A Breath (2004) Poster

(2004)

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9/10
One of Best Marathi movies ever
pgngim9 December 2005
After a very long time Marathi cinema has come with some good movie.This movie is one of the best Marathi movies ever made. It shows how a old grandfather tries to save his grandsons eye. He tries everything that is possible in his hands to save the child's eye. Doctor and a relative of his tries to help him in his attempt.

The acting by the grandfather, the boy and the doctor are simply superb. They have shown true picture of a typical Marathi life. Every bit of action has some meaning in it. I would recommend to watch this movie, as initially I thought this one would be of documentary type but this was above my expectations.

This film is really going to touch your hearts.I would expect more Marathi movies to come up with performances like this.
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9/10
Brilliant
dr_anant23 April 2006
Caught this movie on DD while flipping channels...And thank heavens, that too when it just started.. Having studied in Pune, this film touched off many happy memories of the city...that apart, one wonders why more movies like this aren't made...Every character is so well etched-the grandpa, the kid, the doc...except for the social worker who grates a tad, the rest of the movie hardly has a flaw...a deserving entry for the Oscars, even if it wasn't nominated...definitely leaves a lump in the throat...who sez u need mush to tickle ur lacrimals ? And to think that this movie needed Sachin Tendulkar to propagate it. Inspite of being in Marathi, there was hardly a moment where I wasn't able to follow the movie...the subtitles were good.. A must watch for any fan of good cinema.
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8/10
The most important Marathi movie of this century
saurabh-gothoskar21 October 2018
I remember the pre-Shwaas era wherein going to the theatres never meant watching Marathi movies. In fact, in my teenage years, Shwaas was my first Marathi movie in theatres. Often cited as the movie that provided the "Shwaas" necessary for Marathi movies to live on, it is a lesson in acting by the great but unheralded Arun Nalawade. That it went to the Oscars is a proud moment for Marathi cinema but more importantly it created the ecosystem for Marathi cinema to prosper in the form of more screens, higher political interest, a new re-energised audeince, large production houses and an intelligent film fraternity.
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10/10
Brilliant - Simply BRILLIANT
dhananjay_mhatre12 December 2004
This is a film about a six year old child from a village in Maharashtra (a state in India) and his grandfather who come to Pune (a city in Maharashtra) to treat the child's eyes. here the grandfather gets to know that the child has cancer in both eyes and that they have to be removed to save the child's life. the movie is all about the main characters' and their feelings and actions until the operation.

The movie is not a typical cliché Indian movie, so dun expect to see songs or romance or melodrama. this ia a supremely crafted sensitive movie which resorts to silent expressions rather than over the top dialogs to get the point thru. witness the scene where the grandfather is told about the need to remove the child's eyes. the acting is superb, dialogs heart breaking. your heart goes out for the grandfather who has the unenviable task of telling the child and his mother about the operation.

the handling of the subject has been excellent. the film was made under great hardship by the director, Sandeep Sawant who had to knock many doors to gather the Rs. six million (approx. $130000) budget. even then the final product seems polished and has decent production values. also witness the subtle city village contrast shown by the director by incorporating some random shots of the boy's life in the village. Sawant definitely seems to prefer village life.

THe acting by all is excellent. Amruta Subhash as the social worker is competent adding the required humane touch to her role. Sandeep Kulkarni as the docter is great, showing perfect mannerisms of a doctor. Ashwin Chitale as the child is a natural. he doesn't seem to be acting. everything about him is natural and does not seem forced.

But towering above all is Arun Nalawade as the grandfather. he is astounding in his role. mere words cannot describe his work. it is a performance to cherish forever.

