N (Io e Napoleone) (2006) Poster

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7/10
Napoleon and I
jotix10019 September 2009
Warning: Spoilers
Martino, a young teacher in the island of Elba, has been formed by Maestro Fontanelli, an excellent educator, to be his own man and to say whatever he thinks, something that gets him in trouble at the school where we first meet him because he is teaching revolutionary ideals. The island is in a frenzy because of the arrival of one of the most influential men in European history of the 19th century. Napoleon is coming to his exile, not exactly a high point in his life.

With surprise, Martino is chosen to accompany Napoleon who is writing his memoirs and is in need of help for his own project. The young man comes from a sea merchant family. His brother and sister want him to go on an commercial expedition, but Martino has decided his place belongs in Elba because he will try to assassinate Napoleon. Little deters him after his mentor Fontanelli is tried for treason and condemned to be shot by a firing squad.

Martino finds his consolation with the much older Baroness Emilia, a beautiful woman. In his own interaction with the deposed emperor, a different kind of man emerges. Napoleon is seen as a more human person who really enjoys the company of Martino, not suspecting with the plans the young man's own plans for him. Unfortunately, Martino is not able to put his design into action because Napoleon has other plans in mind.

Paolo Virzi, the director of "Caterina va in citta", shows why his early promise is still there. Mr. Virzi also collaborated with the screenplay, which is based on a novel by Ernesto Ferrero. The director shows he is as good in intimate drama as well as with this type of spectacle. Alessandro Pesci, the cinematographer, does an excellent job with the images he was able to get.

Elio Germano, a young Italian actor is the best thing in the movie. He is playing against more experienced players, yet he manages to convince us he is the idealist youth trying to get justice to what he perceives is a noble cause. The great Daniel Auteuil is a more subdued Napoleon than one would expect from anyone's interpretation of this larger than life man. Monica Belucci is the love interest of Martino, but she has little to do. Omero Antonutti plays Fontanelli.
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6/10
Agreeable Italian/Spanish/French co-production about Napoleon who arrives in Elba island
ma-cortes28 November 2021
After the defeat of the Napoleonic armies in Leipzig or battle of the Nations and the signing of the Treaty of Paris , the victorious powers decided to exile the mythical general Napoleon (Daniel Auteuil) to a small island in the Mediterranean . As the stuck-up , ex-Great Emperor Napoleon was banished in Elba, of which he would be appointed sovereign prince . When snotty-nosed Napoleon arrives to Elba Island in exile , Martino (Elio Germano) , an idealist teacher , writer, and strongly anti-Napoleon plots to kill him . Meanwhile , the teacher in love with the beautiful and bumptious Baroness Emily (Monica Belucci) but then appears Napoleon who goes after her and things get awry . Shortly after, Martino is hired as the Napoleon's writer , whom he deeply hates , yet soon starts recording his memoirs and taking written notes on his essential biographic points .

Set in Elba island , 1814 , a charming , enjoyable drama about an idealist young teacher who gets in problem when the snotty-faced, vain Napoleon arrives in his island , depeloped among seductions and affairs, expectations and fears , and along the way , giving precise portrait of Napoleon , focusing on his extreme ambition , egoism and power craving . Interpretations are uniformly acceptable , such as : Daniel Auteuil as the selfish and conceited General Napoleon Bonaparte , Elio Germano as the idealist rebel and stubborn teacher who finds himself serving as a librarian while learning to value the man behind the bigheaded general , the always gorgeous and uppity Monica Bellucci , as well as the veteran Omero Antonutti as the honest elderly teacher. Furthemore , being a Spanish/Italian co-production here shows up some Spaniard support actors as José Angel Egido and Margarita Lozano . Packing a stirring musical score by musician Juan Bardem , adding 7th symphony of Bethoven . It displays a colorful and evocative cinematography by Alessandro Pesci . Being shot on location in Cala Violina, Scarlino, Grosseto, Iombino, Livorno, Tuscany, Italy . The motion picture was professionally written and directed by Paolo Virci . He's a good Italian craftsman who has written and directed several films , such as : Intolerance , The First Beautiful Thing , A Whole Life Ahead , Like Crazy, My Name Is Tanino and his greatest hit : Human Capital.

