Directed by
Francesco Lucente |
Writing Credits (in alphabetical order)
Francesco Lucente | ... | (screenplay) |
Cast (in credits order)
Produced by
Sarah Altmann | ... | associate producer |
Joseph Bitonti | ... | executive producer |
Claudia Dummer-Manasse | ... | executive producer |
Gordon Guiry | ... | executive producer |
Peter Horn | ... | associate producer |
Olimpia Lucente | ... | producer |
Julie Mitchell | ... | associate producer |
Jörg Neumann | ... | producer |
Anthony Romano | ... | executive producer |
Michel Shane | ... | executive producer |
Music by
Ludek Drizhal |
Cinematography by
Carlo Varini |
Editing by
Francesco Lucente |
Casting By
Craig Campobasso | ||
Joy Todd |
Production Design by
John Bitonti |
Set Decoration by
John Bitonti |
Makeup Department
Neil Krause | ... | special makeup effects technician |
Wade Maurer | ... | special makeup effects technician |
Kedina Raimondi | ... | key makeup artist |
Stacy Wegner | ... | special makeup effects design |
Leo Wieser | ... | special makeup effects supervisor |
Art Department
Glenn Jensen | ... | carpenter and painter |
Mitch Smith | ... | carpenter |
Sound Department
Andreas Bertram | ... | foley recording mixer / foley recording |
Richard Borowski | ... | sound mix consultant |
Jonas Brommer | ... | assistant sound mixer |
Joerg Busch | ... | foley artist |
Benedikt Gaussling | ... | dialogue & sound effects editor / dialogue and sound fx editor |
Marcus Herzog | ... | sound mixer |
Jurgen Klimmeck | ... | post production sound supervisor |
Dirk Lachmann | ... | post production sound manager / sound |
Wade Maude | ... | boom operator |
Ron Osiowy | ... | sound recordist |
Jan Petersen | ... | foley editor |
Martín Roggón Lozada | ... | foley supervisor / sound design and sound fx / sound designer (as Martin Roggon) |
Hjordis Steiner | ... | post production sound manager / sound post-production manager |
Special Effects by
Chuck Bradley | ... | guns |
Brian Kent | ... | special effects guns |
Neil Krause | ... | special effects assistant |
Wade Maurer | ... | special effects assistant |
Stacy Wegner | ... | special effects makeup |
Leo Wieser | ... | special effects coordinator |
Visual Effects by
Ryan Adams | ... | color timer |
Jesse Howards | ... | data wrangler |
Tim Maffia | ... | di colorist / digital intermediate colorist |
Zach Pahl | ... | frame visual effects |
Zach Paul | ... | flame artist |
Deborah Ristic | ... | Flame artist / frame visual effects |
Stunts
Jodi Stecyk | ... | stunt coordinator |
Camera and Electrical Department
Tony Bear Ruksys | ... | best boy grip |
Chris Hassen | ... | first assistant camera |
Stephan Lentz | ... | key grip |
Ken Nemetchek | ... | gaffer |
Douglas Raines | ... | second assistant camera |
Colin Sheldon | ... | grip electric |
Terry Sims | ... | gaffer |
Casting Department
Angela Bitonit | ... | additional casting |
Kedina Raimondi | ... | additional casting |
Editorial Department
Anthony Borton | ... | assistant editor |
Kelly Reese | ... | colorist |
Brandon Schaeffer | ... | negative conforming |
Location Management
Julie Bentley | ... | location manager |
Peter Horn | ... | location manager |
Julie Mitchell | ... | location manager |
Music Department
Gábor Buczkó | ... | recording engineer |
The Budapest Symphony Orchestra | ... | score recordist |
Jamie Desautels | ... | solo violin |
Bela Drahos | ... | conductor |
Robert Gulya | ... | music recording supervisor / score recording supervisor |
Christina Landbolt | ... | orchestration |
Olimpia Lucente | ... | soprano |
Andrew Maz | ... | recording and mixing engineer |
Giancarla Tisera | ... | mezzo-soprano |
Script and Continuity Department
Deborah Rees-Lee | ... | script clearance |
Debroah Rese-Lee | ... | script clearances |
Additional Crew
Ryan Adams | ... | color timer |
Michael Owi Asanoah | ... | production assistant |
Anthony Borton | ... | title designer |
Nick Bower | ... | production assistant |
Chuck Bradley | ... | guns |
Pauline Buckley | ... | motor home supplier |
Scott Burrows | ... | d-5 master fixes |
Anthony Burton | ... | title design |
Doug Calvert | ... | gun master |
Doran Chandler | ... | legal services (as Doran S. Chandler) |
Dorothy Curteanu | ... | banking services |
David W. Hamilton | ... | production insurance (as David Hamilton) |
Robert Hartburn | ... | on set teacher / on-set teacher (as Rob Hartman) |
Irma Hermann | ... | travel agent / travel services |
Brian Kent | ... | guns |
John Kubinski | ... | production assistant |
Samantha Liem | ... | production assistant |
Carlo Lucente | ... | transportation and vehicles |
Lydia Lucente | ... | production assistant |
Mario Lucente | ... | transportation and vehicles |
Carmine Mandaione | ... | Pontiac dealer |
Lori Massini | ... | legal affairs / legal services |
Marianne Merchant | ... | production accountant |
John Nash | ... | d-5 master final cut assistant |
Kelly Reese | ... | d-5 master timer |
Colin Sheldon | ... | production assistant |
Kurt Smith | ... | color timer |
Rob White | ... | production assistant |
Thanks
Anthony Borton | ... | thanks |
Georg D. Braune | ... | thanks |
Syd Cole | ... | thanks |
Deirdre Coma | ... | thanks |
Hudson Cooley | ... | thanks |
Palm Dairies | ... | thanks |
Alain Dubreuil | ... | thanks |
Vickie James | ... | thanks |
Ray LaMontagne | ... | thanks |
The Lucente Family | ... | thanks |
Gordon MacIvor | ... | thanks |
Rose Marasco | ... | thanks |
Sam Marasco | ... | thanks |
Vasant Patel | ... | thanks |
Shawn Patience | ... | thanks |
Jerry Roberts | ... | thanks |
Sieg Schwarz | ... | thanks |
Teresa Schwarz | ... | thanks |
Kurt Smith | ... | thanks |
Susan Spohr | ... | thanks |
Bruce Springsteen | ... | thanks |
Joe Straface | ... | thanks |
Bill Thompson | ... | thanks |
Diane Upson | ... | thanks |
Murray Weissman | ... | thanks |
Lori Zacaruk | ... | thanks |