"Gunsmoke" Mavis McCloud (TV Episode 1957) Poster

(TV Series)

(1957)

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7/10
Woman of Mystery
wdavidreynolds11 January 2022
Mysterious 19-year-old Mavis McCloud arrives on the stagecoach in Dodge City. She was preceded there by a telegram informing the unnamed U. S. Marshal in Dodge she was arriving to be married and wanted the marshal to meet her at the stage. There is an amusing early scene when Chester Goode and Doc Adams jump to the conclusion the woman is coming to Dodge to marry Matt Dillon.

When the stage arrives, an extremely tentative Matt meets Mavis McCloud and introduces himself. (Chester is smitten, of course. "Oh, Mr. Dillon, she's just awful purty.") Miss McCloud assures Marshal Dillon she is there to marry, but not to marry Matt in one of the more amusingly awkward scenes the show ever featured. When Matt asks her where she is from, she refuses to tell him. Matt concludes Mavis ran away from home.

Mavis met Barney Wales while she was waiting for the stage to Dodge, and Wales stepped in to stop a cowboy from harassing her. In about three weeks, Mavis and Barney marry and settle on Wales's ranch near Dodge. Once again, a nice humorous moment takes place when Chester becomes very emotional at the wedding. (Kitty cries, too, but one suspects it is more of a lament over her own situation than crying happy tears for the newly betrothed couple.)

A strange, dour man named Lou Staley soon arrives in Dodge looking for Mavis. When he learns the woman has married, he pledges to kill her husband and -- since he blames Matt -- then Marshal Dillon. Matt's concern grows as he can see the trouble Staley intends to cause.

Actress Fay Spain makes the first of three Gunsmoke appearances in this story where she portrays Mavis McCloud. Spain made the rounds of the television dramas in the late 1950s and through much of the 1960s. She was also noted for taking on villain roles in several low-budget teen movies in the 1950s. One of her last performances can be seen in a small part in The Godfather: Part II where she portrays the gangster Hyman Roth's tuna salad sandwich making wife.

Casey Adams was the stage name given to Max Showalter by Darryl F. Zanuck early in Showalter's career. He appears as the character Barney Wales using the Adams name in this episode, which was his only time as a guest in the series.

Familiar actor Robert Cornthwaite makes one of his two Gunsmoke appearances in this story as the Lou Staley character. Cornwaithe starred as Dr. Arthur Carrington in 1951's The Thing from Another World, which featured James Arness as The Thing. (Both Cornwaithe and Showalter guest starred in numerous episodes of the Perry Mason series.)

This is the second episode featuring a screenplay by Kathleen Hite based on a John Meston story. This is also the first of five Gunsmoke installments directed by Buzz Kulik, all in Season 3 and 5. Kulik developed an excellent reputation for directing television dramas in the 1950s and '60s. In the late 1960s and throughout the 1970s and '80s, he became known for directing made-for-TV movies.

The mysterious nature of Mavis McCloud is the device used to maintain interest in this story, and the viewer never learns all the answers. Primarily, what was the nature of the relationship between Lou and Mavis that led to the events in this episode? The viewer only learns a minimal amount of information, but the events depicted in the story raise many questions with some potentially disturbing answers.

Spain and Cornthwaite are outstanding in their roles. Spain's Mavis projects strength and determination, which is a distinguishing factor in both Meston's and Hite's writing. Cornthwaite's Lou Staley is very creepy and resolute.

(I could not help wondering why Matt does nothing when Staley tells him he plans to kill Barney Wales and then kill Matt.)

Watch for two rare mentions of actual historical figures in this episode. Matt mentions Lillie (or Lily) Langtry, who was a famous actress in the latter part of the 19th Century. (Infamous Texas judge Roy Bean, Jr. Was obsessed with Langtry. He even renamed the town of Eagle's Nest, Texas "Langtry" and the saloon he operated there "The Jersey Lily" in her honor. William Wyler's excellent 1940 film The Westerner uses Bean's obsession as a primary plot element. John Huston's 1972 film The Life and Times of Judge Roy Bean also incorporates Bean's fascination with the actress in the plot.)

The other historical figure mentioned is hatmaker John B. Stetson. When Chester suggests someone should invent a device for blocking the sun, Matt humorously responds John B. Stetson has already done so.
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8/10
A beautiful young girl comes to Dodge to get hitched.
kfo949417 June 2013
This episode begins when Marshal Dillon receives a telegram from a pretty young lady named Mavis McCloud that advises that she is coming to Dodge to get married and she wants the Marshal to meet her at the stage depot. It has Marshal, Chester and Doc all in an uproar as it sounds like she is coming to Dodge to marry the Marshal.

But when she arrives Mavis says that it is not the Marshal but she wants to find a man somewhere in town to get hitched. She meets a nice man with a small farm named Barney Wales and in no time at all they are married.

But soon a person comes to town, Lou Staley, that is looking for Mavis. He tells Matt that he is in town to find Mavis and kill whoever she married. Matt has got to warn Barney before Lou finds him.

There was mystery surrounding Mavis from the beginning of the episode which made the entire show interesting to watch. And anytime the eye-candy of Fay Spain is on the tube it is a must see show. There really is nothing that stands out in the episode but the actors working together and the writing made for a good watch.

Note- In this episode there were two names used from people that lives in the later 1800's. Matt refers to the name of Lillie Landtry (a gorgeous actress of the time) and John B Stetson (the famous hat company owner). Both were well known in the late 1800's.
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7/10
Disturbing Theme
jamdifo4 February 2013
Warning: Spoilers
What a mean, dark person that Lou Staley is. When Mavis states that Lou is her brother (not husband as Marshal Dillon thought), it implies to me an incestuous relationship. That's something I didn't think was covered back then.

Robert Cornthwaite plays the controlling brother perfectly. He conveys a character like the terminator, someone you can't bargain or reason with. He shoots his sister for leaving him, another episode of a man's violence toward a woman.

Marshal Dillon killing Lou Staley is his 45th confirmed kill on the show.
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Okay Episode
dougdoepke5 August 2011
Attractive young woman comes (Spain) to Dodge to find a husband. Chester is interested, but she marries nice young rancher (Showalter) and settles in, that is, until an angry Southerner (Cornthwaite) arrives looking for her. Now, Matt's unsure what's going on.

Routine episode except for the fine little actress Spain who died much too young, and Cornthwaite who was so good at being a dislikable twit. To me, there is one surprise that occurs in back of the Long Branch, forcing Matt to take swift action. Otherwise, it's an average entry.

In passing—it would seem there's a scriptwriter's advantage to Matt's having a sidekick. That way, Matt's intentions can come out in dialog with Chester, as it often does, so that we don't have to guess what he's up to.
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10/10
Trust
darbski3 August 2017
Warning: Spoilers
**Spoilers** When someone asks if you trust them, it's a good idea to back up before you answer. In this case, Barney Wales didn't, and Matt K.O.ed him and told his friends to tie him up and not let him loose until the dust settled. It saved his life. One other thing, if you deliberately tell Matt Dillon you're gonna be looking for him after you kill someone else, get your grave dug and your stone carved, because you're already dead. You just don't know it yet. In this case, it made up for the missed opportunity in "Uncle Oliver".

See, THIS is exactly why they make those balcony and mezzanine railings the way they did. So when the bad guy gets croaked, he'll have something to fall back into and then flip over; just like in this episode. I griped about the last one, and I ain't done yet, neither. They should turn these types of gags over to the stunt crew; they could come up with a LOT BETTER way to get plugged than the normal "crumple up and fall down". Something with a flair for the dramatic, you know??
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