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Stormbreaker (2006)
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Premierendatum:
21. Juli 2006 (UK)
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Genre:
Action | Abenteuer | Familie | Thriller
NewsDesk:
(7 Artikel)
Alex Pettyfer: Hollywood ist ein Gefängnis
(von Spielfilm.de. 28. April 2011, 1:36 AM, PDT)
Ihm zu Ehren Alex Pettyfer: 'Beastly' war eine Hommage
(von Spielfilm.de. 20. April 2011, 5:12 AM, PDT)
Beastly - Alex Pettyfer & seine andere Seite: Zwei Poster zum Fantasy-Drama
(von BlairWitch. 6. August 2010, 12:33 PM, PDT)
(von Spielfilm.de. 28. April 2011, 1:36 AM, PDT)
Ihm zu Ehren Alex Pettyfer: 'Beastly' war eine Hommage
(von Spielfilm.de. 20. April 2011, 5:12 AM, PDT)
Beastly - Alex Pettyfer & seine andere Seite: Zwei Poster zum Fantasy-Drama
(von BlairWitch. 6. August 2010, 12:33 PM, PDT)
Diskussionsforen
Plaudern Sie über diesen Film mit anderen Nutzern im IMDb Diskussionsforum für Stormbreaker (2006)Besetzung
(In der Reihenfolge des Abspanns) (bestätigt als komplett) | Sarah Bolger | ... | Sabina Pleasure |
 | Robbie Coltrane | ... | Prime Minister |
 | Stephen Fry | ... | Smithers |
 | Damian Lewis | ... | Yassen Gregorovich |
 | Ewan McGregor | ... | Ian Rider |
 | Bill Nighy | ... | Alan Blunt |
 | Sophie Okonedo | ... | Mrs. Jones |
 | Alex Pettyfer | ... | Alex Rider |
 | Missi Pyle | ... | Nadia Vole |
 | Mickey Rourke | ... | Darrius Sayle |
 | Andy Serkis | ... | Mr. Grin |
 | Alicia Silverstone | ... | Jack Starbright |
 | Ashley Walters | ... | Wolf |
 | Alex Barrett | ... | Gary |
| Richard Huw | ... | Lehrer |
 | Richard James | ... | Vicar |
| Jimmy Carr | ... | John Crawford |
| Julian Bucknall | ... | MI6 Man |
 | Martin Herdman | ... | Slater |
| Morgan Walters | ... | Harry |
| David Royle | ... | Special Forces Sergeant |
| Jamie Kenna | ... | Fox |
| Kolade Agboke | ... | Eagle |
 | Dave Legeno | ... | Bear |
| Bohdan Poraj | ... | Soldier #1 (als Bo Poraj) |
| Del Synnott | ... | Soldier #2 |
 | William Tapley | ... | Army Major |
| Scott Chisholm | ... | Boy in Hamleys |
| Vivien Creegor | ... | News Reporter |
| Simon McCoy | ... | News Reader |
| Michael Webber | ... | Sayle Scientist |
| Andrew Brooke | ... | Clumsy Guard |
| Ian U'Chong | ... | Sayle Security Guard |
| Laurella Fox-Pitt | ... | Riding Instructress |
| Bruce Woodford | ... | PE Teacher |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Robert Dearle | ... | Harry Double (nicht im Abspann) |
| James Fiddy | ... | Sayle Security Guard (nicht im Abspann) |
Regie | |||
| Geoffrey Sax | |||
Buch | ||
| Anthony Horowitz | Roman & | |
| Anthony Horowitz | Drehbuch | |
Produktion | |||
| Steve Christian | .... | Produzent | |
| Hilary Dugdale | .... | Ausführender Produzent | |
| Nigel Green | .... | Ausführender Produzent | |
| Andreas Grosch | .... | Produzent | |
| Anthony Horowitz | .... | Ausführender Produzent | |
| Jessica Parker | .... | Associate Producer | |
| Marc Samuelson | .... | Produzent | |
| Peter Samuelson | .... | Produzent | |
| Andreas Schmid | .... | Ausführender Produzent | |
| Kevan Van Thompson | .... | Herstellungsleitung | |
Originalmusik | |||
| Alan Parker | |||
Kamera | |||
| Chris Seager | |||
Schnitt | |||
| Andrew MacRitchie | |||
Casting | |||
| Sarah Bird | |||
Szenenbild | |||
| Ricky Eyres | |||
Bauten/Dekorationsbau (art directors) | |||
