Directed by
| Steve Jacobs | ||
Writing Credits
| Anna Maria Monticelli | ... | (screenplay) |
| J.M. Coetzee | ... | (based on the novel by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Wouter Barendrecht | ... | executive producer |
| Marlow De Mardt | ... | co-producer |
| Julio DePietro | ... | executive producer |
| Barbara Gibbs | ... | line producer |
| Steve Jacobs | ... | producer |
| Anna Maria Monticelli | ... | producer |
| Brigid Olen | ... | co-producer |
| Emile Sherman | ... | producer |
| Michael J. Werner | ... | executive producer |
Music by
| Antony Partos | ||
Cinematography by
| Steve Arnold | ||
Editing by
| Alexandre de Franceschi | ||
Production Design by
| Annie Beauchamp | ||
| Mike Berg | ... | (as Michael Berg) |
Set Decoration by
| Fred Du Preez | ||
Costume Design by
| Diana Cilliers | ||
Makeup Department
| Steven Saunders | ... | prosthetics sculptor |
| Zeljka Stanin | ... | makeup department head |
Production Management
| Shireen Hattingh | ... | production manager |
| Silvana Milat | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Wendy Alport | ... | first assistant director |
| Marchant Bellingan | ... | assistant director |
| Hamish Roxburgh | ... | third assistant director |
Art Department
| Storm Dyssell | ... | standby props |
| Ivan Fraser | ... | set dresser |
| Brian Glaser | ... | assistant construction manager |
| Andrew Gouveia | ... | carpenter |
| Marco Guidetti | ... | construction stand-by |
| Etienne Harris | ... | scenic foreman |
| Egbert Kruger | ... | property master |
| Brooke Morris | ... | props buyer/set dresser |
| Steven Saunders | ... | props fabricator |
| Brendan Smithers | ... | construction manager |
Sound Department
| Yulia Akerholt | ... | dialogue editor |
| Rosie Chase | ... | assistant sound editor |
| Bruce Emery | ... | dolby consultant |
| Peter Grace | ... | sound recordist |
| Jason Hancock | ... | foley recordist |
| Michael McMenomy | ... | sound effects editor |
| Adrian Medhurst | ... | mix assistant |
| Sam Petty | ... | sound designer |
| Angus Robertson | ... | head of sound: StageOne Sound |
| John Simpson | ... | foley artist |
| Pete Smith | ... | re-recording mixer (as Peter D. Smith) |
Special Effects by
| Andrew Robertson | ... | special effects supervisor |
| Phillip Young | ... | special effects technician |
Visual Effects by
| Simon Alberry | ... | I/O supervisor |
| Paul Butterworth | ... | visual effects supervisor: Fuel International |
| Sam Cole | ... | compositing supervisor: FUEL International |
| Felix Crawshaw | ... | visual effects producer: Fuel VFX |
| Rebecca Dunn | ... | digital supervisor |
| Michelle Hunt | ... | main title design |
| Daniel Loui | ... | digital compositor |
| An Nguyen | ... | system administrator/pipeline engineer: FUEL International |
| Takahiro Suzuki | ... | digital compositor |
| Andreas Wanda | ... | animator |
| Matthew Wynne | ... | lead compositor |
| Koji Yamaguchi | ... | compositor |
Stunts
| Daryl Andrews | ... | stunt coordinator |
Camera and Electrical Department
| Telfer Barnes | ... | first assistant camera |
| Gilles Boisacq | ... | gaffer |
| Jessica Clarke-Nash | ... | video split operator |
| Robbie Five | ... | key grip (as Robie Fivaz) |
| Angus Gowans | ... | grip |
| Sean Miros | ... | director of photography: second unit |
| Mark Rogers | ... | still photographer |
| Richard Rolf | ... | steadicam operator |
| Lionel Turner | ... | lighting technician |
Casting Department
| Jane Dawkins | ... | extras casting: Australia |
| Ann Fay | ... | casting: Australia |
| Marianne Jade | ... | casting |
| Leigh Pickford | ... | casting: Australia |
Costume and Wardrobe Department
| Hetta Burger | ... | set costumer |
| Jayne Forbes | ... | costume supervisor |
| Michelle Karavoussanos | ... | head costume buyer |
| Claudia Littlefield | ... | set costumer |
| Tyron Matthee | ... | key costume breakdown and dyer |
Editorial Department
| Olivier Fontenay | ... | colorist |
| Lara Ford | ... | editorial house manager |
| Jamie Hediger | ... | assistant colorist |
| Louise Kan | ... | first assistant editor |
| Matthew M. North | ... | digital intermediate editor |
| Anthos Simon | ... | digital intermediate producer |
Location Management
| John Hoeks | ... | location scout |
Music Department
| Daniel Baker | ... | music preparation |
| Laura Bishop | ... | music preparation |
| Wes Chew | ... | music engineer/mixer / music producer |
| Christo Curtis | ... | music mixer: ending theme |
| Coralie Hartl | ... | orchestra contractor |
| Phillip Hartl | ... | orchestra leader |
| Bryce Jacobs | ... | orchestrator |
| Michael Lira | ... | composer: additional music |
| Luke Mynott | ... | music mixer: additional music |
| Tim Ryan | ... | music editor |
| Gary Seeger | ... | music supervisor |
| Jessica Wells | ... | orchestrator |
Script and Continuity Department
| Sophie Fabbri-Jackson | ... | script supervisor |
Transportation Department
| Pierre Buys | ... | unit and transport manager |
Additional Crew
| Mechele Axford | ... | assistant to producer |
| Jodi Bowers | ... | Locations and permits |
| Sally Clarke | ... | production co-ordinator: Australia |
| Luke Cornell | ... | Animal Trainer |
| Toby Gibson | ... | assistant: John Malkovich |
| Tarryn Greybè | ... | pre-production coordinator |
| Michelle Hunt | ... | end titles |
| Amanda Kotze | ... | production accountant |
| Sandie Morris | ... | production accountant |
| Dezi Rorich | ... | unit publicist |
| Hayley Ross | ... | production coordinator |
| Nathan Smith | ... | lab liaison |
Thanks
| Danny Mandel | ... | Production financing provided by Newbridge |
| Scott Meek | ... | special thanks |
