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Zimmer 1408 (2007)
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| Bilder (Alle 48 | Diashow) |
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Übersicht
Nutzer-Bewertung:
Regisseur:
Drehbuchautoren (WGA):
Premierendatum:
13. September 2007 (Deutschland)
mehr
Genre:
Horror | Thriller
NewsDesk:
(4 Artikel)
2012 - Was würdest Du retten, wenn die Welt vor dem Untergang steht?
(von BlairWitch. 11. November 2009, 9:16 AM, PST)
The Factory - Joel Silver bestätigt: Düsterster Film von Dark Castle
(von BlairWitch. 20. Juli 2009, 7:08 AM, PDT)
(von BlairWitch. 11. November 2009, 9:16 AM, PST)
The Factory - Joel Silver bestätigt: Düsterster Film von Dark Castle
(von BlairWitch. 20. Juli 2009, 7:08 AM, PDT)
Nutzerkommentare:
Überraschend kurzweilig
mehr (1 insgesamt)
Diskussionsforen
Plaudern Sie über diesen Film mit anderen Nutzern im IMDb Diskussionsforum für Zimmer 1408 (2007)| Neueste Beiträge (täglich aktualisiert) | Begonnen von |
|---|---|
| Klasse! | Melodram |
Besetzung
(In der Reihenfolge des Abspanns) (komplett, wartet auf Bestätigung) | John Cusack | ... | Mike Enslin |
 | Samuel L. Jackson | ... | Gerald Olin |
 | Mary McCormack | ... | Lily |
 | Tony Shalhoub | ... | Sam Farrell |
 | Len Cariou | ... | Mike's Father |
 | Isiah Whitlock Jr. | ... | Hotel Engineer |
 | Jasmine Jessica Anthony | ... | Katie |
| Paul Birchard | ... | Mr. Innkeeper |
| Margot Leicester | ... | Mrs. Innkeeper |
 | Walter Lewis | ... | Book Store Cashier |
 | Eric Meyers | ... | Man #1 at Book Signing |
| David Nicholson | ... | Man #2 at Book Signing |
| Holly Hayes | ... | Lady at Book Signing |
| Alexandra Silber | ... | Young Woman at Book Signing |
 | Johann Urb | ... | Surfer Dude |
 | Andrew Lee Potts | ... | Mailbox Guy |
| Emily Harvey | ... | Sekretärin |
| William Armstrong | ... | Clay the Lawyer |
 | Kim Thomson | ... | Desk Clerk |
 | Drew Powell | ... | Assistant Hotel Manager |
| Noah Lee Margetts | ... | Bellboy |
| Gil Cohen-Alloro | ... | Maitre D' |
| Benny Urquidez | ... | Claw Hammer Maniac |
 | Ray Nicholas | ... | Factory Owner |
| Tina Maskell | ... | 1950s Lady |
| Paul Kasey | ... | Kevin O'Malley |
 | George Cottle | ... | Mailbox Worker |
| Julian Spencer | ... | Mailbox Worker |
| William Willoughby | ... | Mailbox Worker (als Will Willoughby) |
 | Angel Oquendo | ... | Taxi Cab Driver |
 | Thomas A. McMahon | ... | Cop #1 |
| Anthony C. Mazza | ... | Cop #2 (als Anthony Mazza) |
 | Chris Carey | ... | Fireman |
| Kevin Dobson | ... | Priester |
| Lily Grace Alexander | ... | 10 Year Old Girl (in director's cut only) |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
 | Peter Conboy | ... | Man outside Hotel Fire (nicht im Abspann) |
| Bernadette Lords | ... | Hotel Guest (nicht im Abspann) |
 | Jacob White | ... | Bellboy (nicht im Abspann) |
Regie | |||
| Mikael Håfström | |||
Buch(WGA) | ||
| Matt Greenberg | (Drehbuch) and | |
| Scott Alexander | (Drehbuch) & | |
| Larry Karaszewski | (Drehbuch) | |
| Stephen King | (Kurzgeschichte) | |
Produktion | |||
| Kelly Dennis | .... | Associate Producer | |
| Lorenzo di Bonaventura | .... | Produzent | |
| Antonia Kalmacoff | .... | Associate Producer | |
| Jake Myers | .... | Ausführender Produzent | |
| Richard Saperstein | .... | Ausführender Produzent | |
| Jeremy Steckler | .... | Associate Producer | |
| Bob Weinstein | .... | Ausführender Produzent | |
| Harvey Weinstein | .... | Ausführender Produzent | |
Originalmusik | |||
| Gabriel Yared | |||
Kamera | |||
| Benoît Delhomme | (Kamera) (als Benoit Delhomme) | ||
Schnitt | |||
| Peter Boyle | |||
Casting | |||
| Elaine Grainger | |||
Szenenbild | |||
| Andrew Laws | |||
Bauten/Dekorationsbau (art directors) | |||
| Stuart Kearns | |||
| Doug J. Meerdink | |||
| Mark Raggett | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Daniel B. Clancy | |||
| Marina Morris | |||
Kostüme | |||
| Natalie Ward | |||
Maske/Frisuren | |||
| Luisa Abel | .... | key makeup artist: Los Angeles | |
| Allan A. Apone | .... | makeup artist: Mr. Jackson (als Allan Apone) | |
| John Coppinger | .... | Bildhauer | |
| Victor DeNicola | .... | key hair stylist: New York (als Victor De Nicola) | |
| Karl Derrick | .... | makeup effects supervisor | |
| Karl Derrick | .... | special makeup designer | |
| Jo Emberson | .... | mould maker | |
| Cindy Gardner | .... | makeup artist: New York | |
| Linda Grimes | .... | key makeup artist: New York | |
| Anthony Gueli | .... | hair stylist: New York (als Anthony Guieli) | |
| Shaune Harrison | .... | effects makeup artist | |