| John Fenner | |||
| Alan Gilmore | |||
| Michael Kelm | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Lee Gordon | |||
Kostüme | |||
| John Bloomfield | |||
Maske/Frisuren | |||
| Kirstin Chalmers | .... | chief hair stylist | |
| Kirstin Chalmers | .... | chief makeup artist | |
| Jon Henry Gordon | .... | leitender Haarstylist | |
| Tracey Lee | .... | hair stylist supervisor | |
| Tracey Lee | .... | Leitung Maskenbild | |
| Donald McInnes | .... | makeup dailies | |
| Laura McIntosh | .... | Maskenbildner | |
| Sian Richards | .... | additional hair designer | |
| Sian Richards | .... | additional makeup designer | |
| Brigitta Smart | .... | Friseur | |
| Brigitta Smart | .... | Maskenbildner | |
| Gemma Waugh | .... | make-up artist: dailies | |
| Josh Weston | .... | Spezialeffekt-Maskenbildner | |
| Matthew Smith | .... | prosthetic sculptor (nicht im Abspann) | |
Produktionsleiter (production managers) | |||
| Meg Clark | .... | Leitung Postproduktion | |
| Kerstin Dyroff | .... | production manager: VIP Medienfonds | |
| Elena Zokas | .... | Produktionsleiter | |
Regieassistenten | |||
| Vicki Allen | .... | stellvertretender zweiter Regieassistent | |
| Kelly Dennis | .... | dritte Regieassistenz | |
| Sean Guest | .... | first assistant director: second unit | |
| Shakir Hafoudh | .... | dritte Regieassistenz | |
| James Andrew Haven | .... | second assistant director: second unit (als James Haven) | |
| Nick Heckstall-Smith | .... | Erster Regieassistent | |
| Finn McGrath | .... | Zweiter Regieassistent | |
| Sarah Mooney | .... | Traineé Regieassistenz | |
| Emily Perowne | .... | daily trainee assistant director | |
| Samar Pollitt | .... | dritte Regieassistenz | |
| Crispin Reece | .... | 2nd Unit Regisseur | |
| Lucy Thomas | .... | third assistant director: second unit | |
Ausstattung (Crew) | |||
| Will Ayres | .... | Stand-by Requisite | |
| Andrew Baber | .... | model maker assistant | |
| Neal Callow | .... | technischer Zeichner | |
| Julia Castle | .... | Construction Coordinator | |
| Dean Coldham | .... | supervising plasterer | |
| Jonathan Downing | .... | stand-by prop | |
| James Enright | .... | propshop model maker | |
| Alex Marden | .... | assistant buyer | |
| Tony Marks | .... | Schreiner | |
| Dan Maslen | .... | Storyboardzeichner | |
| Ray McNeill | .... | Requisite | |
| Brian Neighbour | .... | chargehand carpenter | |
| Wolfgang Osterholzer | .... | Schreiner | |
| Kimberley Pope | .... | Grafik | |
| Darren Reynolds | .... | chargehand stand-by props | |
| Mark Reynolds | .... | chargehand dressing prop | |
| Jo Sansom | .... | Runner Art Department | |
| Rosanna Westwood | .... | Stand-by Filmarchitekt | |
| Peter Wood | .... | dressing prop | |
| Jeff Woodbridge | .... | Stand-by Schreiner | |
| Thomas Jones | .... | mold maker (nicht im Abspann) | |
Ton (Crew) | |||
| James Bennett | .... | ADR Aufnahme | |
| Nigel Bennett | .... | Tonmischassistenz (Endfassung) | |
| Ed Colyer | .... | Filmtonmeister | |
| James Corless | .... | sound mix technician | |
| Mike Dowson | .... | Tonmischung (Postproduktion) | |
| Peter Eusebe | .... | Tonangler | |
| Glen Gathard | .... | sound mix technician | |
| Dominic Gibbs | .... | Tonschnittleitung | |
| Peter Gleaves | .... | Sprachsynchron-Mischung | |
| Paul Govey | .... | Tonmischung (Postproduktion) | |
| Robin Green | .... | Tonangler | |
