Directed by
Bill Clark |
Writing Credits
Bill Clark | ... | (written by) |
Susan Wojciechowski | ... | (book) |
Cast (in credits order)
Tom Berenger | ... | Jonathan Toomey | |
Sarah Wildor | ... | Jonathan's Wife | |
Thomas Briggs | ... | Jonathan's Baby | |
Joely Richardson | ... | Susan McDowell | |
Karen Westwood | ... | Mrs. White | |
Aran Bell | ... | Richard Tyler | |
Lia Williams | ... | Joan Tyler | |
Jenny O'Hara | ... | Mrs. Hickey | |
Ronald Pickup | ... | William McDowell | |
Elliot Cowan | ... | James McDowell | |
Luke Ward-Wilkinson | ... | Thomas McDowell | |
Benji Compston | ... | Charles White | |
Robert Jezek | ... | Jim Hardwick | |
Sam Douglas | ... | Wallis Woodman | |
Jack Montgomery | ... | Edward Hardwick | |
Derek Riddell | ... | Parson | |
Clare Burt | ... | Claire Hardwick | |
Sunna Yates | ... | Mrs. Johnstone | |
Saoirse Ronan | ... | Celia Hardwick | |
Ben Konigsberg | ... | Bobby Clarke (as Benjamin Eli) |
Produced by
Alastair Burlingham | ... | executive producer |
Donna Grey | ... | line producer |
Ros Hubbard | ... | co-producer |
Alan Latham | ... | producer |
Philippe Martinez | ... | producer |
Thomas Mattinson | ... | producer |
Jonathan Weisgal | ... | executive producer |
Music by
Guy Farley |
Cinematography by
Emmanuel Kadosh |
Editing by
David Freeman |
Casting By
Daniel Hubbard | ||
John Hubbard |
Production Design by
Simon Waters |
Art Direction by
Stuart Kearns | ||
Alexandra Merchant | ||
Tom Whitehead |
Costume Design by
Maria Price |
Makeup Department
Amelia Brauer | ... | hair designer / makeup designer |
Karen Evans | ... | makeup artist |
Production Management
Stephen Barker | ... | post-production supervisor |
Second Unit Director or Assistant Director
David Daniels | ... | first assistant director |
Carley Lane | ... | third assistant director |
Simon Morris | ... | second assistant director |
Art Department
Tony Graysmark | ... | construction manager |
Rob Jose | ... | props |
Shane Raven | ... | Nativity set woodcarver |
Oscar Troitiño | ... | graphics |
Howard Weaver | ... | scenic artist |
Michael Guyett | ... | hod scenic painter (uncredited) |
Sound Department
Simon Brown | ... | boom operator |
Colin Cooper | ... | adr mixer / foley mixer |
Phil Freudenfeld | ... | foley editor |
Rick Gould | ... | foley artist |
Tim Hands | ... | supervising sound editor |
Philip Jenkins | ... | assistant re-recording mixer |
Nigel Mills | ... | supervising sound editor |
Derek Norman | ... | sound recordist |
Adrian Rhodes | ... | re-recording mixer / sound editor |
Gavin Rose | ... | assistant sound editor |
Andrew Rowe | ... | sound assistant |
Sven Taits | ... | re-recording mixer |
Special Effects by
Curtis Iggulden | ... | special effects technician |
Visual Effects by
Andrew Fensom | ... | digital compositor |
Michael Ghelfi | ... | digital compositor |
Ainslie Harris | ... | digital compositor |
Kit Monkman | ... | visual effects supervisor |
Lewis Saunders | ... | digital compositor |
Nezih Savaskan | ... | digital artist |
Tom Wexler | ... | visual effects |
Stunts
Paul Lowe | ... | stunt double |
Camera and Electrical Department
Leanne Flinn | ... | video assist |
Nimi Getter | ... | gaffer |
Jo Gibbs | ... | additional camera loader (as Joanna Gibbs) |
Ben Perry | ... | assistant camera |
Nick Ray | ... | grip |
James Smith-Pryor | ... | best boy |
Casting Department
Tom Swayne | ... | casting assistant |
Costume and Wardrobe Department
Heather Howell | ... | costume supervisor |
Pookie Russell | ... | costume assistant |
Ian Nader | ... | crowd dresser (uncredited) |
Editorial Department
Burdette Anderson | ... | post-production executive |
Mark Burton | ... | first assistant editor |
Andrew Dearnley | ... | digital film supervisor |
Justin Eely | ... | on-line editor |
Dave Hall | ... | digital intermediate technician |
Matt James | ... | digital intermediate technician |
Fiona Mackay | ... | post-production assistant |
John Mateer | ... | post-production consultant |
Andy Richards | ... | senior digital intermediate technician |
Nic Smith | ... | digital intermediate technician |
Tim Waller | ... | senior colorist |
Music Department
Mikael Carlsson | ... | executive soundtrack producer |
Phil Hope | ... | music supervisor |
Andrew Pearce | ... | orchestrator: additional music |
Steve Mair | ... | musician: double bass (uncredited) |
Script and Continuity Department
Cathy Doubleday | ... | script supervisor |
Transportation Department
Steve Mitchard | ... | driver: Joely Richardson (as Steve Mitchard) |
Darren Leen | ... | driver: Joely Richardson (uncredited) |
Additional Crew
Henry Bateman | ... | e.p.k. shooter/editor |
Kate Brontë-Stewart | ... | floor runner |
Stephen Burgoyne | ... | office manager: Lucky 7 Productions |
Gavin Charlton | ... | Head Chef |
Paula Da Costa | ... | production secretary |
Scott Eaton | ... | assistant production coordinator |
Hallie Hunt | ... | voice-over artist |
Walter Josten | ... | Bridge Lending |
Catherine Russell | ... | production secretary |
Adam Samuelson | ... | louma crane technician |
Katie Shahrokh | ... | post-production manager |
Tom Fenwick Smith | ... | production runner |
Anne-Marie Speed | ... | dialogue coach (as Anne Marie Speed) |
Hugh Spurling | ... | studio executive |
Morag Webster | ... | unit nurse |
Sarah-Jane Wheale | ... | production coordinator (as Sarah Wheale) |
Gavin Woods | ... | chef |
Darren Woolfson | ... | technical director |
Jack Yiokoumi | ... | chef |