The flick was based on historical events about Napoleon Bonaparte's life , these are the following ones : The French minister Talleyrand designed this outlet for Bonaparte after being vanquished . The victors preferred to apply a heavy hand with the French emperor, some even advocated the death of Napoleon. However, the fear of turning him into a martyr led them to opt for a more lenient solution: the island of Elba was a golden cage for Napoleon. Despite being nominally his sovereign, Bonaparte was guarded by hundreds of spies and by the governor of the island. Furthermore, he saw with bitterness how some of his friends, whom he had ennobled, betrayed him and swore allegiance to the Bourbons reinstated on the throne. Neither was his family very helpful. Josefina, his first wife, died without Napoleon being able to attend the funeral. His second wife, María Luisa, did not want to accompany him into exile. And neither his son nor his brother Joseph his could visit him on Elba. Napoleon had lost at the age of 45 the power he had enjoyed. But encouraging news will be coming to you from Europe soon. In France, defeat had not brought internal peace. The new king had sworn to the Constitution, but both he and the old aristocracy and the Church were trying to regain their old privileges. Naturally, they ran into opposition from almost the entire bourgeoisie, the peasantry, the Army and all those sectors that the Revolution of 1789 had benefited. You couldn't go back in time as if nothing had happened. Clashes between political factions were increasingly violent. Napoleon received this news on Elba and prepared for his return. Spies loyal to the French monarchy advised England to move Napoleon to the island of Saint Helena to prevent his return. But it was too late. In February, he and his men returned to France. On his way to the capital, the various regiments of soldiers he meets decide to join the emperor. Soon after, the King of France, aware of Elba's flight, proclaimed Napoleon an enemy of world peace and ordered his immediate capture. Michel Ney, Napoleon's former general now in the service of the monarch, is commissioned to arrest him. However, when the two met, Ney and his 6,000 men joined Bonaparte. On his way to Paris, the Emperor makes speeches in which he promises peace, well-being and economic improvements. Something, especially the first, difficult to fulfill. In March 1815, Napoleon arrived in Paris without having fired a single shot. He had started the Hundred Day Empire until his defeat in Waterloo .
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7/10
First-rate casting
greenylennon14 September 2007
I learned a thing: you have to take this film like a funny period comedy, if you don't want to be disappointed. The film's enjoyable because it's a delicious comedy. I think the over-hype damaged it: the too much glorified Monica Bellucci appears in few scenes and isn't so good as they wanted to let you believe. She sounds unnatural, false: the best actress in this film is Sabrina Impacciatore, who speaks with a perfect Tuscan accent and shines together with Massimo Ceccherini. Elio Germano is very, very good: the most promising young Italian actor, according to me. Daniel Auteuil looks like Napoleon, but I preferred other actors. So, the most hyped performances were also the worst.

Costumes and production design are okay: sure, American period movies are more accurate about these things because have bigger budgets, but the Italian ability rewards the lack of money. A nice period comedy, in short, with a first-rate casting (except for Bellucci and Auteuil).
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Lavish production
Gordon-1110 August 2007
This film is about a young teacher who has strong opinion about Napoleon as a bad person. The teacher plots to get near Napoleon and kill him, but fate decides otherwise.

The production of the film is worth commenting. The sets are lavish all lavishly decorated down to every detail. Even scenes of the rather run down streets are well composed and realistically decorated. Costumes are excellent. Monica Bellucci gives a memorable performance in her argument scene in her bedroom with Martino. I think the plot is more comedy oriented, so the development of the bond between Napoleon and Martino is not strong enough. Otherwise, the film is entertaining to watch.
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7/10
The Teacher and the Tyrant
elo-equipamentos1 April 2017
I bought this movie because Monica Bellucci of course, a Italian Goddess l love her however watching the movie l realize that Monica's character is merely decorative unfortunately, the plot is around the Teacher Martino (Elio Germano) and Napoleon (Daniel Auteuil) when the Tyrant went to island of Elba in exile he needs a person to write your memories even Martino hating Napoleon he accepts the invite to have a chance to kill him, the movie works like a Italian comedy as always with those extravagant characters talking loud in your language is very funny, the casting is amazing, they acting very well on their roles which complete this good picture!!!
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5/10
Not serious, childish movie
Chinesevil24 April 2022
The exaggerated way to speak using the native dialect of Tuscany and the characters loaded with an extremely theatrical mood, create a rather silly atmosphere. The actors are beautiful but not always of a good level, and the plot with its main ideas leaves a lot to be desired...
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9/10
A funny (and serious) film
giovanni-magi18 October 2006
Would you like to know why French and Italians love/hate each others? Would you like to have a glimpse of history that drives our lifetime? So, go to watch Virzi's film (in original language, of course) and you can look at a wonderful Monica Bellucci who finally speaks her native language from Città di Castello (Umbria, just at the border with Tuscany). And the rest of the characters speaking Livornese (lovely Sabrina Impacciatore and all the others). Daniel Auteuil definitely in his shoes with Napoleon. A lot of fun, a real fresco of the Elba Island landscape, and a picture about the political reasons to kill or leave alive a tyrant (good for all times).
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8/10
Roma film festival - N: Napoleon and me
federicaboldrini198414 October 2006
Warning: Spoilers
Screened this morning for the press at Roma film festival, "N - io e Napoleone" is easy to love. First of all it can count on great production values, as very few Italian films nowadays can, with wonderful settings and costumes. The cast is great too. Director Virzì constantly speaks of the young lead Elio Germano as "a young De Niro". Now, of course he is going a way too far, but sure the boy can act. I loved his performance, and he did a great job with the (tuscan) accent. Daniel Auteuil is a great actor and did very well as Bonaparte. It's really great to see him acting in Italian, I hope to see him working in Italy again very soon. The supporting cast worked well too - people like Valerio Mastrandrea or Sabrina Impacciatore may seem unlikely choices, but they all gave fine performances. Even Massimo Ceccherini, best known for appearing in his own moronic films and in trashy TV reality shows, fitted in well and was actually funny. The low point of the cast was the "Diva" Monica Bellucci. Sure, she was slightly better than usual, but she managed to look (and sound) utterly unnatural even in the part of baronessa Emilia, in which, with a good dose of self irony, she used her own umbro accent. The script, by veteran Furio Scarpelli and Virzì himself is clever, with lots of laugh out loud lines, and a few very emotional moments too. Sure, the ending left me puzzled. The message is kind of ambiguous: the whole film says that political ideals can bring you to blind hate, but if you get closer you will learn that the object of your hate is after all a little human being like everyone else, sometimes funny, sometimes sad, sometimes pathetic, so that suddenly it's difficult to hate him; then, in the last few minutes it says that after all it would have been better to shoot him in the head at the beginning. Personally, I dislike very much this notion. "Io e Napoleone" is still a pleasant film, the best presented at the Festival so far (the other being Fur and the Hoax). My rating is 8/10
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