"Maverick" Two Tickets to Ten Strike (TV Episode 1959) Poster

(TV Series)

(1959)

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9/10
An age when age was appreciated
harl-731 October 2009
Connie Stevens was 21 when she filmed this episode, as a bright, bubbly, annoyingly perky flibbertigibbet, and she IS a beautiful woman, but Andrea King, even at age 40, was so hot that she made Connie Stevens look like a little schoolgirl by comparison.

Connie's character has come to town at the suggestion of a note that was received along with $100 and the promise of more to come. She can't seem to find her benefactor, but she spends some time telling the town banker - played by Lyle Talbot, 50, that age and money are unimportant; she's looking for character - such as exhibited by Bret Maverisk.

It was a different world in 1959, when women weren't considered over the hill at nineteen, and the curves of a mature woman were showcased.

Bret spends the episode trying to figure out why he's being advised to leave town for his own safety. As always, Maverick reverses the usual formula, presenting a situation that's hopeless but not serious, instead of a situation that's serious but not hopeless.

Ten Strike, New Mexico is supposedly about 20 miles from Faro City and from Prairie Flats. The USGS database doesn't show any Faro City or Prairie Flats, and the only Ten Strike is Tenstrike, Minnesota. A 1972 "Alias Smith and Jones" was entitled "21 Days to Tenstrike", about a cattle drive to Colorado. Roy Huggins, the writer who came up with the Maverick series, is credited with writing the Alias episode, but writers credits for this episode went to the director. Huggins complained bitterly of being snookered out of credit for many things he wrote early in his career, and this may have been one of them.

Adam West, who became TV's "Batman" a decade later, is in this episode. He's not easy to recognize, though. His appearance changed as he matured.
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8/10
Garner's Charm Carries the Episode
Gislef22 November 2020
Warning: Spoilers
The story is no great shakes, and relies heavily on coincidence. Bret just happens to have seen Frankie's father eight years ago, and now the town's spider woman, Mae, is blackmailing the father, Scott. So she lures Frankie to Ten Strike, and Bret ends up there as well. So Mae sends two thugs to chase Bret out of town, while she keeps Frankie in town to frame her for Scott's murder. But Mae doesn't mention the paternal relationship to her thug, Vic, that we hear so he kills the father and frames Frankie. Which was apparently Mae's plan in the first place.

And in the cell, Frankie says that Scott left her all of his money, but if she died first the money goes to the town. but if she's found guilty (and presumably hung), then the town gets the money. Umm, huh? That's not what the will says, and if the town executes Frankie then they wouldn't get the money in its entirety anyway. The conflict is introduced late in the game, but we don't never learn enough about the townspeople to care whether they want to get the money or not, or are in no rush to find Frankie innocent.

So the plot is confusing. But it gives some excellent acting opportunities. I don't buy Bret who lets his curiosity outweigh his self-preservation. But his being threatened to leave town, and Bret deciding to stay and find out why, does give some momentum to the plot.

The chemistry between Garner and Connie Stevens as Frankie is good. Although her calling Bret "lover" and wanting to marry him--over and over again--does get a bit old by the end of the episode. It also seems very un-Bret-like. As he himself notes, Frankie isn't the type he would marry in any case. He seems to keep kissing her because IITS (It's In The Script).

The chemistry between Bret and the main thug, Vic (Adam West) is entertaining: more than between Bret and Frankie. They're both very genteel complimenting each other, apologizing for beating each other up, and Vic even lighting Bret's cigarillo. Andrea King as Mae isn't bad, either: she switches from fake innocence to scheming at the drop of the hat. Mae seems almost reasonable pointing out why she has no grudge against Bret. Although her getting in his face would seems to trigger his memories of eight years ago, almost as much as his seeing Scott. But at least Bret barges in on her.

So the story doesn't make much sense, but the dialogue is sharp and the characters are good.

But that's just my opinion, I could be wrong. What do you think?
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Takes a Plot Heavy Turn
dougdoepke1 September 2011
With her malt shop perkiness, Stevens seems an unlikely choice for a Western. (She always reminded me of a charming cross between Debbie Reynolds and Minnie Mouse.) But, of course, Maverick was not a typical Western. Actually, she and Garner make an amusing couple, even if their clinches are something of a stretch. Then too, the "bath mixup" is genuinely cute without being cutesy.

The episode starts off in this engaging lighter vein, but then develops into a plot-heavy latter half. It's something about Frankie (Stevens) getting money to go to Ten Strike for some unknown reason and Bret getting really knocked around for not leaving town. I just wish the writers had continued with a lighter story to showcase the pair's comedic talents, instead of the rather awkward plot development. Anyway, it's good to see old pro's King and Talbot picking up a payday. The formidable King was always adept at playing a spider woman, as she does here. All in all, it's half a good Maverick.
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10/10
Maverick: Two Tickets To Ten Strike
jcolyer122928 May 2015
"Two Tickets To Ten Strike" has a great pappyism: "There's just about three reasons why most men do anything: greed, curiosity and anger." It is one ticket for James Garner, and one ticket for Connie Stevens. Arriving from Tucson! Connie was famous and even had a hit record called "Sixteen Reasons." Here, she plays a dizzy blonde named Frankie. After Bret carries her many hats into the hotel, she helps herself to his tub of water. He makes her pay him a dollar, then feels guilty and invites her to breakfast. He does not want to talk until he has had his coffee, something I can understand. Batman wants Bret out of town, and Frankie's father and benefactor wants her in town. Bret and Frankie make a good comedy team. They ride out of Ten Strike smooching! The shows usually begin with some mode of transportation. Here, it is the Overland Stage.
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6/10
Perpetually Perky
bkoganbing8 September 2018
In this episode of Maverick James Garner has to put up with the perpetually perky Connie Stevens on the stagecoach to Ten Strike. I know I would be annoyed as all get out in such a situation. But when they get to the town of Ten Strike it's a different situation.

Stevens is in town looking for a mysterious benefactor. She's an orphan kid who's knocked around pretty good. But someone over the last several years has been supporting her like Pip from Great Expectations. So she confides in town banker Lyle Talbot where the money has been drawn from and she thinks she'd like to meet up with that person, maybe marry them.

But Garner has been told in no uncertain terms by a couple of toughs, Adam West and William D. Gordon, that he should clear out no questions asked. One thing that can never happen is stifle a Maverick's curiosity.

The stories of Garner and Stevens are linked however tangentially from the past. Once Bret Maverick finally remembers it all falls in place. After a couple of deaths however.

Add to this cast Andrea King the owner of the town's saloon who is a business woman like Kitty Russell in Dodge City, but hardly her character.

Connie's perkiness does kind of grow on you after a while.
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Night of the rising stars
aramis-112-8048809 November 2023
Why do a couple of guys want Bret Maverick out of town so badly? Bret keeps coming back out of curiosity.

No, it's not the classic "Gun Shy" but it's not bad.

The best part of episode concerns Bret's ongoing tribulations from a perky young lady (a seemingly impossibly young and beautiful Connie Stevens) who is bright, chirpy and (for Maverick) annoying and who has her cap set for Bret.

Also on board is rising, soon to be mega-, star Adam West. I seem to be one of the dwindling few who love the "Batman" TV series and I think West's delivery in his threats is hilarious.

While this episode doesn't quite nose up to its early promise it has a great conclusion.
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