"Gunsmoke" Homecoming (TV Episode 1964) Poster

(TV Series)

(1964)

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8/10
This time - a woman gets all she deserves
kfo949415 January 2013
In this episode that has a 'what goes around comes around' theme, we get a good story where a woman's plan backfires leaving her holding the bag of goodies. A nice story that had an ironic ending.

The story begins as Hector and Edna Lowell awake to someone outside using their water pump. It just so happens that the man is Orval Bass which is the husband of Edna that she claimed had died years ago. Orval had been in prison for seven years for killing a man that was seeing Edna and now is out wanting to claim his farm back. Edna said that Orval had signed all the property rights over to her when he went to prison and he has no claim on the property. With Judge Brookins coming in a few days, Orval plans to have a hearing on the claim since he cannot read and did not know what he was signing.

Orval also has a son when he was married to Edna named Ethan. Edna tells Orval that he has taking the last name of Lowell and that he is not welcomed. She even tries to get Hector to shoot Orval for trespassing saying that she will back him up for the killing. But since Orval is not armed Hector refuses much to the dislike of Edna.

Little does either men know but Edna comes across this traveling salesman named Joe Frisbie that she wants to run away with. So she and Ethan plot a plan where they will get Hector and Orval upset at each other and there will be a shoot-out. Which ever wins the gunfight the other will be sent to prison and she will be free to go with Frisbie to St. Louis.

However her scheme does not go as planned. Frisbie is just using her to have a good time and wants nothing of marriage. She will find out too late that she was the one that was being used instead of the other way around. It will cost her more than she ever thought.

The ending of the show was almost comical and even ironic as the woman plotting against everyone is the one being plotting against. A nice story with excellent acting. A show that kept me interesting to the end.
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7/10
Far-fetched but Entertaining
lrrap28 November 2022
Warning: Spoilers
This one really stretches our sense of credibility as it unwinds.

The major plot itself involves FOUR major characters, all locked in a complicated legal, personal struggle: Orval (Harold S.), Hector, (Jack E.), Edna (Phyllis C.) and the son (Tom Lowell). That's quite enough as a basis for a 50-minute TV western/soap-opera. BUT..midway through comes shady businessman Frisbie, whom we know from the get-go is "on the make" for the first good-lookin' babe he spots in Dodge. So the plot, and the "trajectory" of the whole drama...the main characters and their actions... gets somewhat sidetracked, as we wonder "what's up with this hot-and-heavy romance with Edna?" Is she about to abandon her claims on her hubby (Elam), the farm, and the business? It's pretty distracting.

As it turns out, this plot CONTRIVANCE is conveniently called in during the final scene, where the frisky Frisbie's motives are exposed, right in the middle of the street, for all the main characters to see and hear. The resolution is a welcome one, though, with "mortal enemies" Stone and Elam kicking back, so to speak, and spontaneously planning a new partnership together..also somewhat too conveniently. But, in the end, it seems to be all in good fun.

I enjoyed the relationship between Elam and Stone; they made a good pair in their scenes together which, thanks to the machinations of Edna, almost came to a tragic end. But Harold's unwillingness to resort to violence, and Jack's general goofiness, prevented disaster. The script missed an opportunity to make a bigger deal of Harold's reluctance to use a gun because of his previous crime, which sent him to jail for 7 years.

Pretty silly at times, but worth a watch. Then there's the musical cue at the very end, as Edna, walks away, which is pretty garish and over-the-top, as if we've just witnessed a tale of great personal tragedy. Frankly, I couldn't care less about what happens to Edna; just glad the two guys walked off unharmed. LR.
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9/10
One Of The Best Episodes featuring...
daydriver201017 April 2019
I love Gunsmoke in the years before they were filmed in color the most. I Just watched this one again on ME-TV and loved this one more than many of the others. This episode was from 1964 and was, (in my memory) the last season which starred Burt Reynolds playing the blacksmith. I believe the character of Festus started working in the season after this one. If you watch it... do not miss a minute of it because the spoken dialog is as good as it gets!
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9/10
I can relate to these two guys.
Progger195313 November 2018
Warning: Spoilers
Yes, I havent been the best mate...but I've never forsaken any of my women friends for another women. But I know quite a few women who would play two guys in order to keep themselve fulfilled. The problem was that they couldn't keep their stories straight. And confuse themselves on what man said what to them. Of, course they come back when the other man would get tired of them. It's amazing on the number of women who would try and come back sheepishly and try to be friends with me again. But I never forgave them. I'm glad this episode ended this way. Sadly, alot of us guys are pathetic and will do anything to keep a women happy. Even tho the women they are thinking of another guy who isn't presently available.
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7/10
Women... Are... Poison... -- stay away!
grizzledgeezer27 February 2016
Warning: Spoilers
Another of "Gunsmoke"'s misogynistic tales. And a decidedly odd one. Its main interest lies in its casting.

