Regie | |||
| Christopher Smith | |||
Buch | ||
| Christopher Smith | (geschrieben von) | |
| Franka Potente | ... | Kate | |
| Vas Blackwood | ... | George | |
| Ken Campbell | ... | Arthur | |
| Jeremy Sheffield | ... | Guy | |
| Paul Rattray | ... | Jimmy | |
| Kelly Scott | ... | Mandy | |
| Sean Harris | ... | Craig | |
| Kathryn Gilfeather | ... | Mädchen | |
| Grant Ibbs | ... | Mann | |
| Joe Anderson | ... | Male Model | |
| Sean De Vrind | ... | Friend | |
| Ian Duncan | ... | Friend | |
| Debora Weston | ... | Mya | |
| Emily Gilchrist | ... | Karen | |
| Craig Fackrell | ... | Homeless Guy | |
| Elizabeth McKechnie | ... | Frau | |
| Strapper | ... | Ray the dog | |
| Jonathan Taylor | ... | Dead Driver #1 | |
| Morgan Jones | ... | Night Watchman | |
| Daniel Joseph Scott | ... | Dead Driver #2 | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Spencer Hawken | ... | Man On Train Platform (nicht im Abspann) | |
Produktion | |||
| Julie Baines | .... | Produzent | |
| Alexandra Ferguson | .... | Herstellungsleitung | |
| Martin Hagemann | .... | Koproduzent | |
| Barry Hanson | .... | Koproduzent | |
| Robert Jones | .... | Ausführender Produzent | |
| Kai Kuennemann | .... | Koproduzent | |
| Jason Newmark | .... | Produzent | |
Originalmusik | |||
| The Insects | |||
Kamera | |||
| Danny Cohen | |||
Schnitt | |||
| Kate Evans | |||
Casting | |||
| Emma Style | |||
Szenenbild | |||
| John Frankish | |||
Bauten/Dekorationsbau (art directors) | |||
| Matthew Gray | |||
| Ellen Latz | |||
| Ashley Winter | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Emma Field-Rayner | |||
Kostüme | |||
| Phoebe De Gaye | |||
Maske/Frisuren | |||
| Uli de la Lama | .... | hair stylist: Franka Potente | |
| Nicola Frost | .... | Maskenbildner | |
| Jan Sewell | .... | Haardesigner | |
| Jan Sewell | .... | Maskenbild | |
Produktionsleiter (production managers) | |||
| Marc Grewe | .... | Produktionsleiter | |
| Richard Lloyd | .... | Leitung Postproduktion | |
| Tim Wellspring | .... | Erster Aufnahmeleiter | |
Regieassistenten | |||
| Matthew Baker | .... | additional first assistant director | |
| Matthew Baker | .... | führender zweiter Regieassistent | |
| Simon Clegg | .... | dritte Regieassistenz | |
| Barry Derbyshire | .... | zusätzlicher Regieassistent | |
| Alexandra Ferguson | .... | zusätzlicher Regieassistent | |
| Max Keene | .... | Erster Regieassistent | |
| Andrew McEwan | .... | second assistant director: re-shoots | |
| Elke Sasserath | .... | assistant director: second unit | |
Ausstattung (Stab) | |||
| Gordon Fitzgerald | .... | Requisite | |
| Ulrike Gojowczyk | .... | Requisite | |
| Lee Hedges | .... | dressing prop daily | |
| Mark Hedges | .... | dressing propman | |
| Dan Maslen | .... | Storyboardzeichner | |
| Jim McCallum | .... | Stand-by Requisite | |
| Thorsten Sabel | .... | set dresser: Germany | |
| Keith Stevenson | .... | Set-Einrichter | |
| Nic Stubbings | .... | Stand-by Requisite | |
Ton Stab | |||
| Julie Ankerson | .... | Geräuschemacher | |
| Nick Baldock | .... | Tonschnitt | |
| Peter Baldock | .... | Tonschnittleitung | |
| Michael A. Carter | .... | Sprachsynchron-Mischung | |
| Michael A. Carter | .... | Tonmischung (Postproduktion) | |
| Gary Dodkin | .... | Tonangler | |
| Rick Dunford | .... | ADR-Editor | |
| Rick Dunford | .... | Dialogschnitt | |
| Thomas Paisley | .... | second sound re-recording mixer | |
| Michael Spencer | .... | Sound Recordist | |
Spezialeffekte | |||
| Mike H.G. Bates | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Mike H.G. Bates | .... | special makeup effects supervisor: Hybrid Enterprises | |
| Suzanne Bates | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Nicola Pandel | .... | Maskenbildner Prothetik | |
| Mike Stringer | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Mike Stringer | .... | prosthetic makeup design: Hybrid Enterprises | |
Visual Effects | |||
