproduktion | |
| Cameron Wintour | .... | Erster Aufnahmeleiter | |
Regieassistenten | |||
| Kate North Ash | .... | dritte Regieassistenz | |
| John Martin | .... | Erster Regieassistent | |
| Ed Raymond | .... | Zweiter Regieassistent (als Eddie Raymond) | |
Ausstattung (Stab) | |||
| Robert Fischper | .... | Kulissenmaler | |
| Katrina Fish | .... | Assistenz Art Department | |
| Sharyn Fulton | .... | Requisiteneinkäufer | |
| Roxana Knittel | .... | graphics assistant | |
| Brooke Morris | .... | Assistenz Art Department | |
| Michael O'Sullivan | .... | Stand-by Requisite | |
| Dave Philpott | .... | Bauleiter | |
| Catherine Raven | .... | art department attachment | |
| Katerina Stratos | .... | grafischer Künstler | |
| Ivan Siebel | .... | Set-Einrichter (nicht im Abspann) | |
Ton Stab | |||
| Yulia Akerholt | .... | Dialogschnitt | |
| Mark Blackwell | .... | Sound Recordist | |
| Bronwyn Coleman | .... | sound department attachment | |
| Bruce Emery | .... | stereo sound consultant: Dolby Stereo | |
| Mark Franken | .... | Toneffektschnitt | |
| Jasmine Gufford | .... | Atmos editor (als Jasmine Guffond) | |
| Damon Mouris | .... | ADR Aufnahme | |
| Sam Petty | .... | Sounddesigner | |
| Sam Petty | .... | Tonmischung (Postproduktion) | |
| Blair Slater | .... | Geräuschtechniker | |
| Ben Smith | .... | Tonangler | |
| Peter D. Smith | .... | Tonmischung (Postproduktion) (als Peter Smith) | |
| Mario Vaccaro | .... | Läufer Geräusche | |
| Andy Wright | .... | ADR Aufnahme | |
| Liz Wright | .... | liaison: Soundfirm Australia | |
Spezialeffekte | |||
| Tim O'Brien | .... | Spezialeffekt-Koordination | |
| Cameron Potter | .... | Assistenz Spezialeffekte | |
| Peter Stubbs | .... | Regisseur für Spezialeffekte | |
Visual Effects | |||
| Jonathan Dixon | .... | digital optical effects (als Jon Dixon) | |
| Rebecca Dunn | .... | digital optical effects | |
| Robert Sandeman | .... | digital optical effects | |
Stunts | |||
| Robert Simper | .... | Stuntkoordinator (als Rob Simper) | |
Kamera und Elektrik (Stab) | |||
| Dave Anderson | .... | erster Lichttechniker | |
| Carolyn Constantine | .... | director of photography: second unit (als Carolyne Constantine) | |
| Bonnie Elliott | .... | focus puller: second unit | |
| Ben Jasper | .... | additional camera operator: second unit | |
| Nigel Joseph | .... | Grip: Second Unit | |
| Danielle Kinsela | .... | lighting stand-in | |
| Elise Lockwood | .... | Standfotograf | |
| Stuart Longhurst | .... | zusätzlicher Bühnenarbeiter | |
| Geoff Maine | .... | Oberbeleuchter | |
| Daniel McCrea | .... | video split operator | |
| Matthew Nettheim | .... | Standfotograf (als Matt Nettheim) | |
| Kevin Scott | .... | Schärfenassistent | |
| Michael Thompson | .... | Gripassistenz | |
| Nigel Tomkinson | .... | Materialassistenz | |
| Jason Trew | .... | Keygrip | |
| Paul Young | .... | third electrician | |
Casting (Stab) | |||
| Antonia Halse | .... | Assistenz Casting | |
| Dex Tallo | .... | Komparsen Casting | |
Kostüm und Garderobe (Stab) | |||
| Shareen Beringer | .... | Leitung Kostüme | |
| Natasha Harrison | .... | Kostümassistenz | |
| Abbie Mawhinney | .... | Kostümassistenz | |
| Flip Wootten | .... | stand-by wardrobe (als Phillippa 'Flip' Wootten) | |
Schnitt (Stab) | |||
| Rodrigo Balart | .... | erste Schnittassistenz | |
| Greg Chapman | .... | Negativschnitt | |
| Miranda Dear | .... | commissioning editor: SBS Independent | |
| Olivier Fontenay | .... | Farblichtbestimmer | |
| Alan Hansen | .... | digital colorist | |
| Andrew Soo | .... | editing attachment | |
Musik (Stab) | |||
| Ken Davis | .... | Musiker: decoder ring | |