I //absolutely// know Phyllis Coates' voice. (How could you forget her giving Clark Kent a dressing-down?) But I'm repeatedly surprised when I see her name in the credits and realize I didn't recognize her! Here she plays a woman incapable of any sort of fidelity trying to get rid of two men she doesn't want. She has the tables turned on her.

Jack Elam is perfectly cast as one of them. He again demonstrates why he's one of the all-time-great actors (leading or character). His performance tramples everyone else's, including Harold J Stone's (not to be confused with Harold T Stone). This isn't a comic story, but he manages to evoke plausible humor when swinging a rifle in Stone's face.

The script is by "Shimon Bar-David" (one of Shimon Wincelberg's pen names), probably best-known for two popular "Star Trek TOS" episodes. The dialog is surprisingly overwrought for "Gunsmoke" (though that might be my reaction to Coates' loud and unsubtle performance).

The ending is a pip, however, with the manipulative female rejected by all the males (including her son), and Elam & Stone walking off "hand in hand".

This is sub-par "Gunsmoke". Which is to say, "Not bad, but a bit disappointing." It's not that the story is bad, but the "tone" is a bit "off". One can imagine the script having been writer for some other series, then adapted.
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7/10
The ending was not satisfying to me.
rrrozsa-551342 February 2024
Warning: Spoilers
There were some strange decisions made by the writers, that detracted from my satisfaction that most other reviewers felt in the closing scene.

First. Earlier in the episode, Edna stated outright, to her son, that all she cares about is keeping the house, property, and the business, all of which were in her name. That is exactly what she ended up with. Why does she look defeated, that both guys left her and she now owns everything, to sell and do whatever she wants with?

Second. In the very first scene between the Drummer (forgot his name) and Edna, when he was flattering her in her shop, he outright stated that he is unencumbered, travels all over, can come and go as he likes, and can just pick up and leave anytime. Even the most sheltered woman in the world would read that message as "If you are bored and want a good time, then we can hook up for while, till I move on to my next hunting ground". When she replied with a tryst time and place, I said out loud, "Does she find that attractive?" Her response would have been more logical to me if he had added, "Hey, I can take you away with me, no strings attached, and we can each walk away whenever we want" but we never heard him saw that, much less talk about marriage.

Third. Even if she had made a commitment with the Drummer, I assumed that the plan would be to wait in town until the husband and ex were out of the picture, she would stay in town long enough to liquidate everything, and THEN she could go with him, have money to spend, and even take care of her son in some other town. So why did she make such a fuss that he was leaving town, in the closing scene? And why was he leaving, when she was about to come into some serious disposable cash? Her reaction should have been anger that he was not waiting around for everything to be sold before leaving. So I was expecting her to say "Good riddance! You could have had thousands if you waited for me to sell everything. I'll just keep it all myself. Bye." After all, the course had just AWARDED HER EVERYTHING, FREE AND CLEAR?

The only "just" and satisfying ending, for me, would have been if the court had ordered the property to be sold, and the proceeds divided betweeh the ex, who built the house and buildings, and half to Edna and her husband. Then the two men could have said in the closing scene that they would sell the property, and the ex would take his half, and the new husband would take his half, but leave Edna out in the cold with nothing, on the legal grounds that she had admitted to an extramarital affair, in front of multiple witnesses. THAT was the ending I was expecting and looking forward to. Instead, the conniving, greedy woman who didn't care about anyone got exactly what she wanted -- the house, the property, and the business, which is now hers to sell and have plenty of money to do whatever she wants with it. And now she doesn't have to even share it with her son!

I didn't see the ending as anything as total victory for Edna. The two men didn't die or go to prison, but they left of their free will, which even better for her. I feel like everyone played right into her hands, even her son.
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1/10
Jack Elam makes it Much Better
Johnny_West8 June 2020
I was never a big fan of Harold J. Stone. He was a pretty obnoxious actor who played himself in every role. Stone was on Gunsmoke seven times. He was not a bad actor, but it was always the same tone of voice, the same facial expressions, the same body language. He just read his lines. In this episode, he plays Orval, the ex-husband of Edna. Orval went to prison for eight years when he found Edna having an affair with another man, and killed him. Now he is back, and he wants Edna and Hector to move out of his farm.

