Regie | |||
| Andrea Arnold | |||
Buch(In alphabetischer Reihenfolge) | ||
| Andrea Arnold | Drehbuch | |
| Anders Thomas Jensen | Figuren | |
| Lone Scherfig | Figuren | |
| Kate Dickie | ... | Jackie | |
| Tony Curran | ... | Clyde | |
| Martin Compston | ... | Stevie | |
| Natalie Press | ... | April | |
| Paul Higgins | ... | Avery | |
| Andrew Armour | ... | Alfred | |
| Carolyn Calder | ... | Cleaner | |
| John Comerford | ... | Man With Dog | |
| Jessica Angus | ... | Brownyn | |
| Martin McCardie | ... | Angus | |
| Martin O'Neill | ... | Frank | |
| Cora Bisset | ... | Jo | |
| Charles Brown | ... | Broomfield Barman | |
| Annie Bain | ... | Aunt Kath | |
| Frances Kelly | ... | Woman in Denim Skirt | |
| John McDonald | ... | Broomfield Barman | |
| William Cassidy | ... | Stevie's Dad | |
| Sarah Haworth | ... | Police Woman | |
| Elizabeth Allan | ... | Kind Lady on Bus | |
| Anne Kidd | ... | Brenda | |
| Allan Sawers | ... | Rob | |
| Frances McEwan | ... | Woman Who Flirts with Clyde | |
| Anne McColgan | ... | Purple Coat with Cat | |
| Graeme Wright | ... | Top Man Jacket | |
| Sanije Robeli | ... | Blonde Cleaner |
Produktion | |||
| Gillian Berrie | .... | Ausführender Produzent | |
| Claire Chapman | .... | Ausführender Produzent | |
| Carrie Comerford | .... | Produzent | |
| Leonard Crooks | .... | Ausführender Produzent (als Lenny Crooks) | |
| Anna Duffield | .... | Associate Producer | |
| Marie Cecilie Gade | .... | Koproduzent (als Marie Gade) | |
| Wendy Griffin | .... | Herstellungsleitung | |
| Sisse Graum Jørgensen | .... | Ausführender Produzent (als Sisse Graum Jorgensen) | |
| David M. Thompson | .... | Ausführender Produzent | |
| Paul Trijbits | .... | Ausführender Produzent | |
Kamera | |||
| Robbie Ryan | (Kamera) | ||
Schnitt | |||
| Nicolas Chaudeurge | |||
Casting | |||
| Kahleen Crawford | |||
| Des Hamilton | |||
Szenenbild | |||
| Helen Scott | |||
Kostüme | |||
| Carole K. Millar | |||
Maske/Frisuren | |||
| Sarah Fidelo | .... | Maskenbild | |
| Niamh Morrison | .... | Maskenbildner | |
Produktionsleiter (production managers) | |||
| Fiona Morham | .... | head of production: UK Film Council | |
| Emma Murphy | .... | Leitung Postproduktion | |
| Jenny Williams | .... | head of production: Glasgow Film Council | |
| Emma Zee | .... | Leitung Postproduktion | |
Regieassistenten | |||
| Andrew Gardiner | .... | dritte Regieassistenz | |
| Jo Gibson | .... | additional first assistant director | |
| Ray Kenny | .... | Zweiter Regieassistent | |
| Kathleen Wishart | .... | Erster Regieassistent | |
| Ewan Stewart | .... | additional assistant director: dailies (nicht im Abspann) | |
Ausstattung (Stab) | |||
| Douglas Ferguson | .... | Requisite | |
| Angus Gentleman | .... | Stand-by Requisite | |
| Iain Gower | .... | Runner Art Department (als Ian Gower) | |
| Janice Macrae | .... | Außenrequisite (als Janice MacRae) | |
| Shona Paton | .... | Assistenz Art Department | |
| Sue Porter | .... | Außenrequisite | |
| Charles Wright | .... | Konstruktion | |
Ton Stab | |||
| Iain Anderson | .... | Toneffektschnitt | |
| Phillip Barrett | .... | Geräuschaufnahme (als Phill Barratt) | |
| Nicolas Becker | .... | Geräuschemacher | |
| Martin Belshaw | .... | Sound Recordist | |
| Colin Gregory | .... | Tonangler | |
| Paul Hanks | .... | Geräuschemacher | |
| Kahl Henderson | .... | Dialogschnitt | |
| Kahl Henderson | .... | Tonmischung (Postproduktion) | |
| Lorraine Keiller | .... | Tonschnitt Geräusche | |
| Douglas MacDougall | .... | Sounddesigner | |
| Micheal MacKinnon | .... | ADR Aufnahme (als Michael McKinnon) | |
| Ian Morgan | .... | Leitung ADR | |
| Ian Palmer | .... | Tonassistenz | |
| Chris Sinclair | .... | Tonmischung (Postproduktion) | |
| Lauren Ana Walker | .... | preview sound mixer (als Lauren Walker) | |
| Florent Lavallée | .... | Geräuschaufnahme (nicht im Abspann) | |
Visual Effects | |||