| Howard Halsall | .... | Dialogschnittüberwachung | |
| Alistair Hawkins | .... | additional sound editor | |
| Mark Holding | .... | Filmtonmeister | |
| Michael Miller | .... | Sprachsynchron-Mischung | |
| Chris Navarro | .... | ADR Aufnahme | |
| Jack Stew | .... | Geräuschemacher | |
| Eric Thompson | .... | Sprachsynchron-Mischung | |
| David Tyler | .... | Ton | |
| Jack Whittaker | .... | Toneffektschnitt | |
| Richard Street | .... | Tonmischung (Postproduktion) (nicht im Abspann) | |
Spezialeffekte | |||
| Barry Best | .... | mould maker | |
| Garry Cooper | .... | Techniker Spezialeffekte | |
| Amit Desai | .... | technical effects | |
| James Dunn | .... | junior special effects technician | |
| Paul Dunn | .... | Leitung Spezialeffekte | |
| Wilma Dunn | .... | Spezialeffekt-Koordination | |
| Michael Durkan | .... | Techniker Spezialeffekte | |
| John Fell | .... | wire effects | |
| Michael Fox | .... | Techniker Spezialeffekte | |
| Luke Marcel | .... | special effects senior technician | |
| Charlie Olsen | .... | Techniker Spezialeffekte | |
| Max Schofield | .... | wire effects | |
| Robert Schofield | .... | wire effects supervisor | |
Visual Effects | |||
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| David Armitage | .... | Visual Effects | |
| Chris Armsden | .... | rendering technical director: MPC | |
| Joe Arnold | .... | tracking: Cinesite | |
| Kate Attwooll | .... | production support: Cinesite | |
| Andrew Baggarley | .... | data wrangler | |
| Stephen Bearman | .... | scanning supervisor | |
| Nic Birmingham | .... | Digitaleffektkünstler | |
| Dameon Boyle | .... | Bewegungsmessungskünstler (Motion Tracking) | |
| Richard Briscoe | .... | visual effects supervisor: double negative | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Andre Brizard | .... | digital compositor: Double Negative | |
| Mike Bryant | .... | data I/O: Cinesite | |
| Roisin Byrne | .... | production support: Cinesite | |
| Kevin Campbell | .... | technischer Manager | |
| Jon Capleton | .... | Bewegungsmessungskünstler (Motion Tracking) | |
| Tom Carrick | .... | Digitalkünstler | |
| Chas Cash | .... | CG supervisor: Cinesite | |
| Lee Chidwick | .... | data I/O: Cinesite | |
| Helen Clare | .... | data operator | |
| Grant Connor | .... | Compositor: Cinesite | |
| Ian Copeland | .... | data I/O: Cinesite | |
| Alexandra Day | .... | Produzent Visual Effects | |
| Tom Debenham | .... | Leitung Visual Effects | |
| Keith Devlin | .... | sequence supervisor: Cinesite | |
| Sylvan Dieckmann | .... | senior visual effects artist | |
| Dave Early | .... | senior matte painter: Cinesite | |
| Paddy Eason | .... | digital compositor: Baseblack | |
| Jonathan East | .... | render wrangler: MPC | |
| Yasmine El-Ghamrawy | .... | Digital Compositor | |
| Guy Elson | .... | Compositor: Cinesite | |
| Michael Elson | .... | executive producer: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Oliver Faldo | .... | rotoscoper: Cinesite | |
| Kevin Fitzgerald | .... | technical support: Cinesite | |
| Ben Flatter | .... | visual effects coordinator: Cinesite | |
| Richard Fox | .... | roto/prep artist | |
| Amanda Freeburn | .... | production support: Cinesite | |
| Martin Gabriel | .... | visual effects producer: Cinesite | |
| David Gibbons | .... | Digitaler Hintergrundmaler | |
| Helen Gibson | .... | production support: Cinesite | |
