"Gunsmoke" How to Die for Nothing (TV Episode 1956) Poster

(TV Series)

(1956)

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8/10
Matt Dillon Faces a Brother Seeking Vengeance
wdavidreynolds15 December 2021
A couple of drunk cowboys ride into Dodge City shooting their guns in the air and intent on blowing off some steam. Matt Dillon confronts them and tells them they cannot wantonly fire their guns in town, and if they are going to spend time in Dodge, they must behave themselves. The two strangers are belligerent, and the Marshal takes the gun away from one. The other draws on Matt, and Dillon fatally shoots him. (Note the way Matt twirls his pistol before holstering it.)

Zack, the surviving cowboy, tells the Marshal the man he killed is Ned Bulow. He and Ned are part of a group of trailhands that are camped with a herd outside Dodge. Zack informs Matt that Howard Bulow, Ned's brother, is with the group and will want to avenge his brother's death. Howard is ruthless and will ambush the Marshal given the chance.

Marshal Dillon takes the cowboy's warning to heart and begins carefully watching any strangers he sees in Dodge. Eventually, Howard identifies himself and promises to kill the Marshal. Matt responds by jailing the threatening individual.

Jacklin, the trail boss, soon shows up in the Marshal's office and demands Matt release Bulow. Initially, Matt refuses, but when Jacklin leaves and returns with additional trailhands, Matt chooses to release Bulow to avoid additional death and destruction in the town. A freed Bulow means Matt will have to go back to watching his back.

Another outstanding guest cast graces this story. Mort Mills portrays Howard Bulow. This is the second Gunsmoke role for Mills, who can be seen in numerous dramas and westerns over his extensive acting career. He would return for another four episodes in the Gunsmoke series.

Lawrence Dobkin was not only a prolific character actor, he did his share of directing, including episodes of The Rifleman, 77 Sunset Strip, The Andy Griffith Show, Emergency!, Barnaby Jones, plus many others. Dobkin frequently played various characters in Gunsmoke radio broadcasts. In this story, he plays Jacklin, the trail boss. He played the same character in the radio broadcast of the episode.

Maurice Manson makes his second and final Gunsmoke appearance in this story as Riesling. He had previously appeared in the "Reunion '78" episode earlier in the season.

This is another Sam Peckinpah screenplay for a John Meston story that was originally broadcast on the radio. As usual, Peckinpah adds his own touches. He adds a few notable scenes where Chester Goode reveals some facts about his childhood, his technique for making coffee, and his opinion of sassafras root. Peckinpah removes the Kitty Russell character from the story and has Chester replace the role she plays in the original story.

The famous writer/director also adds his unique touch in a scene in the jail where Bulow, Matt, and Chester engage in a conversation. Matt asks Bulow what he hopes to accomplish by killing him (the Marshal). Bulow responds that he will get immense pleasure from killing Matt. Chester asks Bulow if he has ever heard of leaving vengeance to the Lord. Bulow responds by asking Chester if he has ever heard of "an eye for an eye." It is a small scene, but it is pure Peckinpah.

The Riesling character is more of a pest in the screenplay, too.

Matt Dillon's paranoia and lack of confidence do not come across in the radio broadcast as they do on the screen. James Arness was never the greatest actor, but in these early episodes he is often stiff and lacks the range of a more experienced actor. However, he properly conveys the wariness and apprehension this story requires.

Meston's story highlights an air of condescension on behalf of the Jacklin character toward Kansans. Jacklin and his men are all from Texas, and Jacklin makes it quite clear he does not care to be in Kansas. He especially resents the fact that the Marshal is holding a Texan in a Kansas jail.

The Peckinpah treatment is a splendid example of taking a routine story about vengeance and elevating it. I think Peckinpah wrote eleven Gunsmoke screenplays, and they all have their own distinctive characteristics that make them desired viewing for fans of both the Gunsmoke series and the writer/director.
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9/10
unusual episode
talonjensen16 August 2018
As other reviewers pointed out this is an unusual episode where Matt gets rattled when the brother (Mort Mills as Howard Bulow) of the man he shot threatens to shoot him in the back. Matt puts him in jail and the trail boss comes with his men to get him out of jail. Matt backs down and lets him out of jail mostly because the trail boss tells his men to destroy the town after he is dead.

Even though I knew Matt would prevail, there was more tension than normal in this episode, possibly due to Matt showing some fear and giving in to pressure (thanks to Peckinpah), something not normally seen in Gunsmoke.

SPOILER: I did feel like the episode wasn't completely resolved because, after the tension between Matt and the trail boss, I would expect some retribution by the trail boss and his hands. It could be rationalized away that they didn't know that Bulow had been killed by Matt because they weren't in town, but that is a stretch. Basically the episode ran out of time to resolve that issue.
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6/10
And Now Marshal, Matt Dillon Has Really Got To Watch His Back, Big-Time
StrictlyConfidential17 June 2020
(*Howard Bulow to Marshal Dillon quote*) - "I'm gonna kill you, my way!'

When it was brought to my attention that the screenwriter for "How To Die For Nothing" was, in fact, Sam Peckinpah, I just knew that this particular episode of TV's "Gunsmoke" was gonna pack a considerable-sized wallop, and, with that, deliver a story that was loaded with plenty of intense drama.

And, yes - For the most part - "How To Die For Nothing" didn't let me down when it came to my expectations.

Anyway - In this rough'n'rugged tale of bitterly fierce retaliation - Marshal, Matt Dillon quickly finds out that he's really got something to worry about when Howard Bulow angrily makes serious threats on his life.
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6/10
We see a different side to the town of Dodge
kfo949416 May 2013
This is the first time in the series that we see Marshal Dillon get spooked by threats from a cowpoke that vows on killing him. It all begins when two men from a cattle drive ride into Dodge ready to party by shooting up the place. Matt has to take the gun away from one of the cowboys and then has to shoot the other named Ned Bulow after he tried to kill the Marshal. With Ned dead the other cowboy says that Matt's life is in danger because Ned's brother, Howard Bulow, will be in town to kill him not face to face but shoot him in the back.

Matt actually seems nervous as he starts questioning people in the shadows of buildings. When Howard introduces himself, he tells Matt that he is going to shoot him. Matt places Howard in jail.

The leader of the cattle drive comes into town and demands Howard release or his other men will come in and destroy the town. Matt, fearing for the town, releases a man that is bent on killing him.

This episode, even though more real than most, showed some weaknesses of Dodge that are not regularly seen. From Marshal Dillon's giving in to threats to citizens of Dodge conversing against the Marshal, this episode was different from so many. The episode was not as interesting as some previous plots but a nice watch nevertheless.
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Matt Gets Rattled
dougdoepke3 September 2007
About half way through this half-hour I suspected it was a Sam Peckinpah script, which it is. There's a nice unexpected turn of events when Dillon and the trail crew face-off at the marshal's office, and one that makes good realistic sense. Dillon also gets rattled by Bulow's threat to kill him any way he can. Ordinarily, the show didn't explore psychological themes, but Dillon's definitely rattled and will break the rules as a result (a Peckinpah trademark). Anyway, the plot concerns two roistering trail herders, one of whom draws on Matt. His brother (Mort Mills), another crew member, swears vengeance and now Matt must deal with the threat. There's some good cross-currents between Dodge's business interests and the marshal's need to protect himself. One negative note-- the shoot-out has cat-and-mouse potential which director Ted Post unfortunately does not really develop.
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