| Catherine Heys | .... | Friseur | |
| Catherine Heys | .... | Maskenbildner (als Catherine Heyes) | |
| Pauline Heys | .... | leitender Maskenbildner (als Pauline Heyes) | |
| Deborah Hyde | .... | makeup effects buyer | |
| Deborah Hyde | .... | makeup effects coordinator | |
| Giacomo Iovino | .... | senior mould maker | |
| James Kernot | .... | mould maker | |
| Douglas Noe | .... | makeup artist: Los Angeles | |
| Marie Salandra | .... | manicurist: New York | |
| Steve Scotton | .... | mould maker | |
| Robert L. Stevenson | .... | hair stylist: Mr. Jackson (als Robert Stevenson) | |
| Suzanne Stokes-Munton | .... | Leiter Haarstudio | |
| Suzanne Stokes-Munton | .... | Leiter Maskenbild | |
| Xanthia White | .... | hair stylist: second unit | |
| Xanthia White | .... | makeup artist: second unit | |
| Pippa Woods | .... | effects makeup artist | |
| Denise Wynbrandt | .... | hair stylist: Mr. Cusack | |
| Denise Wynbrandt | .... | makeup artist: Mr. Cusack | |
Produktionsleiter (production managers) | |||
| John Anthony | .... | Produktionsleitung | |
| Mark Grimwade | .... | Erster Aufnahmeleiter | |
| Michael Jackman | .... | Verantwortlicher Postproduktion | |
| Dana Robin | .... | produzierender Set-Aufnahmeleiter | |
| Jessie Thiele | .... | Leitung Postproduktion | |
| Gabriela Vázquez | .... | produzierender Set-Aufnahmeleiter | |
| Elena Zokas | .... | produzierender Set-Aufnahmeleiter | |
Regieassistenten | |||
| Daniela Barbosa | .... | second second assistant director: New York | |
| Sarah Brand | .... | third assistant director: second unit | |
| Joey Coughlin | .... | dritte Regieassistenz | |
| John Greaves | .... | 2nd Unit Regisseur | |
| Sean Guest | .... | Erster Regieassistent (als Sean Cameron Guest) | |
| James Haven | .... | Zweiter Regieassistent | |
| Kyle Hollingsworth | .... | DGA Auszubildender | |
| Jessica Hurles-Laws | .... | first assistant director: second unit (als Jessica Hurles) | |
| Sarah MacFarlane | .... | stellvertretender zweiter Regieassistent | |
| John M. Morse | .... | second second assistant director: Los Angeles (als John Morse) | |
| Kenyon Noble | .... | additional second assistant director: New York | |
| Richard Oswald | .... | second assistant director: Los Angeles | |
| David 'Wex' Wechsler | .... | first assistant director: reshoots/additional photography | |
| Jane Chase Wells | .... | second assistant director: New York | |
Ausstattung (Stab) | |||
| Scott Bauer | .... | property master: additional photography | |
| Tristan Carlisle-Kitz | .... | Kostümrequisite | |
| John Coppinger | .... | Bildhauer | |
| Julia Dehoff | .... | Assistenz Filmarchitekt | |
| Laura Dishington | .... | grafisches Design | |
| Todd Ellis | .... | property master: Los Angeles | |
| Dave Fisher | .... | chargehand stand-by props | |
| Dean Fisher | .... | stand-by prop | |
| Gordon Fitzgerald | .... | propmaster | |
| Sarah Forbes | .... | assistant production buyer | |
| Colin H. Fraser | .... | Bauleiter | |
| Emma Godwin | .... | assistant production buyer | |
| John Greaves | .... | Storyboardzeichner | |
| Kate Halsall | .... | Assistenz Art Department | |
| Lee Hedges | .... | dressing prop daily | |
| Mark Hedges | .... | prop storeman | |
| Roxy Konrad | .... | Koordination Art Department | |
| Dougie Lankston | .... | dressing prop daily | |
| Eric Luling | .... | on-set dresser: Los Angeles unit | |
| Nick Milner | .... | stand-by props: second unit | |
| Rhian Nicholas | .... | Stand-by Filmarchitekt (als Rhian Nicolas) | |
| Steve Payne | .... | dressing prop | |
| Mike Piccirillo | .... | art department coordinator: re-shoots | |
| Chris Samp | .... | stand-by painter: Los Angeles unit | |
| Bob Sherwood | .... | chargehand dressing prop | |
| Julie Smith | .... | set decorator: Los Angeles | |
| Chris Snyder | .... | construction coordinator: re-shoots | |
| Adrian Start | .... | supervising painter | |
| Keith Stevenson | .... | Requisite | |
| Eric Sundahl | .... | art director: Los Angeles | |
| Anthony Szuch | .... | drapes master | |
| Daniel Thompson | .... | Stand-by Schreiner | |
| Oscar Thompson | .... | Vorarbeiter | |
| Kate Venner | .... | Einkäufer Produktion | |
| Howard Weaver | .... | Landschaftsmaler | |
| Adam L. Barker | .... | paint supervisor: re-shoots (nicht im Abspann) | |
| Derek Scouler | .... | Set-Einrichter (nicht im Abspann) | |
Ton Stab | |||
| Philip Alton | .... | ADR-Editor | |
| Philip Alton | .... | Dialogschnitt | |
| Ricky Butt | .... | Geräuschemacher | |
| Tim Cavagin | .... | Tonmischung (Postproduktion) | |
| Jeff Erdmann | .... | Tonangler | |