| Lisa Gonzalez | .... | matchmove Artist: MPC | |
| Elysia Greening | .... | roto/prep artist: MPC | |
| Lewis Guarniere | .... | data wrangler: MPC | |
| Qian Han | .... | roto/prep artist | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Joey Harris | .... | data I/O: Cinesite | |
| Jeremy Hey | .... | prep artist: MPC | |
| Jeremy Hey | .... | roto artist: MPC | |
| Alex Hislop | .... | production support: Cinesite | |
| Kay Hoddy | .... | roto/prep artist | |
| Rudi Holzapfel | .... | Leitung Visual Effects | |
| Natalie Homewood | .... | tracking: Cinesite | |
| Max Horton | .... | colourist | |
| Pete Howlett | .... | Digital Compositor | |
| Simon Hughes | .... | digital compositor: Double Negative | |
| Iain Irwin-Powell | .... | technical support: Cinesite | |
| Stephen Jolley | .... | Digitalkünstler | |
| Owen Jones | .... | Bewegungsmessungskünstler (Motion Tracking) | |
| Kareem K.H. | .... | roto artist | |
| Per Karefelt | .... | r&d support: Baseblack | |
| Peng Ke | .... | Künstler Visual Effects | |
| Ryan Knowles | .... | data operator | |
| John Kozak | .... | research and development | |
| Debbie Langford | .... | CG modeller: MPC | |
| Tracey Leadbetter | .... | visual effects: Double Negative | |
| Christopher Learmonth | .... | production support: Cinesite | |
| John Leonti | .... | Visual Effects | |
| Luke Letkey | .... | Digital Compositor | |
| Aisling Lloyd | .... | production support: Cinesite | |
| Amy Lloyd | .... | production support: Cinesite | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Charlotte Loughnane | .... | Produzent Visual Effects | |
| Vaibhav Marathe | .... | Digital Compositor | |
| Alan McCabe | .... | render wrangler: MPC | |
| Jolene McCaffrey | .... | digital compositor: MPC | |
| Victoria McDowell | .... | visual effects coordinator: Samuelson Productions | |
| Nakia McGlynn | .... | digital artist: The Moving Picture Company | |
| Alasdair McNeill | .... | roto/prep supervisor | |
| Jan Meade | .... | production support: Cinesite | |
| Jon Miller | .... | tracking supervisor: Cinesite | |
| Rebecca Moores | .... | production support: Cinesite | |
| Victoria Mowlam | .... | visual effects coordinator: MPC | |
| Gareth Murphy | .... | data I/O: Cinesite | |
| Tristan Myles | .... | digital compositor: Double Negative | |
| Stuart Nelhams | .... | visual effects editor: MPC | |
| Guy Nesfield | .... | digital I/O | |
| Helen Newby | .... | Compositor: Cinesite | |
| Donal Nolan | .... | digital compositor: Baseblack | |
| Sarah Norton | .... | Compositor: Cinesite | |
| Carl O'Dell | .... | technical support: Cinesite | |
| Schafer-Davies Oliver | .... | digital compositor: Baseblack | |
| Gruff Owen | .... | Digital Compositor | |
| Chris Panton | .... | digital compositor: Baseblack | |
| Dominic Parker | .... | associate visual effects supervisor | |
| Simon Payne | .... | Visual Effects | |
| Daniel Pettipher | .... | production manager: Cinesite | |
| Tom Phillips | .... | shot technical director | |
| Adrian Pinder | .... | shot technical director: Baseblack | |
| Tristan Porter | .... | digital compositor: Baseblack | |
| Anna Privett | .... | production support: Cinesite | |
| Gillian Roberts | .... | production support: Cinesite | |
| Peter Robertshaw | .... | technical support: Cinesite | |
| Sue Rowe | .... | visual effects supervisor: Cinesite | |