| Ben Ely | .... | Musiker: decoder ring | |
| Matt Fitzgerald | .... | Musiker: decoder ring | |
| Pete Kelly | .... | Musiker: decoder ring | |
| Liz O'Grady | .... | music score coordinator | |
| Norman Parkhill | .... | Leitung Musik | |
| Tom Schutzinger | .... | Musiker: decoder ring | |
Transporte | |||
| Bruce Ross | .... | vehicle coordinator | |
Restlicher Stab | |||
| Paul Adzic | .... | Runner Produktion | |
| Damien Archer | .... | Set Assistent | |
| Sam Benson | .... | Catering | |
| Ben Breen | .... | Filmgeschäftsführung Produktion | |
| Leigh Brezler | .... | Assistenz des Produzenten | |
| Jane Campion | .... | script advisor: Aurora | |
| Andy Canny | .... | Titeldesign | |
| Kate Champion | .... | Choreographie | |
| Jan Chapman | .... | script advisor: Aurora | |
| Emma Cohen | .... | Set-Krankenschwester | |
| Camera Cooks | .... | Catering | |
| Nikki Creed | .... | Assistenz Filmgeschäftsführung | |
| Sophie Dick | .... | Produktionskoordination | |
| Robert Festinger | .... | script advisor: Aurora (als Rob Festinger) | |
| Rob Fisher | .... | completion guarantor | |
| Demyan Golushinsky | .... | Runner Produktion | |
| Rhonda Hall | .... | Pfleger: deer & cat | |
| Megan Harding | .... | base office liaison | |
| Amanda Higgs | .... | Dramaturg | |
| Mike Honey | .... | cutting room: Spectrum Films | |
| Allan Hull | .... | race caller | |
| Paul Kiely | .... | Script Supervisor | |
| Amy Lucas | .... | long form producer | |
| Jim Luce | .... | dog wrangler | |
| Don MacDonald | .... | dog wrangler | |
| Donna McCrum | .... | Titeldesign | |
| Marlay Mcintosh | .... | Runner Produktion | |
| Leona McKenzie | .... | rushes liaison | |
| Appellee McLeod | .... | Assistenz Filmgeschäftsführung | |
| Chris McNamara | .... | Set Assistent | |
| Kate Meyer | .... | Filmgeschäftsführung Postproduktion | |
| Victoria Mielewska | .... | Dialogtrainer | |
| Denise Morgan | .... | Dramaturg | |
| Afra Mullins | .... | Assistenz Produktionskoordination | |
| Sue Murray | .... | script advisor: Aurora | |
| Fiona Nix | .... | Unit Publizist | |
| Chris Noonan | .... | script advisor: Aurora | |
| Annelies Norland | .... | Motiv-Aufnahmeleiter | |
| Liz O'Grady | .... | band manager: Decoder Ring | |
| Scott Parsons | .... | Set Assistent | |
| Wayne Pleace | .... | safety report | |
| Clare Pollard | .... | Catering | |
| Hans Pomeranz | .... | cutting room: Spectrum Films | |
| Josh Pomeranz | .... | cutting room: Spectrum Films | |
| Jason Resnick | .... | script advisor: Aurora | |
| Tony Safford | .... | script advisor: Aurora | |
| Greg Short | .... | lab liaison | |
| Robert Simper | .... | safety coordinator (als Rob Simper) | |
| Stuart Smith | .... | Catering | |
| Sally Steele | .... | Publizist | |
| Jo Stewart | .... | post-production script | |
| Geoff Stier | .... | script advisor: Aurora | |
| Heng Tang | .... | Assistenz des Regisseurs | |
| Duncan Thompson | .... | script advisor: Aurora | |
| Alison Tilson | .... | script advisor: Aurora | |
| Caroline Verge | .... | juristische Dienstleistungen | |
| Graham Ware | .... | horse wrangler | |
| Liz Wright | .... | liaison: Soundfirm | |
Widmungen und Dankeschöns | |||
| Wouter Barendrecht | .... | Anerkennung: for Fortissimo Film Sales | |
| Josh Bassett | .... | Besonderer Dank an | |
| Grace Parr | .... | Besonderer Dank an | |
| Vashti Richards | .... | Besonderer Dank an | |
| Trish Watts | .... | Besonderer Dank an | |
| Michael J. Werner | .... | Anerkennung: for Fortissimo Film Sales | |
| Jakub Zaremba | .... | Besonderer Dank an | |
| Beteiligte Firmen | Technische Angaben | Hauptübersicht |