Shwaas is a sincere effort to make good cinema. it should not be ignored just for the fact that it shows that if things are kept simple, the the results can be really surprising. 10/10.
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10/10
Got me glued
skanuj13 November 2005
Warning: Spoilers
Hadnt heard a lot about this movie, except it being National award and Oscar entry. Its a Marathi movie, n I cant make out apple from orange in marathi. But when I saw the movie playing on DD1 late Sunday night, I just got glued. Now I am no judge of cinematic techniques and acting skills. But I have watched a good number of movies, of various genres, and for an average viewer, I will highly recommend this movie. The feel is very earthy and realistic, though there are some melodramatic moments. Watch it to feel human. Lately haven't seen any movie, which touches heart, especially in Hindi cinema. the crowning achievement of the movie is when the young kid returns home. The camera moves around to reveal the kid, wearing black glasses, having lost his eyes, the kid hears the other kids splashing in the water and starts clapping. I was awestruck. And the two hours I spent watching the movie - very much worth it :-)
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10/10
Must Watch !
amit170816 January 2005
Shwaas is awesome ! considering that the producers had a meagre budget, they have done an excellent job. It is a must watch. The small kid has done an excellent job with a lot of emotions flowing through his eyes. Grandfather is at his best. The photography is superb. Technically correct and very creative. It helps in adding a lot of emotions to the mainstream content. The movie will keep u engrossed and don't be surprised if you are shaken after the movie and the story lingers in your mind for a few days.I sincerely hope that they make it to the final Oscar nomination

Enjoy and again don't miss it
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10/10
Very good movie 10/10
Prajakta15 December 2004
This is a very touching movie. This is a story about a special bond between a child and his grandfather. A villager (Arun Nalawade) brings his grandson, Parashuram, to the city to get his eyes treated. But comes to know that Parashuram (Aswin Chitale) has some rare cancer of eyes and has to undergo an operation and will lose both his eyes. The movie is all about the emotions and the turmoil both them go through and how they accept the whole thing. The movie avoid any melodrama and tells this story in a simple way. Though the movie is in Marathi, language is not a barrier at all.It proves that to make good movie you do not need item songs, superstars and usual masala. Excellent performances. This is India's entry for Oscars 2004. Hope it gets the nomination at least. Would rate 10/10.
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10/10
Very beautiful and touching movie
jit22127 November 2005
Warning: Spoilers
It was very refreshing to watch this beautiful movie. The director maintained focus on the main subject without venturing into side plots (the doctor's family or stories of the other hospital patients), that are so typical of Bollywood assembly-line products. He kept the narrative simple to comprehend and made sure all the actors are true to the characters that they are supposed to portray. The rustic ways of the grandfather in the clinic, the cold and unemotional behavior of the surgeon, the zeal of the social worker gave the movie a feel of genuineness. I am also glad that the director did not fall for the temptation of adding songs or special effects and reduce it to the level of Anand or Safar. A couple of scenes toward the end of the movie, such as the boy visiting other blind children and a blind worker's workplace and also the final scene where the boy claps at the sound of splashing and birds chirping are sure make your eyes misty.

Many Bollywood players do not realize that Oscar committee members value simplicity of the subject and genuineness and brevity of the movie more than the glitz and glamor. Shwaas is certainly a better nomination than Lagaan, which dealt with a subject that has already been beaten to death. No MPAA member is willingly going to suffer through 4 hours of jingoistic drama and a lot of song and dance.

I look forward to more movies from director Sandeep Sawant in the future.
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Movie every living human must see
manish-kanvinde31 December 2004
SHWAAS is, no wonders, the best movie I've ever seen.I seems a intelligent man's movie.Sandeep has made a wonderful movie. Watching movie it seems to be a simple movie.But I am sure Sandeep and his team had lot of efforts and dedication into this movie. When I saw it first time , I was shaken and I couldn't control my tears. I has been a long time that I was crying, watching a film. It made me every factor of life to think upon again. Acting performances of all the characters were at their best. Special mention of child actor. Sandeep , u did a excellent job..................and hope to c u carry on from this , get the Oscars, and make another beauty. ALL THE BEST.
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10/10
Shwas is best best best movie.
mayurmayekarapril20 September 2020
Shwas is best movie in marathi fantastic experience and acting story best. Movie is award winning like movie and repeatedly seeing movie. Very nice film.
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3/10
Extremely overrated movie
chengiz1 May 2005
Shwaas may have a good story, but the director is utterly devoid of talent. He does not know when to stop. When the story calls for people to act confused, there are ten minute scenes of people miming the act of confusion. When the story calls for a little background history, there are ten minute scenes of Konkan's greenery. When the story calls for a kid throwing tantrums... you get the idea.

