(TV Series)

(1999)

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7/10
Tony calls 'em as he sees 'em
blanche-218 May 2008
A director once said to Harrison Ford, "The minute you saw Tony Curtis on screen, playing a grocery delivery boy, you knew he was going to be a star," to which Ford replied, "I thought he was supposed to be a grocery delivery boy." Well, there are movie stars, and there are actors. Tony Curtis happens to be both.

Back in 1999, "Private Screenings" host Robert Osborne interviewed Tony Curtis and the result is a candid interview punctuated with humor, some regret and some anger. In his heart, Curtis never left Manhattan's east side, never lost his competitive spirit and never stopped being a scrappy, resourceful and creative individual. A love for the movies and an adoration for the elegant stars such as Cary Grant lifted him out of his circumstances. Why did he enlist in the navy? "Because Cary Grant made a movie called "Destination Tokyo" and Tyrone Power made a movie called "Crash Dive." Curtis talks about his early days in Hollywood and how his looks got in the way of getting good roles at first; his marriage and divorce from Janet Leigh; the stars with whom he worked, including Jack Lemmon, Marilyn Monroe, Kirk Douglas and Burt Lancaster; and that infamous scene in "Spartacus." He speaks empathetically about Monroe and kindly about Douglas and Lancaster. Having worked for Tony, I can say the truth is somewhere in between.

This episode of Private Screenings is 9 years old, and Curtis is now approaching 83, an age he never thought he'd see. Since that interview, his son Nicholas has died of a drug overdose, he nearly died from pneumonia, and he's moved to Las Vegas. It doesn't matter where he goes - he'll always be a tough New Yorker, a great storyteller -- and feel a little bit like an outsider.
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7/10
Tony, Tony, Tony
wes-connors12 September 2009
This 1999 "Private Screenings" is a great way to spend an hour in between watching Tony Curtis films on TCM (Turner Classic Movies). Mostly, Mr. Curtis seems to have an honest perceptive about his image, career, and personal life. He speaks of co-stars with candor; while he doesn't always paint the most positive picture of the people and events in his life, he never appears bitter or hateful. Some mild "negative" reflections about co-workers sound authentic because Curtis doesn't seem angry or vengeful, just "matter-of-fact". And, Curtis is very frequently generous when discussing his co-workers.

Host Bob Osborne keeps the discussion on track; he knows when to move Curtis on to discuss the next film, and when to let him go. Curtis makes this a very easy interview for Mr. Osborne. The Bronx-born Bernie Schwartz names his favorite roles are "The Boston Strangler", "Trapeze", and "The Sweet Smell of Success". He shares great memories of these, and classics like "The Defiant Ones", "Some Like it Hot", and "Spartacus". Nothing in the interview hits you over the head with demands that Curtis be reevaluated as a much better actor than he was given credit for; but, he appears elevated.

******* Tony Curtis (1999) Tony Barbon ~ Tony Curtis, Robert Osborne, Janet Leigh, Burt Lancaster
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7/10
No Do-Overs In Life
bkoganbing20 January 2010
Warning: Spoilers
In this Private Screenings for TCM Robert Osborne sits down with Tony Curtis to talk about his career which sad to say seemed to end around 1970. Not that he didn't keep acting and not that he didn't get an occasional good role, but his day as a box office draw ended right around that time.

If anyone thinks Curtis was candid during this interview one should then pick up his memoirs. As he said he wrote them mainly because if he didn't the record is disjointed enough anyway. He thought he'd like to get his two cents in.

He had some great things to say here about Burt Lancaster, Gregory Peck, and even Janet Leigh. He was far more generous to Janet in his memoirs, basically saying that they married too young and the pressures of Hollywood got to them. In his memoirs he was not so hot about colleagues like Henry Fonda and Yul Brynner.

The one thing that came across was the fact that he wished that a film like Sweet Smell Of Success had come earlier in his career. I can't help but agree that if it had, Curtis would have been taken more seriously as an actor rather than just a pretty face. Even today Sweet Smell Of Success is one of the most powerful films ever done in Hollywood and both Burt Lancaster and Tony Curtis reached depths of character that they had not gone to previously.

At times Tony Curtis can come over as overbearing and egotistical, but there is also no doubt about the love he has for the industry and for his profession. That's the most candid part of the soul Tony Curtis gives Robert Osborne a peak at.
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