| Michael Deming | .... | digital film bureau | |
| Louise Hussey | .... | visual effects producer: Rushes Post Production | |
| Alex Llewellyn | .... | Compositor: Rusjes Post Production (als Ale Llwellyn) | |
| Mark Pascoe | .... | Compositor: Rushes Post Production | |
| Jonathan Privett | .... | visual effects supervisor: Rushes Post Production | |
| Lee Tibbetts | .... | Compositor: Rushes Post Production | |
| John Palmer | .... | digital film bureau manager: Laser Record (nicht im Abspann) | |
| Jez Tucker | .... | senior systems administrator (nicht im Abspann) | |
Stunts | |||
| Clive Curtis | .... | Stuntkoordinator | |
| Levan Doran | .... | stunt double: Avery | |
| David Goodall | .... | fight coordinator | |
| Ian Kay | .... | Stunt-Darsteller | |
| Rod Young | .... | fight coordinator | |
Kamera und Elektrik (Stab) | |||
| Paul Bates | .... | Beleuchtung | |
| Jaime Feliu-Torres | .... | Schärfenassistent | |
| Holly Horner | .... | Standfotograf | |
| Naresh Kaushal | .... | Kamera Azubi | |
| Callum Milne | .... | Beleuchtung | |
| Scott Napier | .... | Oberbeleuchter | |
| Chris Shaw | .... | camera assistant | |
Kostüm und Garderobe (Stab) | |||
| Danni Millar | .... | Garderobenleitung | |
Schnitt (Stab) | |||
| Matt Adams | .... | Redaktion der Digitalen Zwischenstufe | |
| Brian Coffey | .... | Koordinator Postproduktion | |
| Rob Gordon | .... | digital on-line editor | |
| Emily Greenwood | .... | assistant digital on-line editor | |
| John Hinchliffe | .... | digital intermediate technical manager | |
| Patrick Malone | .... | Redaktion der Digitalen Zwischenstufe | |
| Anna Mehta | .... | assistant editor: Scotland | |
| Steve Mercer | .... | assistant editor: London | |
| Alecandra Montgomery | .... | post-production paperwork (als Alexandra Montgomery) | |
| Michael Nollet | .... | assistant editor: London | |
| Rob Pizzey | .... | digital colorist | |
| Tom Thomson | .... | editing trainee: Scotland | |
| Laurent Treherne | .... | digital intermediate technical director | |
Musik (Stab) | |||
| Nicolas Becker | .... | additional musical sounds | |
| Roz Colls | .... | music supervisor: Music Matters | |
Transporte | |||
| Iain Gower | .... | additional driver: minibus (als Ian Gower) | |
| Euan Milne | .... | Fahrer: minibus | |
Restlicher Stab | |||
| Iain Andrew | .... | Script Supervisor | |
| James Armitage | .... | legal service: Lee & Thompson | |
| Tack Baldwin | .... | harness advisor | |
| Natalie Bass | .... | business affairs: UK Film Council | |
| Mary Brehony | .... | legals: Scottish Screen | |
| Jennifer Brooks | .... | Assistenz am Drehort | |
| Neil Cairns | .... | Filmgeschäftsführung Produktion | |
| Neil Calder | .... | completion guarantor: Film Finances Inc. | |
| Emma Clarke | .... | senior production executive: UK Film Council | |
| Anita Cox | .... | business affairs: Scottish Screen | |
| Tone Davis | .... | laboratory contact: Soho Images | |
| Lars Dela | .... | technical liaison: Mainstream ApS | |
| Jeremy Gawade | .... | legal services: Lee & thompson | |
| Robin Haig | .... | Set Runner | |
| Wendy Kidd | .... | publicity notes | |
| Anders Kjærhauge | .... | legal services: Zentropa Administration ApS (als Anders Kjaerhauge) | |
| Naomi Liston | .... | Motiv-Aufnahmeleiter | |
| Kathleen MacLeod | .... | Sekretär Produktion | |
| Margaret McDonald | .... | Produktionskoordination | |
| Neil Murray | .... | additional floor runner | |
| Neil Murray | .... | location daily | |
| Natasha Pilbrow | .... | legal services: Lee & Thompson | |
| Martin Poultney | .... | Repräsentant von: Ascent Media Group | |
| Jennifer Reynolds | .... | production executive: Glasgow Film Office | |
| Carole Sheridan | .... | development: Scottish Screen | |
| David Stewart | .... | Tierabrichter (als Dave Stewart) | |
| Paul Zieleniec | .... | Assistenz Filmgeschäftsführung Produktion | |
| Beteiligte Firmen | Technische Angaben | Hauptübersicht |