Not to mention the extreme closeups so that you can count people's nose hair. There are movies that should be seen on a big screen, this movie should be seen on a 13" TV. Also Amruta Subhash who plays Asavari is the worst actress I've seen in quite a long time. A normal human being would need to practise overacting for years to achieve what she does so effortlessly.

I give it 4/10 solely because the subject matter is different, and the story is not bad. The fact that a movie like Shwaas gets to be India's entry to the Oscars tells volumes not about the state of Indian cinema but the state of Indian judging committees. A movie is not good just because its subject matter is arty.
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5/10
Waiting To Exhale!
abhishek-116 December 2004
Now, now…don't get me wrong! I mean no disrespect to the Marathi film industry, and this film in particular, in relation to which I am making a pejorative statement.

My heart(also my lungs, I believe) was overwhelmed with pride, joy(and carbohydrates) when I learnt that a Marathi film had been felicitated with the National Award. A long wait of 50 years( the last Marathi film to win the prestigious(?) award was Acharya Atre's 'Shyamchi Aai') had finally born results. 'Shwaas' is a low budgeted and modest film made earnestly by a fairly inexperienced group of artistes. Both director Sandeep Sawant and principal actor Arun Nalawade are not big names in the talented pool of Marathi arts, be it theatre or cinema. In fact it has always baffled me as to how the same Marathi medium that keeps producing absolutely fine actors from time-to-time, also manages to make the most senseless films possible. In this dark age of Marathi films, 'Shwaas' literally came as a fresh breath of promise to rescue Marathi cinema from its self-inflicted state of nadir.

A warm, fuzzy feeling began in my stomach in anticipation(although I've now come to a conclusion that the feeling was caused due to an extra-plate of methi bhajias, the night before) as I left to watch a screening of the movie, at a theatre near me(in filmi parlance!). I waited with bated 'breath' as the movie began. About two hours later, and even now, I am still waiting to exhale. And I don't mean that as a compliment! This sorry excuse of a movie(it should've been a thirty-minute TV film in the first place) beats around the bush unnecessarily and, to the misfortune of the viewer, incessantly before getting to the point in the final reel. Every scene creates a feeling of deja-vu, because almost every action and situation is repeated, albeit in different locations. For eg. Convincing the doctor to talk with the affected child about the implications of the concerned operation is repeated such an alarming number of times, that Yossarian begins to make sense! Arun Nalawade keeps an estranged and bewildered expression throughout the movie. One isn't sure if he is worried or constipated! Ashwin Chitale as the kid is endearing initially, but begins to get on your nerves as the reels roll on. The only saving grace is the Sandeep Kulkarni(portraying the doctor) who manages to mouth the most funniest(unintentionally) and corniest of lines with such earnestness and sincerity that you actually forget their absurdity and listen to him in rapture. The plot has umpteen loopholes, the biggest of which is the undisclosed reason behind the doting grandfather's decision to not inform or tell his daughter-in-law's brother about his plan to take the kid out of the hospital to the town. The actual story of the movie is only worthy of a few minutes, and in the time the movie takes to reach there, Andy Dufresne has already escaped from the Shawshank prison! But what is perhaps most appalling is the ideology that the films purports. The final reels indirectly imply that a blind life is a wasted one. The doctor's resolve to carry out the operation when 'pleasant' images are yet etched in the child's memory sounds similar to the last hurrah of a dying man. The movie had ample potential to be a heart-tugging story about the triumph of the human spirit. And it actually seemed to be on the right track for sometime early on. The scenes where the doctor tries to make the young boy understand the importance of other senses with the aid of smell and touch are indeed well-intentioned. But sadly, the final product isn't! I am a Maharashtrian later, an avid film buff first. I firmly claim that there have been better Marathi films in recent years than this one. 'Sarkarnama' is a fine example. I do concede that as a unique effort, 'Shwaas' is commendable. But it doesn't deserve the accolades that it is receiving. Films of much higher caliber have released this year. 'Maqbool', a marvellous adaptation of Shakespeare's Macbeth has been ignored inexplicably. Ironically, in a film about a human story of a kid combating his inevitable blindness the camera captures of the beautiful locales of Ratnagiri is what stands out.