| Rajat Roy | .... | Digital Compositor | |
| Gurpreet Ruprah | .... | Digital Compositor | |
| James Russell | .... | digital compositor: MPC | |
| V. Samundeswari | .... | Digital Compositor | |
| Mark Sanger | .... | Schnitt Visual Effects | |
| Petra Schwane | .... | digital compositor: Baseblack | |
| Michele Sciolette | .... | Compositor: Cinesite | |
| David Scott | .... | Digital Compositor | |
| Jarmila Seflova | .... | Compositor: Cinesite | |
| David Sewell | .... | sequence supervisor: Cinesite | |
| Chirag R. Shah | .... | roto and paint artist: FrameFlow | |
| Nishet Shah | .... | technical support: Cinesite | |
| Matthew Shaw | .... | Digital Compositor | |
| Marie Sheehan | .... | production support: Cinesite | |
| Shobanbabu | .... | Leitung CG | |
| Paul Shore | .... | scanning supervisor | |
| Serdar Simga | .... | senior digital matte painter | |
| John Slattery | .... | Compositor: Cinesite | |
| Steve Smith | .... | technical support: Cinesite | |
| Kim Stevenson | .... | Digital Compositor | |
| Marc Stevenson | .... | tracking: Cinesite | |
| Madhu Sudhanan | .... | Produzent Visual Effects | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Ben Taylor | .... | Digital Compositor | |
| Simon Thomas | .... | Visual Effects | |
| Sanju Travis | .... | digital compositor: Double Negative | |
| Celia Tsirpis | .... | production support: Cinesite | |
| Liam Tully | .... | Studio: Negativdoppel | |
| Thomas Urbye | .... | online film editor | |
| Gert Van Dermeersch | .... | digital compositor: Cinesite | |
| Courtney Vanderslice | .... | executive producer: Cinesite | |
| Karen Wand | .... | Compositor: Cinesite | |
| Dan Warder | .... | data operator | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Ollie Weigall | .... | production support: Cinesite | |
| Thom Wickes | .... | render/data wrangler: Cinesite | |
| Chris Wilson | .... | render wrangler: MPC | |
| James Winnifrith | .... | assistant visual effects editor | |
| Pat Wintersgill | .... | online film editor | |
| Oliver Winwood | .... | assistant digital resource manager: MPC | |
| Kathy Wise | .... | data I/O: Cinesite | |
| Jamie Wood | .... | Compositor: Cinesite | |
| Melody Woodford | .... | match move supervisor & coordinator: MPC | |
| Anna Yamazoe | .... | render wrangler: MPC | |
| Keith Barton | .... | technical support: Cinesite (nicht im Abspann) | |
| Martyn Drake | .... | systems: MPC (nicht im Abspann) | |
| Anna Ford | .... | bidding coordinator: Cinesite (nicht im Abspann) | |
| Richard Garnish | .... | technical support: Cinesite (nicht im Abspann) | |
| Clive Haward | .... | technical support: Cinesite (nicht im Abspann) | |
| David London | .... | special effects unit (nicht im Abspann) | |
| Chris Perschky | .... | technical support: Cinesite (nicht im Abspann) | |
| David Richardson | .... | technical support: Cinesite (nicht im Abspann) | |
Stunts | |||
| Nick Chopping | .... | stunt horse rider | |
| Tony Christian | .... | Stuntfahrer | |
| George Cottle | .... | Stunt-Darsteller | |
| David Garrick | .... | Stunt-Darsteller | |
| Paul Heasman | .... | Assistenz Stuntkoordination | |
| Eunice Huthart | .... | Stuntdouble | |
| Rob Inch | .... | horse master | |
| Rowley Irlam | .... | stunt rider | |
| Adam Kirley | .... | Stuntfahrer | |
| Crispin Layfield | .... | Stuntdouble | |
| Derek Lea | .... | Stunts | |
| Andy Merchant | .... | Stunt-Darsteller | |