| Amber Howorth | .... | Kabel | |
| Craig Irving | .... | Tonmischung (Postproduktion) | |
| Alex Joseph | .... | Leiter Geräusche | |
| Richard Kondal | .... | assistant foley editor | |
| Mark Lafbery | .... | Mischung Geräusche | |
| Cecilia Lanzi | .... | Ton | |
| Francis Ward Lindsay | .... | foley | |
| Conor Mackey | .... | Tonschnittassistenz | |
| Steve Mayer | .... | Toneffektschnitt | |
| Kevin McCue | .... | Tonmischung (Postproduktion) | |
| Michael Miller | .... | Sprachsynchron-Mischung | |
| Nigel Mills | .... | Sounddesigner | |
| Nigel Mills | .... | Tonschnittleitung | |
| Abel Schiro | .... | Tonangler | |
| Brian Simmons | .... | Filmtonmeister | |
| Steve Single | .... | Tonmischung (Postproduktion) | |
| Greg Steele | .... | Sprachsynchron-Mischung | |
| Ruth Sullivan | .... | Geräuschemacher | |
| Colin Wood | .... | Tonangler | |
| Greg Zimmerman | .... | ADR Aufnahme | |
Spezialeffekte | |||
| Andy Aitken | .... | special effects technician: second unit | |
| Mark Bero | .... | special effects coordinator: New York | |
| Caimin Bourne | .... | Techniker Spezialeffekte | |
| Gordon Cave | .... | special effects engineer | |
| Lisa Chadwick | .... | special effects modeler | |
| Paige Chaytor | .... | special effects buyer | |
| Ryan Conder | .... | special effects assistant technician | |
| Ian Corbould | .... | special effects floor supervisor | |
| Jamie Corbould | .... | special effects trainee | |
| Christopher Corbould Jr. | .... | special effects trainee (als Chris Corbould Jr.) | |
| Paul Corbould | .... | Leitung Spezialeffekte | |
| David Dunsterville | .... | senior special effects technician | |
| Joe Halford | .... | Techniker Spezialeffekte (als Joseph Halford) | |
| Simon Hewitt | .... | Techniker Spezialeffekte | |
| Matthew Horton | .... | senior special effects technician | |
| Robert Jones | .... | Techniker Spezialeffekte | |
| Stuart Kerr | .... | Techniker Spezialeffekte | |
| David Kirshoff | .... | special effects technician: New York | |
| Ian Lowe | .... | senior special effects technician | |
| Roger Mann | .... | Techniker Spezialeffekte | |
| Jason McCameron | .... | special effects workshop supervisor | |
| Neil McKelvey | .... | assistant special effects buyer | |
| Huw Millar | .... | Assistenz Spezialeffekte | |
| Hugh Miller | .... | special effects technician: second unit | |
| Tim Mitchell | .... | special effects senior technician (als Timothy Mitchell) | |
| Greg Morgan | .... | senior technician | |
| Roy Savoy | .... | special effects technician: New York | |
| Steve Scotton | .... | Maske Spezialeffekte | |
| Ty Senior | .... | lead special effects technician | |
| Nigel Sinclair | .... | special effects engineer | |
| Steven Warner | .... | special effects floor supervisor: second unit (als Steve Warner) | |
| Steven Warner | .... | Techniker Spezialeffekte | |
| Daniel Williams | .... | special effects engineer | |
| Gareth Wingrove | .... | special effects senior technician | |
Visual Effects | |||
| Eri Adachi | .... | rotoscope artist: Rainmaker | |
| Lucy Ainsworth-Taylor | .... | Visual Effects | |
| Louie Alexander | .... | digital compositor: Framestore-CFC | |
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Kate Auld | .... | digital compositor: main opening title | |
| Richard Bain | .... | digital artist: BainVFX | |
| Graeme Baitz | .... | rotoscope artist: Rainmaker | |
| Ben Baker | .... | head of digital lab: Framestore-CFC DI | |
| Andrew Barker | .... | visual effects line producer | |
| Rodrigo Bernardo | .... | systems engineer | |
| Julian Blom | .... | animation coordinator: MPC | |
| William Blunden | .... | Schnitt Visual Effects | |
| Turea Blyth | .... | visual effects editorial: Framestore | |
| Izet Buco | .... | compositing artist: MPC | |
| Andy Burrow | .... | scanning & recording manager | |
| Earle Stuart Callender | .... | visual effects producer: Rainmaker UK | |
| Francesca Canducci | .... | retouch and restoration | |
| Felipe Canfora | .... | Digitalkünstler | |
| James Clarke | .... | scanning and recording supervisor: LipSync Post | |
| Tom Collier | .... | digital compositor: LipSync Post | |
| Neil Culley | .... | compositing supervisor: LipSync Post | |
| Mark Curtis | .... | composite artist: MPC | |
| David Dozoretz | .... | visual effects supervisor: Persistence of Vision | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| Stefan Drury | .... | head of film effects: LipSync Post | |
| Michael Elson | .... | executive producer: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Sean Farrow | .... | Leitung Visual Effects (als Sean H. Farrow) | |
