The Love Boat (TV Series)
The Same Wavelength/Winning Isn't Everything/A Honeymoon for Horace (1982)
Full Cast & Crew
Directed by
| Robert Scheerer | ||
Writing Credits (in alphabetical order)
| Buddy Atkinson | ... | (written by) (segment "A Honeymoon for Horace") |
| Wilford Lloyd Baumes | ... | (developed by) (as W.L. Baumes) |
| Joan Brooker | ... | (written by) (segment "Winning Isn't Everything") |
| Mike Marmer | ... | (story supervisor) |
| Lan O'Kun | ... | (written by) (segment "The Same Wavelength") |
| Jeraldine Saunders | ... | (suggested by) |
| Alexandra Stoddart | ... | (written by) (segment "Winning Isn't Everything") |
Cast (in credits order)
Produced by
| Art Baer | ... | producer |
| Henry Colman | ... | producer |
| Douglas S. Cramer | ... | executive producer |
| Hudson Hickman | ... | associate producer |
| Ben Joelson | ... | producer |
| Aaron Spelling | ... | executive producer |
Music by
| Marvin Laird | ||
Cinematography by
| Archie R. Dalzell | ... | director of photography (as Arch Dalzell) |
Editing by
| John Woodcock | ||
Casting By
| Dennis Hammer | ||
Art Direction by
| Paul Sylos | ||
Set Decoration by
| Bob Signorelli | ... | (as Robert Signorelli) |
Costume Design by
| Nolan Miller | ||
Makeup Department
| Larry Darr | ... | makeup artist |
| Cheri Ruff | ... | hair stylist |
Production Management
| Joseph Dervin Jr. | ... | executive in charge of post-production |
| Norman Henry | ... | executive production manager |
| Al Kraus | ... | supervising production manager |
| William A. Porter | ... | production manager |
| Sheridan Dar Reid | ... | unit production manager (as Dar Reid) |
Second Unit Director or Assistant Director
| Charles H. Siegel | ... | second assistant director |
| Jim Weatherill | ... | first assistant director |
Art Department
| Gordon Kirschbaum | ... | supervising construction co-ordinator |
| Roger Montesano | ... | property master |
| Marco A. Campos | ... | propmaker (uncredited) |
Sound Department
| Bruce Smith | ... | sound engineer |
| Robert Nichols II | ... | sound recordist (uncredited) |
Camera and Electrical Department
| Casey Jones | ... | grip (uncredited) |
Casting Department
| Adam Rich | ... | casting associate |
Costume and Wardrobe Department
| Larry Velasco | ... | costumer: men |
| Lily Yamada | ... | costumer: women |
Editorial Department
| Norman Wallerstein | ... | supervising film editor |
Music Department
| Charles Fox | ... | composer: theme music |
| Jack Jones | ... | singer: theme music |
| Rocky Moriana | ... | music supervisor |
| Paul Williams | ... | lyricist: theme music |
Script and Continuity Department
| Helen Parker | ... | script supervisor |
| Tony Webster | ... | executive script consultant |
Transportation Department
| Kenneth Newland | ... | driver |
Additional Crew
| Richard Albrecht | ... | story editor |
| Jill Baer | ... | story editor |
| Bret Garwood | ... | executive coordinator |
| Casey Keller | ... | story editor |
| Daniel Margosis | ... | executive assistant: to Aaron Spelling |
| Phill Norman | ... | title design |
| Christopher Vane | ... | story editor |
| Stan Rodarte | ... | stand-in (uncredited) |