By comparison to Harold Stone, Jack Elam was often the same but never the same. You see Jack Elam, and you expect the goofy look and the bad eye, but he will often do a lot more. Elam will often interpret his role and put a spin on it, even in something as mundane as a small part on Gunsmoke. If you ever watch "Once Upon A Time in the West," Elam is in the movie for maybe ten minutes, and he spends most of that time trying to catch a fly that kept buzzing his face. It is amazing acting. Elam could give a role a whole back-story without saying anything. Elam was a guest on Gunsmoke fifteen times.

In this episode, Elam plays Hector, the current husband of Edna. Edna was played by Phyllis Coates, who appeared on Gunsmoke three times. I have seen Phyllis Coates in a few movies and TV appearances over the years, and I never recognize her until the credits. Phyllis Coates was the original Lois Lane for the 1951 Superman and The Mole Men, and the first season (1952-53) of The Adventures of Superman. For Superman, she was very friendly and funny but kind of shrill compared to Noel Neill, the actress who replaced her.

In all her other roles, Phyllis Coates usually has a very hard edge, she is very shrill, and there is nothing friendly about her. In this episode, when her ex-husband Harold J. Stone shows up at her house, Coates runs out and demands that her current husband, Elam, shoot Stone and murder the unarmed Stone on the spot.

Coates plays her role as a 1950s noir villainess. She has no love for Hector, she hates Orval, and she just wants a way to a better life, and a ticket out of Dodge City. Along comes a traveling drummer, Frisbie, who is played by French actor Emile Genest. Genest just wants to sell his goods and have some fun in every town. He is used to playing up to the fantasies of lonely married women, and to taking advantage of their hopes and expectations. He plays the hard-edged Coates like a master, and gets her hopes up, and spends a few afternoons by the stream with her, and even leads her on to believe in marriage.

Coates thinks she is going to get out of Dodge, and starts planning how to sell everything and consolidate her money. She gets her shifty son to help her provoke Orval and Hector into a gunfight, so she can keep all the money from the sale of the home and their leather goods/saddle shop.

Tom Lowell plays Ethan, the worthless son of Orval and Edna. Lowell was a pretty bad actor, who is usually "not credited" in a lot of his appearances. His only other appearance on Gunsmoke was as Andy Heller (1962) the evil teenager who tried to kill Marshal Dillon in "Kate Heller." The highlight of Lowell's career was 31 appearances as recurring character Billy Nelson on "Combat!" between 1962-64.

Here he comes across like Jimmy Olsen trying to motivate Hector and Orval to kill each other over jealousy for the Ice Princess, Edna. It would have been a hard sell even for Laurence Olivier. The more that Ethan tries to push Orval and Hector to hate each other, the more that they come to see each other as victims of the evil Edna.

The story comes together in a very heavy-handed way. All the twists are obvious way before they happen. Orval and Hector become pals, and Ethan is exposed as a lazy, back-stabbing son whose own mother wants to leave him behind in Dodge. Edna is in love again, but she gets taken advantage of by Frisbee, who tells Edna that he is willing to ride an old mule by the stream, but he can't take her home to his wife and five kids. Only Jack Elam makes this episode worth watching.
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1/10
Easily the worst Gunsmoke episode I have ever seen
aviblack25 March 2024
Warning: Spoilers
This episode has it all: a completely muddy storyline, bad and unexplainable acting, and - worst of all - it's utterly misogynistic. What more could you ask for?

There are plenty of examples from within the episode to highlight its shortfalls, but I will focus on one. About halfway through, a new character shows up who supposedly "woos" Edna. In a matter of minutes, this supposedly calculating, greedy, heartless woman "falls" for him (for no apparent reason) and completely gives up on her plans, which were silly in the first place (to have the two men she doesn't give a damn about kill each other in order to keep control over some property, which is all she really cares about, and which she will clearly retain anyway). Why does she need to have them kill each other? No apparent reason. For that moment when they meet, at least, one might suspect that she will use this guy to enact her nefarious plans. No idea how, but it does bring up at least a little bit of interest that the episode might start to make sense. But no - it turns out she really HAS instantaneously fallen in love with him, and given up her desire to rob the two patsies of the property in order to move away with this heel to an exciting life in St. Louis. Completely silly and disappointed premise. Worst of all, though, in the end she wins - the two suckers are gone, she gets to keep all of the property, the heel has been exposed for the phony he is, and the son she doesn't really care for won't be in her hair anymore - but we are supposed to believe that she has "lost". Too bad you can't give an episode negative ratings, this would deserve a -10. And I love Gunsmoke, there is not another episode I would give less than a 6. UGH.
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