Chicago – Boris Rodriguez’s “Eddie: The Sleepwalking Cannibal” tells a laughably inane story ripe for B-movie matinées, yet insists on taking itself (mostly) seriously. The director has made no secret of the fact that he envisions his film to be a meditation on the “darkness of creativity,” and the price that must be paid in order for an artist to find sufficient inspiration.
That could easily make an intriguing subject for a motion picture (and has many times before), but Rodriguez’s metaphorical horror tropes are so obvious and synthetic that they bore when they should provoke. That isn’t to say the film is lacking in the acting department (it isn’t) or doesn’t have some spectacularly unnerving imagery (kudos to Dp Philippe Kress), but on a story level, “Eddie” comes up mightily short. It might’ve made a fine short film, but at 83 minutes, it runs out...
That could easily make an intriguing subject for a motion picture (and has many times before), but Rodriguez’s metaphorical horror tropes are so obvious and synthetic that they bore when they should provoke. That isn’t to say the film is lacking in the acting department (it isn’t) or doesn’t have some spectacularly unnerving imagery (kudos to Dp Philippe Kress), but on a story level, “Eddie” comes up mightily short. It might’ve made a fine short film, but at 83 minutes, it runs out...
- 8/26/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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