"Maverick" You Can't Beat the Percentage (TV Episode 1959) Poster

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7/10
Just who is being conned
bkoganbing13 September 2018
This Maverick story has Jack Kelly being sent for by the beautiful Karen Steele to take down Gerald Mohr who runs a big gambling palace. Mohr regards her as his personal squeeze.

Young Ray Daley comes to town and announces to one and all that he's going to do Mohr in. But it's Daley who is shot down in the street and Bart Maverick arrested for the crime.

As for Steele she's got a few different cons working at once and it's only in the end that we learn this woman is the master of the double cross.

This episode is a perfect example of the Maverick brothers main weakness, thinking with the male member. Steele is some piece of work.
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7/10
Another Bart Episode *sigh*
Gislef3 January 2021
Warning: Spoilers
"Percentage" is an okay episode, but it doesn't involve much poker or flim-flamming. Although the bit where Bart avoids a "dead hand" thanks to casino owner Dave's set-up is cute. As is Dave's reaction to discovering that Bart outsmarted him.

Speaking of Dave's reaction, Gerald Mohr playing him is the best thing about the episode. Mohr is always a class act, and he's as good here as he was in his other 'Maverick' appearances. As well as his appearances on other shows of the period: I particular remember him from "The Thimblerigger" on 'Lawman'. He's suave and his characters have personality, even if "Percentage" doesn't display Mohr at his finest. Still, Dave manages to remain a centerpiece of the episode through his charm and cunning.

Myra (Karen Steel) is okay. She's another 'Maverick' femme fatale, stuck into the noir atmosphere of "Percentage". Which is what most of the episode is: a Western film noir. As the Bret episodes demonstrate, and even the Beau ones I've seen, 'Maverick' could be so much more than that. "Percentage", more than any other episode, demonstrates that Garner got the comedy episodes while Kelly got the "serious" episodes later. Particularly after Garner left. There's not much chance for Kelly to demonstrate his comedy chops in "Percentage". And without the 'Maverick' comedy (not even a "Pappy said"!), the show isn't any better than most Westerns of the period.

FYI, my local network, MeTV, cut off the part where Bart talks to Pop on the way into town. Which makes a lot of the plot hash. Which is kinda important in a mystery story. And you wonder what the significance is of Pop, when the opening scene sets him up.

But that's just my opinion, I could be wrong. What do you think?
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A Maverick Whodunit
dougdoepke29 April 2016
Starts off as a slick poker scam in typical Maverick fashion, but quickly evolves into a whodunit. You may need a scorecard to keep up with the complications and dead bodies, still there's the ravishing Karen Booth to entertain the eye. And who better as a foil for the Mavericks than the smoothly sinister Gerald Mohr. In the charm department, he fits right in with the series emphasis on glib humor. Good thing the series emphasis was not on realism, because that early shot of the phony mountain backdrop is hard to ignore. Some foliage between the action and the backdrop might have helped. Anyway, the entry is mainly a matter of taste, but in my view, it doesn't make enough use of the series' particular strengths.
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10/10
A near perfect story
skoyles18 January 2015
Warning: Spoilers
Funny, suspenseful, touching and a jolly good mystery with red herrings enough to sink a commercial fishing boat, this episode 3:4 is IMHO what "Maverick" was all about. While as a teen I preferred Bret to Bart (and I give place to no one as a fan of James Garner) I have come to a greater appreciation of Jack Kelly's Bart as I watch them now. I really think that Kelly was under-appreciated in his time both as an actor and as a comic actor. Karen Steele is at her loveliest as the girl just trying to make her way in a man's world. Gerald Mohr, an actor I liked as much "back then" as "now", gives his consistently solid performance; speaking of unappreciated actors! This is a taut little episode that deserves an attentive viewing. My only problem is that someone failed to notice that at the very beginning Bart's outfit mysteriously changes between the saddle jacket in the cemetery, to his town clothes while riding in and back to saddle gear in the hotel.
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