| Marco Fiorani Parenzi | .... | digital artist: The Senate VFX | |
| Richard Fox | .... | digital artist: The Senate VFX | |
| Adam Gascoyne | .... | visual effects supervisor: Rainmaker UK | |
| Adam Glasman | .... | DI colourist | |
| Richard Gomes | .... | CG artist: MPC | |
| Metin Gungor | .... | visual effects artist: Senate Visual Effects | |
| Jeremy Hall | .... | Produzent Visual Effects | |
| Alistair Hamer | .... | film mastering engineer | |
| Mick Harper | .... | digital artist: The Senate VFX | |
| Mark Harrison | .... | Digitalkünstler | |
| Pete Hartless | .... | visual effects coordinator: The Senate VFX (als Peter Hartless) | |
| Adam Hawkes | .... | digital compositor: Framestore-CFC | |
| James Heath | .... | visual effects artist: Senate Visual Effects | |
| Barrie Hemsley | .... | ausführender Produzent Visual Effects | |
| Sarah Hemsley | .... | visual effects producer: The Senate VFX | |
| Paul Hendriks | .... | roto artist | |
| Jeremy Hey | .... | Digital Compositor | |
| Matt Hicks | .... | visual effects supervisor: MPC | |
| Richard Higham | .... | digital artist: The Senate VFX | |
| Jan Hogevold | .... | executive producer: Framestore CFC | |
| Uel Hormann | .... | Leitung Visual Effects | |
| Greg Howe-Davies | .... | digital compositor: LipSync Post | |
| Lorea Hoye | .... | visual effects producer: LipSync Post | |
| Simon Hughes | .... | lead digital compositor: Rainmaker UK | |
| Henry Jefferson | .... | digital compositor: LipSync Post | |
| Christian Jelen | .... | Digitalkünstler | |
| Yan Jennings | .... | film mastering engineer | |
| Merrin Jensen | .... | visual effects producer: MPC (als Merrin Jenson) | |
| David Johnston | .... | digital lab operator | |
| Elaine Kieran | .... | software research and development: MPC | |
| Tom Kimberley | .... | Compositor: Rainmaker UK | |
| Dean Koonjul | .... | digital compositor: Rainmaker UK | |
| Brian Krijgsman | .... | additional colourist: Framestore CFC | |
| Paul Kulikowski | .... | compositing artist: MPC | |
| Danius Kvedaras | .... | digital compositor: LipSync Post | |
| Sharon Lark | .... | Produzent Visual Effects | |
| Aaron Lear | .... | digital cleanup artist: Framestore CFC | |
| Simon Leech | .... | visual effects supervisor: The Senate VFX | |
| Richard Little | .... | senior compositor: Baseblack | |
| David Lloyd | .... | head of film technology: LipSync Post | |
| Kevin Lowery | .... | high definition engineer | |
| Alasdair MacCuish | .... | scanning and recording producer: Lipsync Post | |
| Tom Mangat | .... | Rotoskopiekünstler | |
| Veronica Marcano | .... | scanning and recording operator: Framestore | |
| David Margolis | .... | visual effects artist: Senate Visual Effects | |
| Marlin McGlone | .... | data operative | |
| Andy Middleton | .... | CG artist: MPC | |
| Warren J. Mills | .... | roto artist: The Senate VFX (als Warren Mills) | |
| James Nicholl | .... | digital artist: LipSync Post | |
| Stuart Nippard | .... | conform editor | |
| Collette Nunes | .... | visual effects editor: Rainmaker UK | |
| Roma O'Connor | .... | executive producer: Rainmaker UK | |
| Jonathan Opgenhaffen | .... | lead CG artist: Rainmaker UK | |
| Kim Phelan | .... | visual effects line producer: LipSync Post | |
| Glen Pratt | .... | senior compositor: LipSync Post | |
| Ingo Putze | .... | lead matte painter | |
| Edward Randolph | .... | visual effects coordinator: Baseblack | |
| Gareth Repton | .... | digital artist: The Senate VFX | |
| Angela Rose | .... | digital compositor: LipSync Post | |
| Jimmy Saul | .... | scanning and recording | |
| Liz Scully | .... | lighting lead: MPC | |
| Ben Shepherd | .... | visual effects supervisor: Cinesite | |
| Jennifer Silver | .... | Produzent Visual Effects | |
| Samantha Spacey | .... | visual effects line producer: The Senate VFX | |
| Nick Stanley | .... | retouch and restoration | |
| Paul Venn Stirling | .... | digital compositor: LipSync Post | |
| Giuseppe Tagliavini | .... | digital compositor: MPC (als Guiseppe Tagliavini) | |
| Odean Thompson | .... | retouch and restoration: Framestore-CFC | |
| Matthew Tinsley | .... | Digital Compositor (als Mathew Tinsley) | |
| Luigi Tommaseo | .... | network and operations: The Senate VFX | |
| Samantha Tracey | .... | visual effects coordinator: LipSync Post | |
| Tom Truscott | .... | digital artist: The Senate VFX | |
| Adam Valdez | .... | CG artist: MPC | |
| John Van Hoey Smith | .... | Digital Compositor | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Simon Whalley | .... | Produzent: Titelsequenz | |