Sorely disappointed.

Rating- **

* Poor ** Average *** Good **** Very Good ***** Excellent
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5/10
Maudlin, Schmaltzy
boltons-118 March 2006
Warning: Spoilers
This is a slow moving film which is good if you have time to kill or want to get indoors in a climate controlled environment.

There are so many details that the story really drags. How much time do we need to spend on who is going to tell the little boy about his prognosis? In this movie, the answer appears to be forever! This film is too much like life rather than focusing on being entertainment.

Grandpa seems worried all the time so I would have had more empathy if his character would have had more depth. (Does he happen to have any more facial expressions at his disposal?) The kid is portrayed as a brat in many scenes. My sympathy was stretched thin at liking his character. The Social Worker appears to have recently graduated from the school of overacting--summa cum laude. The Doctor is likable. Although why the script won't let him tell the kid about his diagnosis in the first place is beyond me.

The story is rather maudlin. At the end many women in our audience were crying. I couldn't feel the empathy because the story had numbed me.

The cultural insights are: when you bob your head left to right that indicates "yes" (as opposed to up and down), "BaBa" means grandfather, people are shown everywhere which one expects in a country with the second highest population in the world.

A few realistic twists or turns would have made the time seem to pass quicker.

Continuity problems: operating in the evening after spending the day seeing the sights—what about the anesthesia and the boy's stomach contents? The doctor puts on his gloves in his office—what about the sterile field? (So now how are you going to get me to fly to India and have surgery?)
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5/10
Judgmental movie that tries to take sides -- incorrectly
Aam_Aadmi27 January 2006
A first reading of this film comes across as a lofty inspiring story of true grit and wilful determination in the face of painful, irreversible personal trauma. But that turns out to be superficial.

"Shwaas" the way it is portrayed and sequenced, and here it is entirely the inexperienced director's mistake, seems to suggest that eyesight is more important than blindness, its great to be able to see and that the blind are missing out on so much of life. All of these statements are obviously true but are POLITICALLY INCORRECT and highly judgmental!

If the makers of Shwaas want to us be sensitive to the little boy, now that he's being operated upon and will go blind, how about showing some respect and sensitivity to the blind too?? This movie doesn't even pay lip service -- at the very end, there are couple of scenes showing some blind persons at work (as if to say, yea, they can work too..) but not much else. Aside from direction, it suffers from serious over-acting by Amruta Subhash who really does a disservice to the efforts of Sandeep Kulkarni (the doctor) and Ashwin Chitale (the kid). She drives all the gravity out entirely by herself.

The subject matter has been bungled completely, and the director's lack of maturity shows. No doubt this is much better fare than 99% of usual Bollywood crap. But if they expect to withstand the critical glare of a mature audience they better be impartial in their presentation.

Serious viewers are NOT blind -- then can 'see' thru the deception here that only one side of the issue is explored as if the boy's life story ends when he becomes blind. Hello?? Thats where it really begins!!!

"Sparsh" by Sai Paranjape explores this subject from a blind man's POV. Naseerudin Shah is blind and its a take on his life. In Shwaas, the boy becomes blind. But what next?
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