Kammerflimmern (2004) Poster

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8/10
Funny. Sexy. Great Soundtrack. Choked me up.
JohnnyLarocque13 September 2004
OFF BEAT is a German film about a paramedic named Crash who relives the accident that killed his parents as a child in his dreams, over and over again. He keeps seeing a woman in his dreams with outstretched arms, who is not his mother. One day, he actually meets her. I don't wanna say more than that plot wise.

This film was fantastic. The main character, Crash (Matthias Schweighöfer), is instantly likable. No, to be honest, you will fall in love with this character immediately. I had the same connection with him as I did with James Duval in Gregg Araki's NOWHERE. I don't think this movie could have been made without him.

The soundtrack was amazing. But I think it's against the law to make a German film without a good soundtrack. Someone look into that for me.

Though I think the movie could have been edited down for a tighter feel, I was ultimately impressed by it. The story will choke you up if you are a big old sissy like I am. Definite recommendation. (8/10)
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7/10
Surprising
mehdimarechal6 April 2007
I saw this movie yesterday on television, and I must say that I was pleasantly surprised. To be honest I did not expect very much of this film, at the very best I expected it to be some kind of pumped-up teenager movie with a max of "hyped" songs in the soundtrack, flashy videoclip imagery and a thin, unimportant storyline. It turned out quite differently! The acting was very good, the soundtrack was good (and not to intrusive), the cinematography was good (although it could've been a bit more experimental for this kind of film)and the story was credible. I could not help to compare this film to Martin Scorsese's "Bringing out the dead". This film also describes the hard, fast-paced life of two paramedics and their confrontations with pain, suffering and death. To my own surprise I found this film better than "Bringing out the dead" because it was more human, more realistic and more authentic. "BOTD" had this Hollywood-like glitter and glamour to it that made it incredible, over the top and to "cool" to be authentic. While this film is certainly not a masterpiece or some kind of "must-see", it is a decent, well-made and gripping piece of cinema that is worth the watch in every sense. Don't break your head finding it, but if you do, don't hesitate to view it. A pleasant surprise and well-done film!
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8/10
This is a near perfect film
kuhlgeist18 May 2007
Hoelzemann might have a great future as a German film maker. The plot is subtle, the dialogs witty and understated, the acting, in particular by Schweighoefer and Kremp, great. Schweighoefer is a charismatic actor on who this film is built – my wife commented that his presence reminded her of James Dean. To me the psychology of the human relations was more important than the actions – the opposite of how Hollywood movies usually proceed. The scene with the suicidal girl on the roof – the Cologne cathedral in the background – is a game of life and death that keeps you breathless. Were it not for some sentimental, heavy scenes (in particular between November and Crash), I would rate it 10.
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9/10
Rescuer, Rescue Thyself
Bachfeuer18 April 2005
"Off Beat" is very different from other films, as its English title suggests. (The German title, Kammerflimmern, is the technical name for a deadly kind of heart attack that paramedics like the ones in the film hate to encounter.) For the first half hour, "Off Beat" is a realistic re-creation of the daily life of Crash, an EMT in Germany, his colleagues and the patients—many of whom are colorful low-lives. Only the meticulous production quality keeps the viewer aware that this is not a "reality" show. After that, the film goes its own, distinctive dramatic way. Along the way, Crash gets involved with the pregnant widow of a junkie he tried valiantly but unsuccessfully to bring through an overdose.

There will be long discussions as to whether or not there is a philosophical or religious Weltanschauung, conveyed in this film, or, if so, what it is. In the last half hour, the twists and turns become very intense and unexpected. I wonder if EMT services in Germany really have such crack professionalism to them as the ones in this film.

If is probably too much to expect, that this television film will have a USA release. I hope it will be made available for stateside audiences. To call it a change of pace is a great understatement: understated, this film is not!
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8/10
something special ...
abrakhim6 September 2005
I've watched this movie because my girlfriend rented it on DVD, and so i was a little bit unsure about what i was about to experience - she tends to rent movies that make me yawn sometimes ;-) No, just joking.

Anyway, this movie didn't make me yawn at all. It shows how cruel and distressing life can be - one of the actors works as a paramedic - but it also shows it's beauty.

I think that the other comments already tell you enough about the plot, so i will just state here, that if you like to laugh, cry, smile, hope and feel with actors in a good movie, do so and watch it.

I really liked Jessica Schwarz and Matthias Schweighoefer in their roles, they did a fabulous job in bringing "November" and "Crash" to life.
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4/10
It looked promising early on, but it got weaker quickly
Horst_In_Translation22 July 2017
Warning: Spoilers
"Kammerflimmern" or "Ventricular Fibrilation" (the German title sounds nicer) is a German movie from 2004 that runs for 100 minutes roughly and was written and directed by Hendrik Hölzemann. Actually, with the exception of a short film later on and an upcoming project, this is Hölzemann's only effort as director, but he (co-)wrote several other film, also like the recent Martina Gedeck film "Gleißendes Glück". But yeah, like I said he has a film upcoming that he directed, so maybe he is up for behind-the-camera work again. Anyway, back to this one here. It features two of Germany's most famous actors, namely Matthias Schweighöfer and Jessica Schwarz playing the main character, Schweighöfer probably even more main than Schwarz here. Other known names include Beglau, Zech, Spengler, Noethen etc. And Florian Lukas is in it too and this film is right after his big success with Goodbye Lenin and again he plays a supporting character who is a friend to the protagonist and with the exception of small screen crime movies, this is the niche he is still in today. Sadly, in this one here, he really plays a pretty poor man's version from his character on GBL only and I have serious doubts about his range.

Back to Schweighöfer: I am not a fan of him at all and I think he is unbearably bad at times in his more recent works. So I was a bit surprised that he is doing a solid job in here, especially early on. But the longer the film goes, the weaker he becomes too. As for Jessica Schwarz, I like her quite a bit usually, but sadly the material she has here offers nothing between crying screaming and bleeding. Her character feels to me as if she has zero depth. Certainly a waste of a good actress. The film itself fits Schweighöfer's description. It starts of pretty nicely with the scene at the Turkish family's home, but the longer it goes, the messier it becomes, especially in the romance relationship aspect. There were many quotes in here where I felt that they weren't authentic at all. They were nothing the characters would say in that particular situation or in any other situation. One sex scene was an extremely blatant example of that. And story-wise, things aren't looking any brighter. The crash with the ambulance car at the very end was just the negative icing on the cake. Certainly not a tasty cake. More like a cake where there first 2 or 3 bites are still delicious, but it does not stay that way and quickly changes for the worse. From a dramatic perspective, the film cannot be taken seriously. For that, it is just lacking too much in the realism department. That's also why my final verdict is a negative one here. the script sinks the movie. Don't watch.
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