| Sheila Wickens | .... | head of compositing: LipSync Post | |
| Robert A. Willis | .... | visual effects producer: MPC | |
| Doug Winder | .... | texture/matte painter | |
| Max Wood | .... | CG artist: MPC | |
| Rachel Wright | .... | digital artist: The Senate VFX | |
| Anton Yri | .... | digital artist: The Senate VFX | |
| Nikos Gatos | .... | digital artist: previz, The Senate VFX (nicht im Abspann) | |
| John Inch | .... | retouch and restoration (nicht im Abspann) | |
| Sam Lucas | .... | cg artist: Cinesite (nicht im Abspann) | |
| Dan Warder | .... | data operator (nicht im Abspann) | |
Stunts | |||
| Gregory J. Barnett | .... | stunt coordinator: Los Angeles (als Greg Barnett) | |
| Jeffrey G. Barnett | .... | Stunts | |
| Christian Eric Billings | .... | Stuntdouble | |
| Todd Bryant | .... | Stunts | |
| Chris Carey | .... | Stunts | |
| George Cottle | .... | Stunt-Darsteller | |
| Jamie Edgell | .... | safety diver | |
| Sarah Franzl | .... | Stunt-Darsteller | |
| David Garrick | .... | Stuntdouble | |
| Paul Herbert | .... | Stuntkoordinator | |
| Rob Inch | .... | Stunt-Darsteller | |
| Rob Inch | .... | Utility Stunts | |
| Rowley Irlam | .... | Stunts | |
| Chris Kerner | .... | surf stunts | |
| Mark Kubr | .... | stunts and water safety | |
| Derek Lea | .... | Stunt-Darsteller | |
| Tina Maskell | .... | Stunts | |
| Tim Mikulecky | .... | Stuntdouble | |
| Mark Mottram | .... | Stunt-Darsteller | |
| Mark Mottram | .... | stunt supervisor: second unit | |
| Benny Urquidez | .... | fight coordinator | |
| Benny Urquidez | .... | Stunts | |
| Bill Weston | .... | Stunt-Darsteller | |
| William Willoughby | .... | Stunts | |
Kamera und Elektrik (Stab) | |||
| Jonathan Ames | .... | video playback operator: second unit | |
| Nancy Ellen Anzalone | .... | film loader: second unit, New York | |
| David Appleby | .... | Standfotograf | |
| David Armstrong | .... | assistant grip: second unit | |
| Cesar Baptista | .... | crane operator: New York | |
| Cesar Baptista | .... | dolly grip: New York City | |
| Tony Bendt | .... | dolly grip: Los Angeles | |
| Harry Bowers | .... | second assistant camera: A-Kamera | |
| Sonny Burdis | .... | erster Lichttechniker | |
| Buzzy Burwell | .... | Lichttechniker | |
| Luke Cairns | .... | additional loader | |
| Michael Chambers | .... | Oberbeleuchter: Second Unit | |
| Terry Chapman | .... | Grip | |
| Gareth Coop | .... | central loader | |
| Jason Coop | .... | first assistant camera: B-Kamera | |
| Tulio Duenas | .... | film loader: Los Angeles | |
| Lee Eldred | .... | Beleuchtung | |
| Steve Finberg | .... | Beleuchtung | |
| Lisa Guerriero | .... | second assistant camera: Los Angeles | |
| Mikey Ray Harkins | .... | lighting desk operator | |
| Dermot Hickey | .... | first assistant camera: A-Kamera | |
| Alice Hobden | .... | Kameraassistenz | |
| Andy Hopkins | .... | key grip: second unit | |
| Malcolm Huse | .... | Keygrip | |
| Dylan Jones | .... | Video Operator | |
| Lizzie Kelly | .... | video assist operator: second unit | |
| Jarrod Kloiber | .... | rigging electrician: New York | |
| Scott Koenigsberg | .... | second assistant camera: "a" Camera, New York | |
| Alison Lai | .... | clapper loader: dailies | |
| Evin Lowe | .... | Beleuchtung | |
| Adam Lukens | .... | Grip: Second Unit | |
| Brian C. Mackey | .... | camera loader: New York | |
| Toby Miller | .... | best boy electric: New York | |
| Shaun Mone | .... | Beleuchtung: Second Unit | |
| Russell O'Connor | .... | Grip | |
| Mark Packman | .... | Beleuchtung: rigging | |
| Darren Piercey | .... | Grip | |
| Roberto A. Quezada | .... | Beleuchtung: Second Unit | |
| Frank Rinato | .... | first assistant camera: "a" camera, New York | |
| Tony Rowland | .... | Kamerabühnenarbeiter (als Tony Rowlands) | |
| Tony Rowland | .... | camera grip: dailies | |
| Tony Rowland | .... | Grip: Muster | |
| Brian Scotti | .... | Beleuchtung | |
| Tom Scott | .... | Rigger | |
| David Smith | .... | Oberbeleuchter | |
| Gary Smith | .... | Grip | |
| Joshua Stern | .... | Lichttechniker | |
| Derek Strachan | .... | Grip | |
| Dean Thompson | .... | camera operator: B-Kamera | |
| Gerry Vasbenter | .... | Steadicam operator | |
| Gerry Vasbenter | .... | camera operator: A-Kamera | |
| Andy Walton | .... | Lichttechniker | |
| Martin Ward | .... | video assist | |
| Martin Ward | .... | Video Playback Operator | |
| Casey Wooden | .... | Beleuchtung | |
| Tim Wooster | .... | camera operator: second unit | |
| Tim Wooster | .... | director of photography: second unit | |
| Michael McGrail | .... | Grip (nicht im Abspann) | |
