User Reviews

Review this title
3 Reviews
Sort by:
Filter by Rating:
9/10
Entertaining AND Educational
renoepstein17 July 2008
"Eye of the Beholder" was an episode of "G.E. Theater" that aired in 1953 starring Richard Conte and the ethereal Martha Vickers along with a cast full of high-octane character actors who knew just how to play their particular parts.

Ironically, I saw this film, not on TV, but in a junior high classroom. Somehow its educational message had actually transcended its entertainment value enough for the school board to spring for a 16mm copy. The fact that I still vividly remember the medium and the message all these years later is a testament to the quality television that was being produced in the 50's, and to the potential of TV if it's used for something other than eating bugs and other current network embarrassments.

Richard Conte plays the infamous Michael Girard, who is viewed by the other characters as everything from a masher to a murderer, and we see the story played out from each of the characters point of view. This requires that Conte play the Girard character differently in each scene. In one scene he's a nerd, and in another, he's a hood. A great actor and veteran of countless crime dramas, Conte pushes all the right buttons as his characters morphs between scenes. Girard's evil nature seems to be escalating as the story progresses until it reaches an exciting climax with a twist.

It's a brilliant performance from Conte and a fine production directed by Felix Feist and written by Hannah Grad Goodman. It's a shame we don't have quality television like this anymore, a show that entertains while it educates. If you can somehow manage to see this short film, I highly recommend it.

Trust me.
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Very cleverly written
planktonrules15 June 2021
This installment of "G. E. Theatrer" is a very clever half hour program. Its structure is quite unusual and it has some interesting points to make.

For the first half of the show, you see Michael Girard (Richard Conte) and when he comes in contact with people, each turns to the camera to tell what their impressions are of the man based on his actions and their limited exposure to him that day. His mother thinks he's an angel, another person thinks he's a gangster, another thinks he's insane and another thinks he's a killer! But what is the real story? Well, none of the above! And, the story is told once again from Girard's viewpoint and you see what ACTUALLY occurred. Overall an extremely clever half hour...well acted but especially well written.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
The many faces of Michael Girard
kapelusznik1811 October 2017
Warning: Spoilers
***SPOILERS*** This GE Theater episode comes across like a badly dubbed 1950's Japanese horror/monster movie in that even it being spoken in English the words don't seem to match up with the lip movements of those in it. Wacked out and delusional artist Michael Girard, Richard Conte,spots this woman Louise, Martha Vickers, at a restaurant he's having a drink at and goes totally hog wild over her. It's that Louise reminds the crazy nut-case of the perfect woman that he's been looking for all his life and wants to paint her portrait to hang up and display for all to see-In what the perfect woman really looks like- in his den. Totally ignoring Louise's boyfriend-Charles Victor-as well as getting punched in the nose by him Girard makes a play for her and in no time at all Louise agrees to go to his studio to get her portrait painted by him.

It's between him introducing himself to Louise to the final moments when she finally sees him at his studio we, the audience, as well as those he associates with get to see the real Girard from some half dozen different observations and to put it mildly it stinks. Not that he-Girard-is a total whack job but his idea of womanhood and the woman or girl of his dreams-Luoise- is just as whacked out as he is. Girard who seemed to think that he knows everything about what a woman should be, to please him, ends up getting stuck with a drunk and totally out of it Louise. Who after trying to get him as drunk as she is he ends up slapping her around and almost knocking her out unconscious in his art studio when she refused to leave.

If Michael Girard learned anything after this episode is that not to judge a book by it's cover or woman by her makeup dress or jewelry. Girard turned out to be as shallow as Death Valley or the Dead Sea in his judge of people who in the case of Louise she turned out to be no better then he is and Girard ended up finding that out the hard way. And in that case he also found out that he was nowhere the perfect man that he always thought that he was either. A fact that everyone, except himself, in this GE Theater episode knew all along.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed