"Murder, She Wrote" Sing a Song of Murder (TV Episode 1985) Poster

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8/10
"When the Hall Is Open, the Yellow Birds May Sing"
WeatherViolet25 December 2009
Warning: Spoilers
And this brings us to the first appearance of Emma McGill, identical cousin Jessica Fletcher (Angela Lansbury), whom she hasn't seen in many years. The glamorous Emma with thick British dialect and neo-Victorian costuming has performed musically on piano and, primarily through vocals, and doesn't quite ward off her string of admiring suitors as readily as her more reserved American cousin often may. For many years to follow, fans have often asked who plays this uncredited role of Emma McGill although many realize her identity from the start, and now IMDb lets the cat out of the bag via its thorough cast crediting.

In the back-story, Emma McGill and a Mr. Weems have founded London UK's Mayhew Theater and Music Hall Auditorium as equal partners, and after his passing, she continues to perform before dwindling audiences, while maintaining with the son of her late partner, her staff plus a fellow performer, who may have seen better days, but holds designs of his own toward the charitable Emma.

Bridget O'Hara (Glynis Johns) serves in the capacity of the Mayhew's wardrobe coordinator. She sees the writing on the wall that the theatre appears doomed but holds out to receive any possible benefits of her rewards for dedicating her career to Emma and Mr. Weems.

Archie Weems (Kenneth Danziger) has been handling his late father's estate and business dealings which it entails, by maintaining the books and ledgers backstage, while his wife, Violet Weems (Sarah Douglas) discourages Archie from keeping the losing venture in operation even though it holds sentimental value of sorts to Archie, who realizes that Emma cherishes performing. When a conglomerate bids to purchase the Mayhew, Violet attempts to dissuade Archie from siding with Emma to maintain the performance hall.

Oliver Trumbull (Patrick Macnee) provides the warm-up act with his comic routine of yore, to which a scant audience attempts to appreciate without much avail for this once-Shakespearean actor, who no longer finds an opportunity in a theatric company.

Oliver's overly-protective daughter, Kitty Trumbull (Olivia Hussey) adores her father and visits him in London each week, after spending the remainder of her time with her husband and children in a different English community several miles from the city.

One evening in particular, Oliver appears on stage, to receive a modest, polite applause, which Kitty deems disappointing, therefore encouraging her father to retire, while Emma receives all the more raves for her rendition of "Goodbye Little Yellow Bird." Within the span of a few week's time, three attempts are made upon Emma's life, she narrowly escaping....

But now back in Cabot Cove, Jessica Fletcher receives a heart-breaking overseas telephone from her cousin's Attorney, Ernest Fielding (Kristoffer Tabori), who gives his condolences for the loss of Emma, who has succumbed to injuries sustained from an automobile mishap, and mentions that Emma has requested in her will for Jessica to attend her services, as well as to act as her estate executor.

Danny Briggs (Gregory Paul Martin) meets Jessica at the London airport, he holding a sign bearing her name, and realizing the shared physical resemblance. When Danny attempts to persuade Jessica to sell Emma's share of the Mayhew, she explains that she has just arrived and must attend the services, before considering financial matters.

Ernest Fielding arrives by tinted-window limousine in time to whisk Jessica away from Danny, and requests that Jessica assume a seat in the rear, into which she looks, as a figure in mourning lifts her veil to present herself as long-forgotten Cousin Emma.

At Emma's apartment-in-hiding, she and Ernest explain the elaborate charade as a cover to weed out the perpetrator of those attempts made upon Emma's life. Emma would remain in seclusion under police protection, while Jessica assists Ernest in the investigation.

But while Jessica visits the Mayhew to announce that she's acting on Emma's behalf, Emma breaches security by attempting to communicate with Oliver that she remains, in fact, alive and well, but in hiding.

Jessica and Ernest then ride to Emma's actual apartment, before which they witness an automobile/pedestrian encounter, leaving a body on the sidewalk, and a murder to solve.

Inspector Roger Crimmins (Barrie Ingham) handles Scotland Yard's investigative responsibilities, while Jessica attempts to piece together clues to figure the perpetrator, who has been attempting to "Sing a Song of Murder."

The cast is rounded out by Gillian Eaton as Landlady, Terrence Scammell as Director, Richard Davies as First Tough, Neil Hunt as Tough #2, John Straightley as Police Sergeant, David Grant Hayward as Policeman, and Ron Southart as Plainclothesman.

Those who portray the Tough or law enforcement officers in this episode have made very few television and film appearances: This episode marks one of four credits for Richard Davies, one of only four acting credits to date by John Straightley, the first acting credit for David Grant Hayward, and the first of only two television acting credits to date for Ron Southart (both on "MSW").
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6/10
G'or blimey Guv it's that Jessica....
Sleepin_Dragon14 November 2017
Jessica receives a call informing her that her English cousin Emma, a music hall entertainer has died. Jessica travels to London to sort out her affairs. Emma's nearest and dearest are shocked to see the resemblance of the two, but not as shocked as Jessica is that Emma is in fact alive.