Casting (Stab) | |||
| Abigail Barbier | .... | ADR Simmencasting | |
| Louis Elman | .... | ADR Simmencasting (als Louis Ellman) | |
| Sylvia Fay | .... | extras casting: New York | |
| Lee Genick | .... | extras casting: New York | |
| Karen Meisels | .... | Casting: Los Angeles | |
| Ali Merhi | .... | Mitarbeiter Casting | |
| Kate Ringsell | .... | Assistenz Casting | |
Kostüm und Garderobe (Stab) | |||
| Jill Anderson | .... | costume supervisor: New York | |
| Natalie Arango | .... | Kostümier | |
| Nigel Boyd | .... | costume supervisor: Los Angeles | |
| Barbara Brady | .... | Garderobenassistenz | |
| Mark Ferguson | .... | Assistenz Kostümdesign | |
| Lotta Haggqvist | .... | costume fabricator (als Lotta Haggkvist) | |
| Askia Won-Ling Jacob | .... | Ankleider: Mr. Jackson (als Askia Jacob) | |
| Askia Won-Ling Jacob | .... | Stylist: Mr. Jackson (als Askia Jacob) | |
| Amber Jordyn | .... | assistant to costume designer | |
| Rachel Leek | .... | set costumer: New York | |
| Veronica Murtagh | .... | costume fabricator | |
| David Otzen | .... | Kostümassistenz | |
| Vicente Parada | .... | set costumer: Los Angeles | |
| Jane Petrie | .... | Assistenz Kostümdesign | |
| Martin Rezard | .... | design illustrator | |
| Tara Sanovich | .... | set costumer: Los Angeles | |
| Laura Sewrey | .... | Kostümier | |
| Tamsin Wright | .... | Garderobenassistenz | |
| Esme Young | .... | costume maker | |
| Katie Hill | .... | costume assistant: 2nd Unit (nicht im Abspann) | |
Schnitt (Stab) | |||
| Alex Anstey | .... | zweiter Schnittassistent | |
| William Blunden | .... | assistant editor: shoot only | |
| Stephen Boucher | .... | erste Schnittassistenz | |
| Cara Cheeseman | .... | Koordinator Postproduktion | |
| Adam Glasman | .... | digital film colourist | |
| Brian Krijgsman | .... | additional digital film colorist | |
| Kathryn Morey | .... | trainee assistant editor | |
| Maria Stroka | .... | Redaktion der Digitalen Zwischenstufe | |
| Liz Richards | .... | assistant post-production coordinator (nicht im Abspann) | |
Musik (Stab) | |||
| Jeff Atmajian | .... | Dirigent | |
| Jeff Atmajian | .... | Orchestrierung | |
| Becky Bentham | .... | Musikkoordination | |
| Sophie Cornet | .... | music editor: temp music | |
| Crouch End Festival Chorus | .... | Musiker: choir | |
| Andrew Dudman | .... | Musikmischer | |
| Andrew Dudman | .... | music scoring engineer | |
| Isobel Griffiths | .... | Orchester-Management | |
| Allan Jenkins | .... | additional music editor | |
| Lewis Jones | .... | music mixer assistant | |
| Stephen Marshall | .... | assistant music engineer | |
| Gerard McCann | .... | music editor: temp music | |
| Jill Meyers | .... | music business affairs | |
| David Temple | .... | chorus master | |
| Charlotte Trinder | .... | assistant orchestra contractor | |
| Robin Urdang | .... | Musikberater | |
| Kirsty Whalley | .... | Musikarrangement | |
| Kirsty Whalley | .... | Musikschnitt | |
| Kirsty Whalley | .... | synthesizer programmer | |
| Rolf Wilson | .... | Musiker: violin solos | |
| Rolf Wilson | .... | orchestra leader | |
| Gabriel Yared | .... | Musikarrangement | |
Transporte | |||
| Jay Krueger | .... | Fahrer | |
| Bruce Neighbour | .... | Fahrer | |
| Jack Jay Reece | .... | Fahrer: production van | |
| Karen Russell | .... | Fahrer: minibus | |
| Brenda Ryan | .... | Fahrer | |
| Gerry Turner | .... | Transportkoordination | |
Restlicher Stab | |||
| Darren Agnew | .... | Titeldesign | |
| Claire Alderton | .... | Lichtdouble: Mary McCormack | |
| Catherine Allinson | .... | Script Supervisor | |
| Cassandra Barbour | .... | Rechte und Freigaben | |
| Holly Bates | .... | Kassierer | |
| Julian Beattie | .... | Set Runner | |
| Danielle Bennett | .... | Runner Produktion | |
| Caroline Bowker | .... | script supervisor: second unit | |
| Michael T. Brady | .... | marine safety: Los Angeles (als Mike Brady) | |
| Kate Brontë-Stewart | .... | Set-Produktionsassistenz | |
| Briana Burke | .... | Motiv-Aufnahmeleiter | |
| Jennifer Clark | .... | Filmgeschäftsführung: re-shoot | |
| Susan d'Arcy | .... | Unit Publizist (als Sue Darcy) | |
| Doug Dearth | .... | Assistenz: Mr. Cusack | |
| Giles Edleston | .... | Drehort Scout | |
| Peter Edwards | .... | fire safety | |
| Adam Englander | .... | hands double | |
| Adam Feingold | .... | office production assistant: additional photography | |
| Ray Felipe | .... | clearances | |
| Paul Fischer | .... | work experience runner | |
| Dave Fishlock | .... | fire safety | |
| Russell Ford | .... | Assistenz: Mr. Håfström | |