| Andreas Petrides | .... | Stunts | |
| John Salvitti | .... | Stunt-Darsteller | |
| Lee Sheward | .... | Stuntkoordinator | |
| Chris Webb | .... | Stunt-Darsteller | |
| Marc Wolff | .... | stunt pilot | |
| Donnie Yen | .... | Actionregisseur | |
| Donnie Yen | .... | additional martial arts sequences | |
| Paul Howell | .... | Stunts (nicht im Abspann) | |
Kamera und Elektrik (Crew) | |||
| Julian Bucknall | .... | first assistant camera: A-Kamera | |
| Jason Bulley | .... | Unterwasser-Kameraführung | |
| Jim Crowther | .... | Grip | |
| Liam Daniel | .... | Standfotograf | |
| Camilla Drennan | .... | daily central camera loader | |
| Laurence Edwards | .... | crane technician | |
| Toby Eedy | .... | second assistant camera: A-Kamera | |
| Steve Ellingworth | .... | Keygrip | |
| Colin Elves | .... | Unterstützung Video Operator | |
| Mark Funnell | .... | Beleuchtung | |
| Woody Gregson | .... | central loader | |
| Simon Heck | .... | Erster Kameraassistent | |
| David Holliday | .... | Grip: B-Kamera | |
| Jon Howard | .... | clapper loader: second unit | |
| Russell Kennedy | .... | second assistant camera: B-Kamera | |
| Martin Kenzie | .... | director of photography: second unit | |
| Stephen Lee | .... | additional video assist operator | |
| John Marzano | .... | Regisseur für Luftaufnahmen | |
| Vince McGahon | .... | Steadicam operator | |
| Vince McGahon | .... | camera operator: B-Kamera | |
| Paul Molloy | .... | Beleuchtung | |
| Phil Murray | .... | dolly & unit grip | |
| Spencer Murray | .... | focus puller: second unit | |
| Gary Parnham | .... | Beleuchtung | |
| Phil Penfold | .... | Oberbeleuchter Bühnenbau | |
| Luis Santos | .... | Beleuchtung | |
| Philip Sindall | .... | camera operator: A-Kamera | |
| James Smith-Pryor | .... | Beleuchtung | |
| Iain Struthers | .... | focus puller: "b" camera and Steadicam | |
| Russell Tann | .... | Beleuchtung | |
| Andy Thomson | .... | crane technician | |
| David Toft | .... | Unterstützung Video Operator | |
| Dave Wells | .... | Hilfsbeleuchter | |
| J. Glyn Williams | .... | first assistant camera: aerial unit | |
| Charlie Woodburn | .... | first assistant camera: aerial unit | |
| Tim Wooster | .... | camera operator: second unit | |
| Paul Worley | .... | Grip | |
| Jacob Barrie | .... | daily second assistant camera (nicht im Abspann) | |
| Shaun Mone | .... | Bühnenbeleuchtung (nicht im Abspann) | |
Casting (Crew) | |||
| Abigail Barbier | .... | ADR Simmencasting | |
| Suzy Catliff | .... | Assistenz Casting | |
| Louis Elman | .... | ADR Simmencasting | |
Kostüm und Garderobe (Crew) | |||
| Lucy Donowho | .... | costume stand-by: second unit | |
| David J. Evans | .... | Kostümassistenz | |
| Michelle Gisonda | .... | Assistenz Kostümdesign | |
| Andrew Hunt | .... | key costume assistant | |
| Sharon Long | .... | Leitung Kostüme | |
| Fiona McCann | .... | key wardrobe assistant | |
| Neil Murphy | .... | Garderobenassistenz | |
| Guy Speranza | .... | Assistenz Kostümdesign | |
Schnitt (Crew) | |||
| Greg Barrett | .... | scanning producer | |
| Alex Fenn | .... | Schnittassistenz | |
| Adam Gough | .... | editorial runner | |
| Laura Jennings | .... | Schnittassistenz | |
| Edward Randolph | .... | Schnitt Trainee | |
| Mark Sanger | .... | erste Schnittassistenz | |
| James Winnifrith | .... | assistant editor: avid | |
Musik (Crew) | |||