| Phil Attfield | .... | Leitung Visual Effects | |
| Robin Beard | .... | Digitaleffektkünstler | |
| Kimberley Broughton | .... | effects artist: Hybrid Enterprises | |
| Lee Clappison | .... | online film editor | |
| William Foxwell | .... | scanning and recording operator: Lip Sync Post | |
| Simon Frame | .... | Leitung Visual Effects | |
| Scott Goulding | .... | scanning & recording | |
| Tom Hocking | .... | Digital Compositor | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Mark Kilburn | .... | effects artist: Hybrid Enterprises | |
| Katy Lemon | .... | scanning and recording operator: Lip Sync Post | |
| Alasdair MacCuish | .... | senior producer: Lipsync Post | |
| Victoria McDowell | .... | visual effects line producer | |
| Peter Minister | .... | effects artist: Hybrid Enterprises | |
| Gruff Owen | .... | Digital Compositor | |
| John Parnham | .... | effects artist: Hybrid Enterprises | |
| Jenny Rose-Barber | .... | effects artist: Hybrid Enterprises | |
| Dawn Whitehead-Binns | .... | effects artist: Hybrid Enterprises | |
Stunts | |||
| Katja Bernet | .... | stunt double: Franka Potente (als Katja Jerabek) | |
| Nrinder Dhudwar | .... | Stuntkoordinator | |
Kamera und Elektrik (Stab) | |||
| Lewis Buchan | .... | Kameraführung | |
| Mark Clayton | .... | Oberbeleuchter | |
| Kenneth Cornils | .... | key grip: Germany | |
| Simon De Glanville | .... | Kamera Azubi | |
| John Evans | .... | zweite Kameraassistenz | |
| Dean Foard | .... | erster Lichttechniker | |
| Paul Hymns | .... | Keygrip | |
| Nathan Mann | .... | Schärfenassistent | |
| Jem Morton | .... | zusätzlicher Bühnenarbeiter | |
| Georg Nonnenmacher | .... | Oberbeleuchter | |
| Kim Seber | .... | Schärfenassistent | |
| Roger Tooley | .... | Steadicam operator | |
| David Cozens | .... | Erster Kameraassistent (nicht im Abspann) | |
Casting (Stab) | |||
| Vanessa Baker | .... | ADR Simmencasting | |
| Brendan Donnison | .... | ADR Simmencasting | |
Kostüm und Garderobe (Stab) | |||
| Shane Kingdon | .... | Kostümassistenz | |
| Rachel Vallance | .... | Kostümassistenz | |
| Elena Wegner | .... | Garderobe | |
Schnitt (Stab) | |||
| Stuart Fyvie | .... | digital colorist | |
| Matt Gauci | .... | avid technical support | |
| Andrew Melhuish | .... | erste Schnittassistenz | |
| Kevin Phelan | .... | head of post-production: LipSync Post (nicht im Abspann) | |
Musik (Stab) | |||
| John Baggott | .... | additional musician: piano | |
| Matt Biffa | .... | Musikfertigstellung | |
| Matt Biffa | .... | Musikberater | |
| Peter Brandt | .... | additional musician: double bass (als Pete Brandt) | |
| Stuart Gordon | .... | additional musician: violin | |
| Juliette McCarthy | .... | additional musician: cello | |
| Richard Todman | .... | Musikschnitt | |
| Alison Wright | .... | Leitung Musik | |
Restlicher Stab | |||
| Ritchie Beacham-Paterson | .... | Produzent: Lipsync Post | |
| Pauline Burt | .... | risk manager | |
| Tina Falcone | .... | Assistenz Filmgeschäftsführung | |
| Hollie Foster | .... | Assistenz Koordination | |
| Matthew Hobbs | .... | Produktionskoordination | |
| Mark Lo | .... | misc crew | |
| Ben Luxford | .... | Set Runner | |
| Richard Morrison | .... | Titeldesign | |
| Keeley Naylor | .... | Unit Publizist | |
| William Prouty | .... | Assistenz des Produzenten | |
| Algernon Sloane | .... | Motiv-Aufnahmeleiter | |
| Maxine Stanley | .... | Filmgeschäftsführung Postproduktion | |
| Trevor Stanley | .... | Filmgeschäftsführung Produktion | |
| Jonathan Taylor | .... | Assistenz: Julie Baines | |
| Niall Trask | .... | Runner | |
| Elizabeth Tremblay | .... | Script Supervisor | |
| Katie Kubert | .... | Praktikant Produktion (nicht im Abspann) | |
Widmungen und Dankeschöns | |||
| Erol Arguden | .... | Dank an | |
| Michael Schmid-Ospach | .... | Dank an (als Michael Schmidt-Ospach) | |
| Beteiligte Firmen | Technische Angaben | Hauptübersicht |