| Lily Garcia | .... | set production assistant: Los Angeles | |
| Audra Gorman | .... | Motiv-Aufnahmeleiter | |
| David Hensher | .... | floor runner: Mr. Håfström | |
| Rick Hicks | .... | boat wrangler: Los Angeles | |
| Una Hill | .... | Produktionskoordination | |
| Isabella Hyams | .... | Assistenz: Mr. di Bonaventura (als Izzy Hyams) | |
| Jim Jaffe | .... | Produktplatzierung | |
| Kris A. Jeffrey | .... | marine safety: Los Angeles (als Kris Jeffrey) | |
| Stuart Johnson | .... | fire safety | |
| Pat Karam | .... | Motiv-Aufnahmeleiter | |
| Rita Kozma | .... | erste Assistenz Filmgeschäftsführung | |
| Katie Kramer | .... | Produktionsassistent | |
| Ashley Kravitz | .... | clearances | |
| Alex Krimm | .... | marine technician: Los Angeles | |
| Francis Lambert | .... | construction medic | |
| Jennifer Lambert | .... | Set-Krankenschwester | |
| Harry Lapham | .... | key unit production assistant | |
| Lee David Lee | .... | Drehort Scout | |
| Aurelie Levy | .... | Assistenz: Mr. Cusack | |
| Michael J. Linowes | .... | Rechtsberater | |
| Sandrine Loisy | .... | Set-Produktionsassistenz | |
| Casey Madigan | .... | Set-Produktionsassistenz | |
| Faya Madrid | .... | production: Second Unit | |
| Emma Mallett | .... | Assistenz Produktionskoordination | |
| Aine McAteer | .... | Küchenchef: Mr. Cusack | |
| Tyrone McCoy | .... | Assistenz: Mr. Jackson (als Ty McCoy) | |
| Andrew McCulloch | .... | assistant production coordinator: additional photography | |
| Isaac Mejía | .... | set production assistant: Los Angeles | |
| Tenita Murray | .... | first accountant | |
| Jean Nakahara | .... | production coordinator: Los Angeles | |
| Laurence Newman | .... | fire safety | |
| Matthew H. O'Connor | .... | marine technician: Los Angeles (als Matt O'Connor) | |
| Lexie Otto | .... | Assistenz: Mr. Di Bonaventura | |
| Greg Outcalt | .... | production coordinator: New York | |
| Chris Papajohn | .... | marine coordinator: Los Angeles | |
| Michelle Pianca | .... | Assistenz Motiv-Aufnahmeleitung | |
| Linda Pianigiani | .... | Assistenz: Mr. di Bonaventura | |
| Julie Platner | .... | Assistenz Produktionsbürokoordination | |
| Frances Richardson | .... | Lohnbuchhalter | |
| Tricia Ronten | .... | Script Supervisor | |
| Laura Sevier | .... | Rechte und Freigaben | |
| Colby Shrefler | .... | location assistant: New York | |
| Bertie Spiegelberg | .... | Sekretär Produktion | |
| Roy Squires | .... | fire safety | |
| Suzy Strawn | .... | set tutor | |
| Taylor Thompson | .... | production assistant: re-shoots | |
| Kevin Tuffley | .... | fire safety | |
| Benny Urquidez | .... | personal trainer: Mr. Cusack (als Benny 'The Jet' Urquidez) | |
| Sara Webster | .... | Assistenz Produktionsbüro | |
| Simon Whalley | .... | title producer | |
| Nicole Willared | .... | Produktplatzierung | |
| Gabe Caldera | .... | production assistant: additional photography (nicht im Abspann) | |
| Keegan Wilcox | .... | Produktionsassistent (nicht im Abspann) | |
Widmungen und Dankeschöns | |||
| Wendy Neel Brogan | .... | Besonderer Dank an | |
ProduktionsfirmenVerleihfirmen
- Metro-Goldwyn-Mayer (MGM) (2007) (USA) (Kinoverleih)
- Alliance Atlantis Motion Picture Distribution (2007) (Kanada) (Kinoverleih)
- Ascot Elite Entertainment Group (2007) (Schweiz) (Kinoverleih)
- Benelux Film Distribution (2007) (Niederlande) (Kinoverleih)
- Future Film (2007) (Finnland) (Kinoverleih)
- Golden Village Entertainment (2007) (Singapur) (Kinoverleih)
- Movie-Eye Entertainment (2008) (Japan) (Kinoverleih)
- Noble Entertainment (2007) (Schweden) (Kinoverleih)
- Odeon (2007) (Zypern) (Kinoverleih)
- Odeon (2007) (Griechenland) (Kinoverleih)
- Paramount Pictures (2007) (UK) (Kinoverleih)
- Paramount Pictures (2007) (Mexiko) (Kinoverleih)
- Senator Film (2007) (Deutschland) (Kinoverleih)
- TFM Distribution (2007) (Frankreich) (Kinoverleih)
- United International Pictures (UIP) (2008) (Argentinien) (Kinoverleih)
- Alliance Atlantis Home Video (2007) (Kanada) (DVD)
- Ascot Elite Entertainment Group (2007) (Schweiz) (DVD)
- Dutch FilmWorks (DFW) (2008) (Niederlande) (DVD)
- Dutch FilmWorks (DFW) (2008) (Niederlande) (DVD) (Blu-Ray Disc)
- Future Film (2008) (Finnland) (DVD) (Blu-ray)
- Genius Products (2007) (USA) (DVD)
- Imagem Filmes (2008) (Brasilien) (DVD)
- Lucky Red (2007) (Italien) (DVD)
- Midget Entertainment (2007) (Dänemark) (alle Bilder)
- RTL Entertainment (2009) (Niederlande) (TV) (RTL5)
- Senator Home Entertainment (2008) (Deutschland) (DVD)
- Senator Home Entertainment (2008) (Deutschland) (DVD) (Blu-ray)
- West Video (2007) (Russia) (alle Bilder)
