"Law & Order" Grief (TV Episode 1998) Poster

(TV Series)

(1998)

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7/10
For stud service
bkoganbing30 May 2015
Warning: Spoilers
Jerry Orbach and Benjamin Bratt catch an assault case where a fleeing Erik Jensen to escape a beating by a pair of brothers runs into the waiting arm of a beat cop and hits him. That earns him an arrest. These brothers think that Jensen who was a male nurse at a psychiatric center has taken advantage of their sister who is an inmate. Turns out he didn't do it.

But what Jensen did do was maybe worse, he rapes and impregnates a coma patient, a woman whose husband and child were killed in a car accident that left her that way.

But this gets even more bizarre. The woman's mother Cecilia Hart pays Jensen to impregnate her daughter to give them a grandson. Just who do we prosecute for what. Especially after the patient dies delivering a five week old premature daughter.

Parsing out the responsibility here would vex Solomon. A most interesting but bizarre Law And Order story.
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10/10
Death and responsibility
TheLittleSongbird7 July 2021
The subject matter immediately is enough to grab the attention. It is a very sensitive and difficult topic to discuss, and if anybody has doubts about whether the execution would be tactful enough without being preachy, one-sided and too heavy that is understandable (those are common traps with this kind of topic and similar). Anybody though that has always admired how 'Law and Order' approached tough subjects and how it did so will be intrigued.

Was very worried that "Grief" would be too sleazy and exploitative, or too confusing and strange considering how difficult the subject is. It turned out to be neither of those things. The story is actually not an unfamiliar one but 'Law and Order' has often been great at making done before and reasonably ordinary premises work and more complex than one would think, and that is what is the case with one of Season 8's best episodes "Grief." The script and second half elevate the episode to a greater level.

"Grief" is a slickly made episode, the editing especially having come on quite a bit from when the show first started (never was it a problem but it got more fluid with each episode up to this stage). The music is sparingly used and never seemed melodramatic, the theme tune easy to remember as usual. The direction is sympathetic enough without being too low key.

Furthermore, "Grief" has an absolutely dynamite script that like a lot of 'Law and Order' episodes raises interesting questions worthy of debate with somebody. The tautness and crackling tension are never lost, there is a lot of information to digest but it doesn't feel too much. It especially shines in the conversations between McCoy and Ross. The story is always riveting and unlike some Season 8 episodes it is not a case of one half being better than the other. It is indeed bizarre but it doesn't become overly so.

And even when the turns in the plot become even more complicated the episode never becomes incoherent. The first half always intrigues and doesn't feel stale or rehashed. It is the second half though, where the material has more complexity and meat, that makes "Grief" even better and quite special. The suspense and the different points of view presented really grab the attention. The performances all round are excellent.

In conclusion, brilliant. 10/10.
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10/10
Drowning in a moral quagmire
Niv-113 April 2013
Warning: Spoilers
This episode is so compelling and interesting with a twist that leads to the quote from Jack McCoy about the moral quagmire.

The most interesting parts of the episode have to do with the discussions between Jack and Jamie for which Adam is a witness to and delivers some great lines about what a trial would be like with these kinds of issues which would be guaranteed to divide people! How could a verdict be unanimous? The first half with the investigation is also good too. Trying to deal with a schizophrenic possible victim Briscoe and Curtis have to maneuver a real mine field!

All the actors in both the regular cast and gust cast deliver. Waterston, Lowell and Hill along with Bratt and Orbach. Edie Falco as the defense lawyer and Erik Jensen and Marin Hinkle as well as a short role for Todd Stashwick.

Suzanne Oshry just wrote a really dynamite script here. Well directed by Chris Misiano.
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