| Andy Brown | .... | Musikvertragsschluss | |
| Paul Golding | .... | music score engineering | |
| Tony Lewis | .... | Musikschnitt | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Marc Marot | .... | Leitung Musik | |
Transporte | |||
| Guy Bostock | .... | action vehicle coordinator | |
| Gustav Marais | .... | picture vehicle technician | |
| David Nemar | .... | Fahrer | |
| Ken Price | .... | Fahrer: camera truck | |
| Karen Russell | .... | Fahrer: minibus | |
Sonstige Crew | |||
| Stanis Azevedo | .... | Produktionsassistent | |
| Jon Baker | .... | armorer supervisor | |
| Samantha Barber | .... | script supervisor assistant | |
| Steve Benham | .... | stand in/double | |
| Samantha Black | .... | contact: London | |
| Arie Bohrer | .... | production controller: VIP Medienfonds | |
| Josef Brandmaier | .... | bank services | |
| Andy Brunskill | .... | Lichtdouble: Mr. Lewis | |
| Donna Casey | .... | Assistenz Filmgeschäftsführung | |
| Renato Celani | .... | assistant to producer: UK | |
| Leah Chalk | .... | health and safety | |
| Mally Chung | .... | location manager: second unit | |
| Tom Crooke | .... | Assistenz Motiv-Aufnahmeleitung | |
| Matt Curtis | .... | Titeldesign | |
| Rebecca Davis | .... | location runner | |
| Clifford De Spenser | .... | Dialekttrainer | |
| Camilla Drennan | .... | daily central loader | |
| Jake Edmonds | .... | health and safety advisor | |
| Tim Elliott | .... | Lichtdouble | |
| Richard Goldblatt | .... | IT consultant | |
| Linda Gregory | .... | Filmgeschäftsführung Produktion | |
| Florian Harms | .... | legal counsel: VIP | |
| Sam Haveland | .... | office runner | |
| Tony Hawkins | .... | Produktionsassistent | |
| Alexander Hodgson | .... | Reisekoordination | |
| Polly Hope | .... | Assistenz Produktionskoordination | |
| Albie Hueston | .... | body double: Alex Pettyfer | |
| Albie Hueston | .... | Double: Alex Pettyfer | |
| Albie Hueston | .... | Lichtdouble: Alex Pettyfer | |
| Rob Inch | .... | horse master | |
| Chris Ingram | .... | Runner Produktion | |
| Alexandra Jordan | .... | horse team (als Alexandra Lavis-Jordan) | |
| Martin Joy | .... | Motiv-Aufnahmeleiter | |
| Angela R. Knight | .... | Lichtdouble: Alicia Silverstone | |
| Warren Kornblum | .... | chief branding officer | |
| Sylvia Mackintosh | .... | location accountant | |
| Kerensa Magnusson | .... | assistant script supervisor (als Kerensa Burton) | |
| Tom McFarling | .... | second unit assistant | |
| Tariq Mirza | .... | production legal | |
| Damian Mitchell | .... | Waffenmeister | |
| Zoe Morgan | .... | Script Supervisor | |
| Eva Neufahrt | .... | controller | |
| Berit Norrenberg | .... | legal counsel: VIP (als Berit Wetzel) | |
| Eduardo Panizzo | .... | Runner Produktion | |
| Victoria Parr | .... | assistant to producer: USA | |
| Philip Pickford | .... | rooftop heli-pad fire officer | |
| Rajesh Rajilal | .... | Produktionsassistent | |
| John Salvitti | .... | assistant fight choreographer | |
| Will Samuelson | .... | Hubschrauberpilot (als William Samuelson) | |
| Will Samuelson | .... | helicopter pilot: aerial unit | |
| Claudia Sendlbeck-Schickor | .... | tax advisor: VIP | |
| Suzie Shearer | .... | Produktionskoordination | |
| Emma Short | .... | Assistenz Filmgeschäftsführung | |
| Charlie Simpson | .... | Erster Aufnahmeleiter | |
| Callum Heckstall Smith | .... | additional floor runner | |