- Moving Picture Company (MPC) (digital visual effects)
- Rainmaker (digital visual effects) (als Rainmake Animation and Visual Effects UK Limited)
- Lip Sync Post (digital visual effects) (als Lipsync Post)
- Senate Visual Effects, The (digital visual effects)
- Baseblack (digital visual effects) (als Baseblack Visual Effects)
- AFM Lighting Beleuchtung
- Abbey Road Studios music recorded and mixed at (als Abbey Road Studios, London)
- Act One Script Clearance script clearance
- Angels the Costumiers Dank an
- Animal World animal supervision
- Capital FX end credits
- Casting Collective Komparsen Casting
- Chapman/Leonard Studio Equipment cranes
- Chapman/Leonard Studio Equipment dollies
- Chef Robért Catering catering (Los Angeles crew)
- Compuhire video playback
- Crouch End Festival Chorus choir
- Dakota Music Services Music Preparation (als Dakota Music)
- Entertainment Clearances Rechte und Freigaben
- Framestore CFC digital intermediate (als Framestore-CFC)
- Framestore CFC title design (als Framestore-CFC)
- Gearbox Sound and Vision Panasonic HD-D5 (screening) supplied by
- Gearbox Sound and Vision additional ProTools systems supplied by
- Getty Images Archivmaterial
- Guild of British Camera Technicians
- Hothouse Music music coordination
- Joe Dunton & Company video assist equipment
- Mad Dog Casting Komparsen Casting
- Media Safety health & safety
- Panavision UK camera equipment provided by
- Panavision cameras and lenses
- Paws for Effect animals provided by
- Pinewood Studios movie studio
- Production Copier Company production equipment and services
- Salon avid editing equipment
- Sapex Scripts post-production services
- Sylvia Fay/Lee Genick & Associates Casting extras casting New York
- Technicolor color
- Twickenham Film Studios re-recorded at
- Varèse Sarabande soundtrack
- Wood Hall Catering catering
Weitere Details
Auch bekannt als:
"1408" - USA (Originaltitel)
mehr
mehr
Länge:
104 Min | 112 Min (Directors Cut)
Land:
USA
Sprache:
Englisch
Farbe:
Farbe
Seitenverhältnis:
2,35 : 1 mehr
Tonverfahren:
SDDS | Dolby Digital | DTS
Altersfreigabe:
Kanada:13+ (Quebec) | USA:PG-13 (certificate #43561) | UK:15 | Irland:15A | Singapur:PG | Südkorea:15 | Hong Kong:IIB | Finnland:K-13 | Deutschland:16 | Niederlande:16 | Portugal:M/16 | Philippinen:PG-13 | Taiwan:PG-12 | Malaysia:18PL | Italien:T | Schweiz:14 (canton of Geneva) | Schweiz:14 (canton of Vaud) | Chile:Y7 | Argentinien:13 | Frankreich:U (with warning) | Norwegen:15 | Schweden:15 | Israel:16 | Neuseeland:M | Australien:M | Island:16 | Südafrika:13V | Kanada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Dänemark:15
Drehorte:
Elstree Film Studios, Borehamwood, Hertfordshire, England, UK
mehr
Firma:
Unterhaltsames
Bezüge zu anderen Titeln:
Ausschnittsweise enthalten in "The Jay Leno Show: (#1.35)" (2009)
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Zimmer 1408 bietet auf der einen Seite den klassischen Ablauf des "haunted-house-genre": Charaktereinführung, Ankunft am Objekt der Begierde, allmähliche Anzeichen paranormaler Aktivitäten gefolgt von dem (endlich) ungenierten auftreten der Geisterwelt, bis der Spuk dann schließlich in einem großen Knall endet. Dieses Schema wird überraschend kurzweilig abgeklappert, was ich dem Film anrechne, wobei dieses Muster dann leider den Hauptdarsteller (John Cusack) über weite Teile des Films zum Geisterbahnführer degradiert, dessen Aktionen nur noch teilweise nachzuvollziehen sind und mehr dem Wechsel des "Settings" dienen. Das ist umso ärgerlicher, da 1408 viel Potential besitzt, etwas größeres als ein Spuk auf die Schnelle zu sein. Das erste Problem sind die inneren Dämonen von John Cusack's Charakter, die äußerst unzureichend dargestellt wurden und somit ziemlich egal und eine Last am Bein sind. Das Trauma aus der Vergangenheit wirkt mehr wie ein vorgefertigtes Puzzleteil aus dem Horror-Drehbuchkasten für Dummys, als der eigentliche Ursprung für Cusack's Handeln. Genauso wie der Hintergrund des Autors: Diese Geschichte mit dem alten Roman, an das sich vereinzelte Personen im Film gerne erinnern und die Anbiederung an Trivialliteratur leise bedauern. Man hätte aus diesen ganzen Ansätzen einen anspruchsvollen Horrorfilm schustern können, wenn man sie genügend vertieft und nicht nur angeschnitten hätte. So bleibt ein "normaler" Film, der dank seiner Kurzweiligkeit, vielversprechenden Ansätzen und einem drastischen Ende knapp über der Durchschnittskost landet. Nichts grausam langweiliges à la "The Haunting", aber auch kein Highlight à la "Poltergeist". Mehr so auf dem unterhaltenden "House on Haunted Hill" Level.