Since frame number 1 you know the good guy in the suit and necktie is doomed
He has no luck ("Sorte Nula"), or so he believes with that music on the car radio, and the dubious talk by his best friend and company associate who is taking him to parts unknown through a desert road. Alberto wished simply to be left alone, to take a flight abroad next day, with
well, someone we're left guessing.
The film goes a long way that'll find short to a closing scene with the man hearing the same music on a cab to the airport. In between, a number of lucky people have found different ways out of the story, some dying, some being born, others falling into harrowing distress. This time he's really doomed Or is he? The film is a sort of one-man show by director Fernando Fragata who only left the sound recording and the special effects to other, competent people. Those who typically reject Portuguese films due to sound problems and unclear speech recording, must go searching for other topics to criticize this time. The car crash (this isn't spoilers, the film is too clever for THAT) makes for a great scene, and apparently was done with cheap equipment. (US Studios take notice: you may spare a dollar or two by hiding competent Portuguese directors!)
The rest was done by Fragata, from the script to the dialogue, from camera work to editing. If part of the dialogue were ad-libbed, then he again must be congratulated for the acting direction, and the casting with mostly inexperienced actors. A large number of non-speaking parts are credited, but most of those people were used for the music video clip and the making of, used extensively in the film's promotional trailer. The cast has a dozen actors and actresses, of whom ten relevant persons, and a huge number of relationships that are revealed step-by-step, in a thrilling, suspenseful way, reminiscent of the best genre authors. 'Alfred Hitchcock' (qv) and 'Claude Chabrol' (qv) do come to mind, by the cat-and-mouse play between the director and his public, and the nature of his characters.
I recommend this thriller and comedy to Portuguese language speakers and, if the film gets to have a decent translation of its colloquial dialogue, to anyone abroad who enjoys those genres.
The film goes a long way that'll find short to a closing scene with the man hearing the same music on a cab to the airport. In between, a number of lucky people have found different ways out of the story, some dying, some being born, others falling into harrowing distress. This time he's really doomed Or is he? The film is a sort of one-man show by director Fernando Fragata who only left the sound recording and the special effects to other, competent people. Those who typically reject Portuguese films due to sound problems and unclear speech recording, must go searching for other topics to criticize this time. The car crash (this isn't spoilers, the film is too clever for THAT) makes for a great scene, and apparently was done with cheap equipment. (US Studios take notice: you may spare a dollar or two by hiding competent Portuguese directors!)
The rest was done by Fragata, from the script to the dialogue, from camera work to editing. If part of the dialogue were ad-libbed, then he again must be congratulated for the acting direction, and the casting with mostly inexperienced actors. A large number of non-speaking parts are credited, but most of those people were used for the music video clip and the making of, used extensively in the film's promotional trailer. The cast has a dozen actors and actresses, of whom ten relevant persons, and a huge number of relationships that are revealed step-by-step, in a thrilling, suspenseful way, reminiscent of the best genre authors. 'Alfred Hitchcock' (qv) and 'Claude Chabrol' (qv) do come to mind, by the cat-and-mouse play between the director and his public, and the nature of his characters.
I recommend this thriller and comedy to Portuguese language speakers and, if the film gets to have a decent translation of its colloquial dialogue, to anyone abroad who enjoys those genres.
