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6/10
Is it satire, or is it vitriol?
TomReed11 November 2007
The story of how Damon Packard went broke making his movies and distributing thousands of DVD's for free is legendary. He not only left piles of them on top of ATM machines, he not only hired the homeless to hand them out to people at conventions, he reportedly received restraining orders from celebrities to whom he mailed multiple copies. I wasn't lucky enough to get a freebie; I purchased this film twice, once on VHS (long lost) and once on DVD, along with his new film "SpaceDisco-1."

Packard is a die-hard nostalgic for films of the 1970's. On the same tape/DVD as this movie is a segment...I can't really call it a "short film" or a "featurette." I guess the best description of it is "noodling around." It's Packard inserting himself into the movie "Winning," with that film's magnificent main theme blasting away and footage of Formula One racing spliced in. I think in a way, Packard is saying he wished he had directed "Winning," in that era, and hates the fact that he's working outside the industry as an unappreciated independent filmmaker in the 21st Century.

And since the movie industry as it exists today was largely shaped by George Lucas, of course Packard hates Lucas. His criticism of Lucas - voiced by a character in the film - includes the charge that Lucas has never filmed a sex scene. Yes, eroticism and visual sex has pretty much disappeared from movies, but is that Lucas's fault or a change in society? (Or maybe because sex isn't so much a mystery to us any more?)

Packard does poke some important and needed holes in Star Wars and Lucas. Yes, Lucas has aggressively merchandised his films, and much about his film-making and authorship should be questioned. That's why I bought this film twice. But after multiple viewings, I can't shake the suspicion that Packard is simply expressing envy about Lucas and bitterness about his own place in the film industry.
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9/10
Star Wars Mocking time!
a-moss14 December 2005
Deep Star Wars fans might find this release mildly offensive, but most of us will more likely die of laughter. I nearly did.

Where do you begin to describe this movie then? Its not very politically correct. Damon Packard has used behind-the-scenes material from the making of Star Wars, scenes from the SW movies, other movies and self-made material and edited it into a huge satire on George Lucas and Star Wars.

One sequence in particular stands out. The scene from Apocalypse Now where Marlon Brando's recordings of madness is put on play to the disturbed and scared face of Martin Sheen is replaced with a recording of George Lucas rambling along how he needs CGI- characters to tell the story of the movie he has in mind.

Other material has a more harmless nature. Damon Packard has edited himself into the making of Star Wars, arguing with Lucas and replacing CGI-models of monsters with small toy figures with raccoons and such. Also there's a very funny battle scene were dialog is replaced and inserted with all kinds of silly stuff. Basically, its amazingly funny.

You should definitely try and get it if you can, because its a highly inventive and funny movie.
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10/10
CGI Rules! Go digital, go!!!
Cult-Stitch19 July 2005
It's about friggin time this found its way onto IMDb. Damon follows up his epic, Reflections of Evil, with perhaps the most unflattering "fan film" ever made. Damon makes another poke at Hollywood at George Lucas' expense. Much like with Reflections, Damon turns a director we all know and love/hate and turn him into something archetypal. In the case of Reflections it was Spielberg. Damon utilizes footage from the "making of" documentaries for Attack of the Clones, and portrays Lucas as a raving madman who is out of touch with reality.

I know Damon says that the mockumentary was all in good fun, but there's a fair amount of vitriol that is present that makes the piece that much more flabbergasting.

If you like Reflections of Evil, you owe it to yourself to track this down. It contains all the quirks and madness that made Reflections such a great film and moves it along at a brisk 40 minutes or so.
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10/10
Brilliant, and sadly right on target
squeezebox6 February 2006
Warning: Spoilers
Damon Packard, creator of one of the most original and outlandish American satires of all time, REFLECTIONS OF EVIL, returns with this smaller, but no less biting satire of George Lucas and STAR WARS.

Packard's inserted footage is side-splittingly funny. I will not describe any of it, you must see it for yourself. It's absolutely brilliant.

More telling, is the unadulterated footage of a clueless Lucas trying in vain to "direct" the CGI Yoda's performance, as his technicians grow more and more frustrated at his inability to simply tell them what he wants. Packard's inserted footage in this sequence, though funny, is completely unnecessary in pointing out the futility of CGI characters.

The most infuriating moment is one in which a smug CGI technician attempts to justify the use of a CGI Yoda instead of a puppet, saying that fans only "think" they believed in Yoda when he was a puppet, and that the only way to make him truly come alive is through digital imagery.

If that disgusts you, you'll love THE UNTITLED STAR WARS MOCKUMENTARY. If you agree with it, steer clear.
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10/10
the star wars saga ends
buby198726 December 2006
Warning: Spoilers
Once upon a time, there was a young, rebellious filmmaker who defied the system and succeeded on his own terms. That young man was George Lucas, and his film was Star Wars. But as Marx (or someone like that) said, the oppressed become the oppressors. Lucas has become the thing he ultimately rebelled against -- an out-of-touch mogul who churns out expensive but uninspired movies whilst surrounded by yes-men.

Thus enters into the scene another young, rebellious filmmaker to puncture the decadent Lucasfilm empire. That filmmaker is Damon Packard, and his film is The Untitled Star Wars Mockumentary. In a mere 30 minutes, Packard exposes the creative bankruptcy of Lucas and his lucrative franchise.

Taking the form of a DVD making of featurette, Star Wars Mock mixes footage of Lucas with archive footage from B-movies, along with scenes that Packard shot. The end result is nothing short of genius. High-tech digital shots from Attack of the Clones are spliced together with grainy footage from Hardware Wars and Battle Beyond the Stars. The juxtaposition is startling, but also revealing -- for all the high-tech sheen of the Clones footage, it is just a B-movie.

In a hilarious and illuminating way, Packard equates Lucas with the crazed Col. Kurtz in Apocalypse Now.

The horror! The horror! In sum, this is the funniest film I've seen in years.
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10/10
An absolute riot!
Woodyanders7 December 2006
Warning: Spoilers
Damon Packard, the mad maverick independent cinematic genius who blessed us with the alarmingly odd and original "Reflections of Evil," strikes again with this uproariously irreverent and no-holds-barred brutal parody of the making of the atrocious "Attack of the Clones." This 45 minute comedy short starts on a fiercely funny note with a redubbed Tony Curtis giving us a gut-busting snappy mock bio on Packard. The savage hilarity continues with a simply sidesplitting fake trailer for "Attack of the Clones" which comes complete with foul profane dialogue and choice clips from such superior low-budget sci-fi fare as "Inseminoid" and "Battle Beyond the Stars." Packard stars as a hapless special effects artist who's forced to do CGI digital work for George Lucas on a tight budget and even tighter schedule. Throughout the course of this movie Packard paints a scathing portrait of Lucas as a pompous clueless artist who's lost touch with reality and thus makes only bland, sexless, antiseptic pictures devoid of any real merit or substance. Packard's barbed satiric potshots at the appallingly blatant artificiality of CGI ("CGI rules! Go, digital, go!") are likewise quite vicious and hence totally on the money as well (the special effects guys use footage of homeless psychotic black folks as templates for CGI characters!). The humor is appropriately vicious, biting and politically incorrect, reaching a simply stupendous apex at the incredible conclusion in which a theater full of geeky toy lightsaber-brandishing "Star Wars" fans are made to seem like they are cheering for the infamous nude male wrestling sequence in Ken Russell's "Women in Love"! An absolute take-no-prisoners ferociously amusing hoot.
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