Now, where do you begin with this one, it's almost impossible to review, if you're too critical and having a bad day you'd be forgiven for giving it a 4*, on a good day you'd sing along, get absorbed in the nonsense and give it a 9*. It is definitely a marmite episode, you will (in the mood) love or hate it. On the plus side, it's pure fun, and you can see that Lansbury enjoyed every second playing two parts, her stage song is the highlight. I like the story, and I applaud the efforts to create London.

If I were being critical, London it ain't, the stock footage looks bad, and the fact that on every corner you see London taxis, London buses, Big Ben etc. London overload or what. Olivia Hussey (I wouldn't ordinarily criticise as she's in my favourite film Death on the Nile) but she's very bad, are I say it Patrick Macnee perhaps attacked the role with too much enthusiasm.

Now the worst part, the accents. Normally on the show, every British guest star sounds like they've been living at Buckhingham Palace, here they sound like bouncers from Eastenders.
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7/10
False pretenses
bkoganbing16 October 2017
Jessica Fletcher is summoned to London under false pretenses. She's told her British cousin Emma McGill has been killed in a drowning accident and her body not recovered. But when she gets to London she meets her cousin Emma, also played by Angela Lansbury in the back seat of a limousine.

It's all a ruse cooked up by both her solicitor Kristoffer Tabori and and Scotland Yard inspector Barrie Ingham. There have been some real attempts on her life and this is their way to flush out a potential killer.

Then there's a real killing that of maid Glynis Johns and soon enough the Jessica Fletcher Angela Lansbury is ferreting out the real killer.

Some nice performances also from Patrick MacNee as cousin Emma's husband who was formerly a promising Shakespearean actor but let that all go to seed and became a music hall entertainer and permanent attraction at Emma's music hall theater which they own. Kristoffer Tabori does well as the solicitor. There was a comment made that the accent Tabori used was disingenuous. Granted Tabori isn't British born, but he's a classically trained player in the tradition of people like Vincent Price and Franchot Tone who fit right into films with a British setting.

This was a well done story with a bit of a surprise perpetrator. At least I was surprised, I definitely had my money on the wrong horse.
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Such a funny "fake" London setting
brendangcarroll10 December 2016
I catch this episode all the time on re-runs and it always makes me laugh. In spite of the fact that MSW was such a big success, the budget clearly didn't run to any real location filming so....the studio recreated London on the back-lot.

As usual, The Palace of Westminster and especially BIG BEN and ST PAUL'S CATHEDRAL are added (as glass shots or matte paintings) whenever possible to make sure the audience doesn't forget where we are supposed to be. Isn't it amazing how it's possible to see these world famous buildings no matter where in London one happens to be.....

Others have commented on the wretched accents. All I will add is that Ms Lansbury has clearly lived in America for far too long, as she just cannot bring her old British accent back, no matter how hard she tries.

Great fun though, all the same.
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7/10
Murderous mayhem in London
TheLittleSongbird20 July 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

"Sing a Song of Murder" may not be a season 2 highlight or one of the best episodes of 'Murder She Wrote', but it is hardly a stinker. Flaws and all, it's a lot of fun. Yes, London is basically a low-budget back-lot set and most of the accents are wretched, lacking authenticity and played too broadly, Patrick Macnee in particular sounds odd and Kristofer Tabori's is somewhat ambiguous.

While most of the performances are good, regardless of the accents, Olivia Hussey is wooden and Kenneth Dazinger has little to do as a character that gets practically lost amongst everything else.

However, "Sing a Song of Murder" is very nicely shot and there are as ever some attractive and nostalgia-inducing fashions. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

The writing is tight, thought-provoking and typically amiable, while the story is fun and easy to follow if not exactly surprising by the end, there are some nice twists though.

Angela Lansbury is terrific as both her characters, with a great entertaining contrast in Emma. Barrie Ingham fares best in support, while Macnee is charming even with the accent and Glynnis Johns is good likable value.

Overall, not great but fun. 7/10 Bethany Cox
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10/10
Great.
valstone5221 March 2021
I loved this episode, people complaing about the accent. Do any of you know Angela Lansbury sang that song in, the picture of dorian Grey. And of course her accent is gone look how long she's been in America. People are never satisfied, just have to complain about something.
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6/10
Sing a song of murder
coltras3522 August 2023
Jessica's cousin Emma McGill pulls a trick worthy of her American relative when she fakes her own death and asks Jessica to come for the memorial service to investigate. With Emma hidden away in a Streatham flat, Jessica pokes into the behind the scenes life of the Mayhew theatre to discern who might have wanted her dead. Then Emma's dresser becomes the victim of another apparent attempt on her life. With the secret breached, can Jessica figure out who is threatening her cousin before her curtain comes down for good?

Love the accents, America's view of a quaint British portrait of music hall and afternoon tea where every daughter says daddy - it's a little tedious at times but grand performances from Lansbury, Patrick Macnee and the scrumptious Olivia Hussey, an underrated actress, keep this interesting.
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10/10
Accent on accent.
mcampbell-2101324 January 2018
While I found the fake background to be so cheap and fake driving was amusing, that's part of it's charm. I absolutely loved Kristoffer Tabori's English accent along with his performance, he almost reminded me of the late Peter Lawford, Kristoffer also went on to use his English accent on another MSW episode in Truck Stop. With accents, what frustrates me with American productions, they don't seem to separate the Northern Ireland accent from the Republic of Ireland accent, as they are both very different from each other.
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7/10
Great Cast
habsfan-0932419 February 2024
I have no clue what planktonrules is talking about in their review of this episode.