| Graham Smith | .... | Unit Publizist | |
| Jane Soans | .... | Motiv-Aufnahmeleiter | |
| Andy Stephens | .... | aerial operations manager: Flying Pictures Ltd. | |
| Cat Taylor | .... | Assistenz des Autors | |
| Aminta Townshend | .... | script supervisor: second unit | |
| David Wilcock | .... | accounts trainee | |
| Laura Windebank | .... | Runner: UK | |
| Sylvi Woitusch | .... | production assistant: VIP Medienfonds | |
| Marc Wolff | .... | Koordinator für Luftaufnahmen | |
| Wil Wright | .... | assistant armorer | |
| Barney Wrightson | .... | aerial assistant coordinator: Flying Pictures Ltd. | |
Widmungen und Dankeschöns | |||
| Matt Garner | .... | Dank an | |
| David Greenbaum | .... | Besonderer Dank an | |
| Fredd Parr | .... | Besonderer Dank an | |
Produktionsfirmen
- Samuelson Productions
- Isle of Man Film
- Weinstein Company, The
- VIP 4 Medienfonds
- Moving Picture Company (MPC)
- Rising Star Entertainment
- Entertainment Film Distributors (2006) (UK) (Kinoverleih)
- Cinestar (2006) (Philippinen) (Kinoverleih)
- Central Partnership (2006) (Russia) (Kinoverleih)
- Medusa Film (2006) (Italien) (Kinoverleih)
- Metro-Goldwyn-Mayer (MGM) (2006) (USA) (Kinoverleih)
- Odeon (2006) (Griechenland) (TV)
- Independent Films (2006) (Niederlande) (Kinoverleih)
- Pandasia Entertainment (2006) (Taiwan) (Kinoverleih)
- Metropolitan Filmexport (2006) (Frankreich) (Kinoverleih)
- Alliance Atlantis Home Video (2006) (Kanada) (DVD)
- Universal Pictures Benelux (2007) (Niederlande) (DVD)
- Genius Products (2007) (USA) (DVD)
- Weinstein Company, The (2007) (USA) (DVD)
- Impacto Cine (2007) (Argentinien) (Kinoverleih)
- Gativideo (2007) (Argentinien) (DVD)
- IPA Asia Pacific (2006) (Taiwan) (alle Bilder)
- IPA Asia Pacific (2006) (Thailand) (alle Bilder)
- Panorama Distributions (2006) (Hong Kong) (DVD)
- Panorama Distributions (2011) (Hong Kong) (DVD) (Blu-ray)
- Vrijzinnig Protestantse Radio Omroep (VPRO) (2009) (Niederlande) (TV)
- Hyperactive Broadcast editing equipment
- Pinewood Studios movie studio
- Audiolink Radio Communications walkie talkies/mobiles
- Casting Collective Komparsen Casting
- Compuhire computer playback
- Creative Giant licensing style guide
- Dennis Davidson & Associates Public Releations (DDA) unit publicity
- Film Finances completion guarantor
- Flying Pictures aerial filming services provided by
- Kodak motion picture film supplied by
- Media Safety health & safety
- Midnight Transfer post-production facilities
- Milan Records soundtrack
- One8Six camera equipment provided by
- Unicredit, HVB Media Group film banking [de]
- Wildfire Studios ADR Recording Facility
- Wilshire Stages, The ADR recording facility
- Wood Hall Catering catering
Weitere Details
Auch bekannt als:
Länge:
93 Min
Land:
Deutschland | USA | UK
Sprache:
Englisch
Farbe:
Farbe
Seitenverhältnis:
2,35 : 1 Mehr ansehen »
Tonverfahren:
DTS | Dolby Digital
Altersfreigabe:
UK:PG | Irland:PG | Finnland:K-11 | Australien:M | USA:PG | Hong Kong:IIA | Niederlande:MG6 | Philippinen:PG-13 (MTRCB) | Norwegen:11 | Portugal:M/12 | Brasilien:10 | Singapur:PG | Malaysia:U | Argentinien:Atp | Deutschland:12 | Südkorea:12 | Irland:12 (DVD rating) | Südafrika:PG
Drehorte:
Broadgate, London, England, UKMehr ansehen »
Unterhaltsames
Bezüge zu anderen Titeln:
Nimmt Bezug auf Goldfinger (1964)Mehr ansehen »
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