All of the cast is from the UK, so there are no "horrible fake accents" as they describe. Quite the opposite, Angela Lansbury seems quite at home working with her fellow countrymen.

It's somewhat of a thin plot (as far as Murder She Wrote goes), but there is some really great acting by some excellent masters of stage and screen performers in this episode.

The writing for the dialogue is excellent, and with a few minor slips, use proper british idioms and terminology.

The cast is a powerhouse lineup of veteran UK performers who are at the top of their game here; Patrick MacNee, Glynis Johns, Olivia Hussey... the cast saves a relatively weak storyline.
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2/10
More accents were murdered than people!
mnewbiggin5 May 2012
I won't review the story as this has already been done, as has the obvious Non-British locations.

The 'English' Actors seem to have had the same voice coach as Dick Van Dyke in Mary Poppins. Even the British ones have bad accents; I've never heard Patrick Macnee and Glynis Johns, both very talented, that bad! Don't know what was worse, Macnee's odd English or Johns appalling Irish.

Do Americans really think we talk like that, or just American directors? Certainly the Americans I know don't.

Please. if you want British characters, let them sound British. If you want an Irish accent, get an Irish actor to play it. The same applies to Scottish which thankfully there were none to be murdered in this film but are often done very badly in American films.

We want Characters, not Caricatures.
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2/10
In the "So bad it's good" category
brundleuk31 July 2020
I've only been watching this series during lockdown, recorded them all on series link from 5usa in the UK, just as something to watch now & again and obviously has the same creators as Columbo which I adore. Columbo has a similarly awful episode (Dagger Of The Mind), but even that can't match this!!

This is the only Murder She Wrote I won't delete so far.

It is toe curlingly awful, the sets are utterly ridiculous, clearly filmed in California (with St Paul's cathedral and/or Big Ben superimposed onto the background) , the accents from American actors are just bizarre!! If you knew you had an acting gig on a prime time or successful TV show you, reading this, could do a better job, it couldn't be worse!

It was quite a good idea to have Angela Lansbury play two roles, but even though she's from the UK she gets pronunciation wrong with one of the characters, it's just not consistent, though I admit she is a good actress and pulls it off pretty well.

Lansbury plays Emma & obviously Mrs Fletcher, I finally laughed out loud with the line "your resemblance to Emma is remarkable, almost frightening"

It has to seen to be believed.

Even good old Patrick Macnee tries to do some silly Irish/Scottish/Cockney/northern accent (I don't know what on earth it is!) he clearly isn't comfortable with & fails miserably

Pretty average mystery, it's ok.

Have to give it 2/10, for UK viewers probably 8/10 just for the absurdity of it!
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2/10
Have they run out of ideas already?! It's only season two and they introduce an identical cousin!
planktonrules26 October 2022
"Sing a Song of Murder" gets my vote for the very worst episode of "Murder, She Wrote" up to this point. I have no idea if they get worse...but it's also hard to imagine what could be worse!

The story begins with Jessica's identical cousin in London performing on a music hall stage. Soon, you see an attempt on her life by some unseen person in a car. Following this, she fakes her own death and calls for Jessica in the States to help her. With the help of an inspector from Scotland Yard, they get down to the bottom of things.

Only on TV would you see something like identical cousins...an utterly ludicrous idea popularized by "The Patty Duke Show". Now this is bad, but the show is also bad in at least a couple other ways. Some of the British accents are really, really bad (particularly by one of the villains) and Jessica's cousin seems downright dim...and that's being very generous.

The bottom line is that such a silly plot would sound as if the series has jumped the shark, though it's only season two and there are ten more to follow!

By the way, one small thing I loved. Early in the film, Jessica's cousin is leading the audience in a sing-a-long...and it was cute seeing the punk rockers singing along with this old fashioned tune.
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5/10
Sing a Song of Murder
Prismark109 September 2023
Warning: Spoilers
Cor Blimey guvnor. You would never Adam and Eve it. A Murder She Wrote story set in Ye Ole England.

This is the one where every British actor based in Hillywood thought they would get a look in.

Jessica's cousin in London, Emma MaGill, a veteran showgirl has survived several attempts on her life.

She believes that someone is targeting for murder due to her owning a failing theater in London. Someone has made a generous offer for it, but Emma does not wish to sell.

After hearing Emma has died, Jessica goes to London to attend her funeral. She hears that she will be inhering the theatre but to her shock, Emma is still alive having staged her own death.

With the help of Inspector Crimmins, Jessica investigates only to discover that Emma's dresser is killed. Later people find out that Emma is not actually dead so she is at risk again.

A broad episode with Lansbury playing duel roles. Patrick Macnee playing a pseudo Archie Rice character. Everybody hams it up a little with mock cockney or northern accents.

The stock library footage is a hoot.
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